[MUSIC]
>> Another day, another arson.
Lord Jesus, it's a fire.
Somehow the crew managed to convince Lord and
Lady Highhill that they were insurance inspectors here to inspect the security of the house.
Chuckles tried to make a move on the less than impressed Lady Highhill.
While Squish and Patches ditched them and snuck off to further con her father.
At one point, Chuckles had the opportunity to push the woman out of the window.
But remembering his dear uncle Shylock's word, murder is wrong.
He instead withheld his darker- >> Smart man, lies.
>> Which convinced Lord Highhill to turn over his security key.
He passed it off to Patches, then went outside.
Lady Highhill, again suspicious, began climbing out of the room.
The door was locked by a turnip.
Squish kicked her off the wall and she landed safely, albeit on top of Chuckles.
Meanwhile, Patches pulled off his best military impression and
convinced the guard to let him into the vault tower.
He saw the large chest too big to carry on his own.
He thought of a cunning plan and would you believe it,
he summoned him in to set the house ablaze.
So surprise, surprise, the house is on fire again.
The guards have surrounded it on the chest and all chaos is about to break loose.
>> Will they rescue the harp in time?
>> Probably.
>> I mean.
>> I can only assume.
>> I have to, can you guys hear me?
>> Yes, yes, we can hear you.
>> Okay, I gotta say, my notes for last week, I didn't take very many.
It only says we are working security for a hot goblin mama.
>> Unhelpful and inaccurate.
>> Yep.
>> Yeah, so again, just to quickly recap things.
Captain, you are in the vault room surrounded by, let's see, we hear one, two, three,
five guards.
You have joined their ranks in surrounding the giant chest,
which holds the harp that the captain, the real captain desperately wants.
Squish, you are climbing the wall up to the second floor.
And Chappels, you are underneath a demon woman who has fallen on the top of you outside.
>> That's my second biggest fetish.
>> What?
>> I don't wanna know what the first one is.
Hotman, you have unleashed patches, you have unleashed Hotman into the floor below you,
and the second floor, just to be clear.
And he has started lighting things on fire.
Now, smoke has billowed up into the tower, and smoke is starting to make its way downstairs.
The alarms have just gone off.
So where all of you are currently, you just start hearing this blaring like,
and all of the guests are getting a little panicky and looking around.
They're kind of drunk at this point.
It's late into the evening.
It's quite late into the evening at this point, it's nighttime.
And yeah, take it from there.
Has anybody got a place to start?
>> Jockel should probably climb out from under the woman.
>> Never.
>> Fair point.
>> Never, he screams underneath her.
Lady Highhill rolls off of you.
You have, hold on, let me get us back outside.
>> Was that as good for you as it is for me?
>> Stop it, she pushes off of you and she goes, he's climbing back up the wall.
>> Who?
>> Your inspector friend, do you even know this guy?
>> The red one?
You know, sidebar, she says in character, I'm also red.
A lot of demons are red.
>> Yeah, yeah, racist.
>> Yeah, red.
>> I don't know, I think that's a loaded term.
>> What?
>> Yeah, no, we're, yeah, he's just a safety inspector.
And by the way, what the hell is that noise?
>> But those are the alarm systems that are going off.
The security system you were supposed to check in on, it's now going off.
>> Oh, shit.
It's not a fire alarm, is it?
>> It's an everything alarm, something's going on.
My dad's still in there, my father, and she starts running into the house.
She's planning on going through the front or the side door.
I guess you're close enough to the kitchen, so you could probably sneak into the back.
She can get into the back door and into the house.
>> Can I grab her before she runs away?
>> Yes.
>> I grab her like on the back and I say, you can't just go running in there.
That's an everything alarm.
>> It is an everything alarm.
>> Yeah, no, we can't just go barging in the front.
>> What am I supposed to do?
>> Do you want to go through the back door?
>> No.
>> Your dad can get out on his own.
You know what can't get out on his own?
Black harps, or probably any harp.
>> What are you saying?
>> We should save the harp.
>> Okay, well, we still have to get inside the house for that.
>> Well, how do we do that?
So if we take a look at a character.
So you have fallen.
Actually, let me just delete a few people here.
He'll get you guys out of here.
So you have fallen.
You fell out of the bedroom window, which is here on the side of the house.
I've placed you there.
>> All right.
>> I can't stack you on.
Oh, yeah, there you go.
You're stacked.
You guys have fallen up here.
There is a door to the kitchens, which is on the right side of the screen.
There's also a door in the front of the house.
So she's going to make her way over towards the kitchens.
>> All right, so we're going to go to the kitchen then.
>> Yes, so you start heading towards the kitchen, chasing after Lady High Hill.
Squish, you are climbing up the side of the wall.
What are you doing?
>> I'm on the first level though, still.
I didn't get very far.
>> Yeah. No, you didn't get very far.
You kicked her down, actually.
>> That sounds about right.
>> But I also kick Squish.
Let's not forget.
>> Yeah, no, I did not.
>> Yeah, Squish never forgets.
>> Squish does not like to be squished.
>> Are you coming up back to the top of the floor then?
>> No, I want to try because I won't be able to get out of that door because there's a turnip jammed in the lock.
>> Oh, there is a turnip jammed in the lock.
What did that?
>> I think that was me.
So no, I would just like to look for an open window on the first floor to try to get in.
>> Go ahead and roll your survey.
>> It's pretty good.
>> Oops, sorry.
>> Looped.
There you go.
Yeah, so I'm going to just quickly, I'm bouncing around here.
I apologize for that.
So this is where you guys were before.
I'm just going to give you an idea of Squish.
Let me put you in here.
So this room right here with the bed where you're standing at now,
that's the room you guys came in on or went out the window of.
I'm going to say probably at the very end here where the captain is like he's in the guard tower,
the room before that where the smoke is really billowing out of and where
Hotman is going around flaming things.
That window is also open.
So there's smoke.
You can see the smoke billowing out of the house from this open window.
>> I bet I know who I'm going to say hi to when I go into that window.
So I would like to climb through that window.
>> You climb in and it's really hard to see anything.
It's just thick, thick smoke at this point.
He has started, Hotman has lit some of the chairs on fire,
just like the furnishings, the walls, everything is starting to get ablaze.
It's not like a rip roaring flame.
Not everything is like it's not like completely on fire.
They're like engulfed in flames.
But there's a lot of smoke billowing out and you see within the smoke,
just this red figure just like laughing gidiously, just like having the time of his life.
And you just see like fire just shooting out of his fingertips.
And he sees you and he goes, hey.
>> Hey, hey, Hotman.
Hotman, let's, do you tone it down just a little bit for right now?
>> Control me.
>> No, that's why I asked.
>> Well, no way.
He is not listening to you.
As I recall, he was told to, what was it?
Go for it?
What was it?
>> I told him to relax.
>> Cut loose.
He said cut loose just a little bit.
>> I said get exactly what I said.
Cut loose just a little bit.
>> That should work.
>> I, just a little bit.
Well, he's not listening to the little bit.
He is completely not listening to anything.
>> Is he listening to the cut loose part?
>> Well, you guys, maybe keep the bottle up all the time.
He's got, kids got to cut loose every now and then.
>> Yeah, you can take him out of the bottle to play with at any point in time.
Doesn't have to be words.
>> On a cool dad.
>> On a cool, inside the mansion.
We were just in a forest.
You could have brought him out there and burned down the jump for it.
>> Listen, I know we make jokes about how I let a lot of fires,
but I do want you guys to recognize that I have a hot fire demon as my go-to option here.
>> Who could have foreseen this comment?
>> Yeah, I didn't ask you how big the house was.
I said cut him loose.
Yeah, so, Hotman's not listening.
He is completely oblivious to your concerns whatsoever.
>> All right, well, I tried.
All right, I would just like to walk past that and try to go to the, where the harp is.
>> You walk up the steps and you see, as you do.
As you walk in, you see this round room.
We've been here before.
At the center of it is a very large chest.
It is a chest that requires two people to lift and to maneuver.
It's not big.
Like it's not super heavy, but you can't.
Like it's too wide for one person to hold and walk at the same time.
There are five guards around this.
They back to the chest.
They're swords out.
They are ready to defend this chest.
You also see the captain in a similar position,
not in any military uniform.
He's just standing there, sword out.
Well, you didn't tell me.
>> Grey as hell.
Pact, did you tell me what you're doing?
>> I imagine Squish is just kind of looking from guard to guard to guard.
And it's pan air claws.
And all of a sudden he just kind of sees me.
And I hope he doesn't draw attention to me.
>> I see this.
I go, oh, I slowly closed the door.
>> All right.
No, don't cancel.
What am I doing?
All right.
Downstairs.
>> Chuckles, you are in the kitchens now with Lady Highhill.
>> All right.
Now we got to get up to that harp and we got to save it from fire.
I have to assume it's very flammable.
It's made of bones I hear.
>> It is made of bones.
How did you know?
Did I tell you that it was made out of bones?
>> I know, I've just learned books.
>> She is, despite in this moment, slightly impressed with you.
You're either my listening or my reading.
>> Both at this point are pretty admirable for her.
>> Let's hope this never comes up again.
>> She's had a bit of a shock being pushed out of the window,
or not being pushed out of the window,
falling off of the wall and landing on you.
So she is a little shook up.
So, you know, but she's a bit concussed and I'm about to take advantage.
Yeah, this may surprise you, ma'am,
but I am quite accustomed to burning buildings.
This is not my first rodeo.
But what we can't do is go in here and start running around.
We have to go in here orderly and with a plan.
And the plan is to get that harp.
>> Yes, you're absolutely right.
And she shakes her head and she's like,
of course, of course, right this way.
>> It's the only irreplaceable thing in here.
>> Yes, that might my father.
Do you mind if we check in on him real quick?
>> He'll be fine.
He has feet.
I bet he's pretty nimble.
>> I'm not saying that.
I've grown.
>> She leads you from the hallway,
from the kitchen into the hallway,
the stairs that lead, you know, ironically upstairs.
You get to the top of the stairs.
Now, this is where a picture of her and her mother
and her father are, you know, the two big pictures side by side,
right, where you insulted and said her mom was a whore.
>> Well, I mean, I didn't say in so many words.
I just said that there is no way that, you know,
she would have sex with a little goblin man.
>> And it's wiki.
>> But I would never say that again.
>> Right, right.
The flames are heavier in this part of the house, right?
Because it's the top part of the house,
and you guys are heading towards the area
where there is the most flames.
At this point, it is very difficult to see,
and you guys start coughing and you're like,
like, the house is burning, you know?
In fact, the photo, the picture that she was admiring earlier
has now started to like burn and crisp at the edges.
Yeah, and she's coughing and she's like,
[COUGHING]
>> See.
All right, here's where you got to bend over.
>> What?
>> Get on all fours, woman.
>> That sounds like a command.
>> Yeah, are you commanding her to get on all fours?
>> Well, I am, but I don't care if she lives.
I'm going to go on all fours.
I love to crawl around, as we all know.
>> Okay.
>> Most people have fight or flight.
I have fight or get on all fours.
Fight or four, that they call it.
>> Fight or four is very nice.
You drop to all fours, and are you going to keep heading towards the vault?
>> Yeah, I'm going to crawl through her legs and just go forward.
Now let's go.
>> She sees you and she watches you for a minute
before she realizes what you're doing.
And she in turn actually does too.
She drops onto her knees, onto her all fours.
She has to hike up her skirts a little bit
so she doesn't step on them.
And she follows you as you walk into the room at the base of this tower.
When you walk in there, the room is like hot.
It is burning at this point.
You can feel the flames hit your face.
And you hear this like cackling, just gleeful after as Hotman sees you like walking
through the smoke.
And she goes, hey, here he goes.
>> God damn it, haven't added again.
Did someone cut you loose?
>> Lady in high heels between con things.
She's like, do you know this?
Is this part of the test?
>> Yes, this is our fire auditor and I wink at Hotman.
>> And Hotman just goes, whew.
>> Fire, fire, fire.
>> Absolutely.
He goes, am I doing a good job?
>> Yes, you're doing great.
But you don't need so much fire.
I think you're doing a great job.
>> Did you say more fire?
>> No, I said cut back.
I just a little bit.
Just cut back.
>> That was maybe, yeah.
>> No, no.
>> Cut back, let it go.
>> Oh boy, yeah.
This is the problem with these fire auditors.
They are real pyromaniacs.
We really need to get another one.
>> You make it to the stairs.
Let's do this be easier.
You make it to the base of the stairs and when you climb up the stairs,
you see squishes there already and patches who is standing with you.
>> No, no, squishes.
Yeah, squishes on the other side of the door.
>> Right, the door is closed.
Did you lock it?
>> No.
>> Oh, squish.
You're here already.
>> I look down and you go, oh, it's on the floor.
What is it?
>> I crawled through his legs and I cracked the door open and take a look inside.
>> I looked down at just your ass between my legs.
And then I wind up and I punch him right in the ass.
>> Oh, what was that for?
>> You kicked me, you dick.
>> Well, that was all part of the audit.
>> You don't do it to another auditor.
Just let the man cook.
And by the man, I mean me.
Can I scan the room and look at all of the guards and then also see the captain
and his electrical hook just proudly in the air, just ready.
And then I close the door.
>> You want to gain some insight from looking at all of these guards?
>> Is that a possibility?
>> Yes, of course.
>> All right.
You're not going to make me roll for that, are you?
>> Yes, I would.
I would make you roll a, we'll say, survey.
>> Survey says.
>> How about Tinker?
>> Heard.
>> You take a look around at these guards and you're not able to discern much about the guards
themselves like any particular weakness.
But they do seem relatively fit, very strong, well-equipped guards.
These are not new.
They were put here specifically for this purpose to guard this harp.
It's clear that they are not going to be easily pushed over or convinced or anything like that.
And in fact, as you survey them, they're looking at you.
Because one inspector just came in with a key and now the building's on fire.
Now there are two more people here as well.
>> You got some honky guards out there, Lady Isle.
>> Aren't they the best?
These are some of the most well-trained demon guards that you can find outside of T.
T. Ros.
I'm so proud of them.
>> Really passing this audit.
The guards are aware, let me put this way, they are only not attacking the two of you
because Lady High Hill is standing there.
Patches managed to convince them he was part of the audit, but you two have not.
But they can't really leave their post at this point.
So they turned you and they look at both of you in squish and truffles and the one in the front
here.
He says, what are you two doing here?
>> You don't have authorization.
You need to be downstairs.
>> We're yelling through the closed door.
>> Yes, you are.
>> What are you doing here?
>> I do a flashback real quick.
>> Yeah, of course.
>> All right.
I'd like to be on the ship and I go up to Juckles and I go, hey, I know exactly what's
going to happen on this heist.
>> It's almost as if you can see the future.
>> It's almost like you've lived through it already.
If our past heist had taught me anything, there will be fire.
>> Yeah.
>> Can you make us some smoke masks?
>> I'll do you one better.
How about some explosion masks?
>> Are those ones that explode or protect you from explosions?
>> No, they explode.
They're like masks, but when you put them on, they explode.
>> You know what?
Make five of those and three regular gas masks.
>> I'm starting to think these flashbacks are a little crazy.
>> I mean, I could do that, I guess.
So exploding masks.
>> Yes, we'll need around five, but if you can't make that many, that's fine.
>> But definitely the three smoke.
>> I'll make 10.
I'll make 15 or 20.
It doesn't matter to me.
I got enough of a time on this boat.
I'm bored.
I've been just playing solitaire.
I don't even have a full deck.
I mean that in two ways.
>> How does that even work?
Do you ever win?
>> Rarely.
Also, I can't read.
>> Yeah, that would help.
>> It's been an ongoing thing.
>> I'll learn someday.
>> Not today.
>> Are you timing us?
>> No.
>> You brought a little sand timer.
Like is that our improv timer?
>> No, it's just on the table.
I was just fiddling with it.
If you want to make these masks, I will let you, but you're going to have to roll your
tanker and it's going to be increased difficulty since this is a highly specific flashback.
>> Well, it's funny because I just meant to this a joke that he wanted like a smoke bomb.
And I said, yeah, because I thought it was a nonsensical thing, a mask that explodes
when you put it on.
That doesn't make any sense.
Why would you do that?
>> You'll find out.
>> All right.
This is what I get for joking.
So which one do I change?
Position to desperate or effects to, that's not going to be it.
A modifier minus 1D?
>> Yeah, let's do that one.
>> All right.
Let's do 1D because this is a highly specific.
>> That's perfect.
>> Okay.
How many masks did you make?
>> I don't know because I also have to carry them.
>> Yeah.
>> I'll carry some too.
>> Okay.
Let's see what you got.
You don't have much.
I would say that feasibly because you also have to hide these on your person, right?
>> Right.
No one noticed them up until now.
>> Right.
>> I'm going to say you can each carry two.
>> Yeah, that makes sense.
I got two pockets.
>> Right.
>> Two of the exploding ones.
Or did you make the smoke ones?
Or just the explode ones?
>> Oh, it's a grab bag.
I didn't label them either.
>> Yeah, I like this.
I like this.
>> Why would you not label them?
>> You have four masks.
Some of them are exploding.
Some of them are gas masks and you are unaware of which is which.
I like this.
This will work.
>> Wait a second.
That could kill us.
>> It could.
>> Or horribly disfigure one of us.
One of us is hands up.
>> Yeah, and the other one is chuckles.
>> Oh, boy.
>> Okay.
Four masks.
>> Oh, when you said gas mask, you mean a mask that protects you from gas?
>> Yes.
>> Not one that makes gas?
>> Yes.
>> We should do another flashback.
I say this as we're standing there before the door.
>> And you pull out your masks.
What goes which?
>> Ooh.
I would have labeled that if I had some sort of writing.
>> And some of them emit smoke?
>> No, I'm going to say some of them explode and some of them function as regular gas masks.
But which is which?
We're not sure yet.
>> All right.
Flash forward.
>> Okay.
>> Future?
To the press.
>> Flash forward.
We die of old age.
>> Turns out.
I have surrounded by tiny little green goblins.
Yes?
>> Yes, because they lynched you.
Give me those masks.
>> Well, all right.
The ones that I have, yeah, here's the ones that I've been carrying.
There are two here.
>> Do you know what they do?
>> No.
>> Okay.
So they, okay.
All right.
>> They either protect you or kill you.
It's a real Russian roulette situation here.
I would have labeled them if only I knew how to write.
>> You could have made them look different.
>> Yeah, but then they would clash.
>> We're going to have to have a long talk, but all right.
I open the door and I, I can't hear you.
>> Can't hear you.
>> Oh, I thought it was just noise.
Canceling at first, but now, oh my gosh, she looks worried.
Oh, she's gone.
We're on our own.
Let loose, boys.
Meet time and then you start throwing fireballs.
Turns out I made 15 masks.
Mask for everyone.
Who knows what they do.
No, she's back.
Oh, I know she's not.
>> No.
>> Be still.
>> Now?
>> Yeah.
A little bit.
>> Okay.
Yeah.
I don't know what happened.
I didn't do anything, but anyway.
So you open the door and I heard yelling from the other room.
You forget, Bryn and I are in the same physical location.
>> Allegedly.
All right.
Uh, yeah.
So you open the door.
>> All right.
And then I start passing out the masks to all the guards.
>> There's five guards in there.
>> Yeah.
So one of them is screwed.
>> Well, well.
>> Three of them are screwed.
The two are probably going to be healthier if we have to fight them.
>> There's five guards and one captain.
So you pass out four of the masks to the guard, the four guards.
>> Are you telling them?
>> Yeah.
>> You kind of have to.
>> You have to convince them to put these masks on.
>> Well, yeah.
Yeah.
So I'm kind of rolling.
>> I'm running and passing them on going,
there's fire over there.
There's a lot of smoke.
We're used to it.
We're fire out-inners.
It's fine.
We'll be okay.
Just put the masks on so you guys will be safe.
>> They take the mask and they look at them.
They are highly suspicious of this whole thing.
They look to Lady Hyatt Hill who kind of just is like shrugs.
She's like, I don't know.
>> Come on.
It's going to save your guys' life.
I would like to sway them to do it.
>> All right.
>> I sway.
>> Okay.
>> Success.
>> Did you succeed?
Sorry.
It's just showing on Ticker is the last thing I did.
Okay.
>> I see it.
>> Yeah.
Six, four and three.
>> Okay.
Awesome.
>> So they look to you patches and they say, commander,
could you convince them that you're a high-ranking military officer?
One of them hands a tunes.
He says, commander, I beg of you please for your own life.
>> No, I'm good.
>> Lady Hyatt Hill and he hands one of the masks to Lady Hyatt Hill who does put it on her face.
>> So three of the guards have the mask and Lady Hyatt Hill has the mask.
>> Does the great captain, does he know about this?
Because he wasn't in the flashback.
He just didn't want to wear the mask because he thought we were up to no good.
>> Mask.
>> No, those things look different.
>> They interfere with your mustache.
>> They don't clash or they do clash.
>> I think I've been doing pretty well.
I mean, I've since being here, I'm now part of this nice little charter guarding crew.
>> I imagine Squish and I look at each other when Lady Amoria puts a mask on and we both suck
air through our teeth.
>> I don't know.
>> No, this.
>> I do not like these odds.
>> Hopefully she didn't hear you say that though.
>> No, I'm sure she didn't.
>> She's sleeping.
>> That was just a thought.
>> Visually with our face.
Face thoughts.
>> Yeah.
All right, so are you going to make them explode now?
Are we going to fight these guys or?
>> What do you mean?
>> Yeah, blah, blah, blah.
>> How do you convince Lady Hyatt to convince them to move it out for us?
>> Oh my God, I would love not to have to carry this.
>> You could try to convince Lady Highhill.
Sidebar, how do the masks explode if they work to work?
Just with the exploding mechanism.
Just my own education.
>> Just so I know what's going to happen here.
>> Well, they look like those World War II or like painters masks.
You know, they have like the two cylinders on the side.
Well, some of those cylinders are filters and the other ones are fire.
>> Bombs.
>> Bombs in the face, yeah.
>> Bombs.
Are they triggered by like a timer or is it like a pressure?
>> A talky walky.
>> Or what triggers the explosion?
Okay, a talky walky, perfect.
Let me just.
So they're triggered by airwaves.
>> Yes, radio waves to be specific, which in this world I think are filled with ghosts.
>> That is true.
Okay, so through the guard to have masks on, Lady Highhill has put her mask on.
To say regardless of whether or not you have an exploding mask, it does allow you to probably
breathe a little bit easier.
So she is not aware if she has a mask and no one can tell who has what kind of mask on.
>> I just want to take a break and just say, man, what a strange situation to be in.
The house is on fire, we're in a treasure trove and we have a series of masks that
we're not sure which ones are going to blow up or not.
>> Yeah, the Russian roulette masks.
>> Yeah.
>> This is like really strange.
>> What's strange is I'm not even either.
>> Chuckles, you're literally screwed us again.
>> I've got to get you hooked on phonics, man.
>> Hooked on monkey phonics.
>> Flashback, there's Dee Dee with Chuckles trying to point to a picture book.
All right, yeah, so you're going to convince Lady Highhill, that's the plan.
>> Yeah.
>> Chuckles, how good is your sway?
>> Not very good, I don't think.
I have really maxed my tinker to the detriment of everything else.
>> Yeah, we love it though.
>> My sway is zero, but she loves me.
>> Okay, why?
>> She really does like you now, actually, her feelings has changed.
>> Wow.
>> All that nagging has paid off.
>> As does.
>> Yeah, then you yelled at her to get on all floors.
>> I told her to bend over and then she didn't.
>> Oh, I called her.
>> And so I crawled through her legs and then she bent over, so get your fact strike.
>> Boy, I'm sure this is going to sound all great when I clip it out of context.
>> Do we get memes this week?
I don't think we did.
>> I have some, but they were like a minute and a half.
The Bloomer conversation was great.
>> Now, I got to defend myself on the Bloomer thing.
I said Bloomer, okay, because that's what I thought Bloomers were.
I was talking about those short pants that George Washington wears.
That's what I was talking about.
>> But he wears Bloomers.
>> Yeah, I don't know.
>> All I'm saying is that my clip ended with, why are you even talking to me?
Somebody talk to somebody else.
>> All right, now I forgot where we were.
Oh, I'm talking to Lady High Hill.
And oh, I'm Lady High Hill.
>> Do you think I should try this?
>> No, she's not going to listen to you.
She's only going to listen to me because she's my girlfriend now.
>> Lady High Hill.
>> She's my girlfriend.
>> Lady High Hill, babe.
We got to get this out of here.
This is your legacy.
This is your family heirloom.
And we need to get out of this burning money pit.
Treasure house.
>> The inspection.
Is their house really on fire?
>> Sometimes you got to burn a few eggs to make a scrambled egg.
>> Sometimes you got to peel a couple of onions.
>> Sometimes you got to eat a rutabaga to have fun.
>> Sometimes you got to nut punch.
>> Don't even get me started.
>> Amphibly, that's not going to work.
Lady High Hill, as you can see, she has no testicles.
>> How could I see that?
Oh my God, is she wearing-
>> They didn't run in between their legs.
>> She did fall.
You did go between her legs and she also fell on you.
So I'm sure you have to feel.
Okay, go if you want to- >> Claws over that.
>> If you want to sway, you can sway.
I'll also give you a plus one since you've built up a rapport with your girlfriend.
>> Plus one for love.
>> Sway.
>> Is there a way I can help them out or that'll give me stress, right?
>> Yes, it'll give you some stress.
So if you want to give a stress, you can give them another plus one for that.
>> How is he going to stress to help me do better on this role?
>> Yeah.
>> That doesn't make any sense.
>> What can you say that will add to-
>> Because of the implication?
>> No, I could just back up your claims
of telling her that there's a real fire there.
Like, yeah, I just walked by, there's a demon back there.
He set fire to everything and giggling while doing it.
>> We saw the fire.
>> I did see a good length fire demon.
>> Yeah, that's the auditor.
He goes a little crazy sometimes with the test,
but we really need to get that harp out of here if that's what you really want to say.
And not your father.
>> Oh, screw that guy.
He's almost dead already.
I don't say aloud.
>> Yeah, you can get another plus, so it'll be plus two for your sway.
And then, yeah, Squish, take a stress.
>> No way, I'll lose that.
He takes so much stress.
He must have like 100 stresses.
>> I'm the only one that does.
>> That's one for love.
>> Okay.
>> Sounds like a darkness song.
He hesitantly agrees.
She goes, okay, you four.
She points to the four guards sitting at kind of the cardinal points.
Take this, yes, take the chest.
We're going to go to my rooms and we're going to move it there.
If the house truly is on fire, it's easier to get out from that place
rather than this death trap of a tower.
So she orders the four guards to pick up the chest.
They are going to walk it down the stairs.
>> Captain, I'm assuming she's gonna, no, she's gonna lead you guys all to her personal bedroom.
It's gonna be her, Chuckles, Squish, the four guards, Captain, and then one other guard behind
him.
So that's kind of the lay out here as they walk down the stairs.
She leads you through this smoking area.
Now the rest of the house is starting to also catch a blaze at this point.
But beyond her dad's room, there is another bedroom.
I'm just going to go ahead and put her there so you guys can see where that's at.
Oops.
>> Nice.
>> So her bedroom is going to be in the center area and there are going to be
all of the guards, hold on.
>> Swing.
>> One, three, four, five, Chuckles.
And the captain.
Oops.
And the mission.
Okay, so she leads you down to her bedroom and she opens the door and it is the most like bright,
really pink, like velveteen for poster bed. Just like tons of lace and kind of just,
it's really at odds with her up to this point, very kind of like stiff personality.
And it's a large enough bedroom that you guys aren't cramped, but there are like
nine of you in here at this point.
So it is pretty plus this very large chest.
She's moved you into the bedroom where there is less smoke.
She still has her mask on and the guards still have their masks on,
but you're not in immediate danger of burning.
>> So this is your room.
>> Yes, this is my room.
>> Wow, I see.
>> Okay, well, yes.
I'm gonna have the guards stay here.
Would one of you be able to go check on my father and make sure that he's okay or
we probably should evacuate the house or something?
I don't know what to do.
>> Yeah, we should evacuate.
>> Right.
You're right.
I'm sure the chest will be fine here during the fire.
>> No, I mean, we should toss it out the window.
>> Toss the chest out the window.
I like this plan.
>> I don't like that plan.
>> We can't break the heart.
>> It's in a chest.
>> The chest is not made out of bubble wrap.
>> It's probably a heart made from the chest you're made from.
>> Yeah, it's not made out of glass.
It's bones.
>> It is bones in delicate wood.
>> In delicate wood.
>> Can I pull juggles aside?
Well, actually juggles in, Captain.
>> Oh, God.
>> All patches.
Sorry.
>> All right.
No, it's all right.
I'm Captain Patches now.
>> Should I engage?
Should I blow the masks?
>> Yeah, when do you think we should?
>> Should I go rob the old man?
>> What you should do is rob my girlfriend of her mask and then put it on and then I'll
blow the masks.
>> What are you talking about?
>> He doesn't know about the masks.
>> What mask?
Why is everyone wearing masks?
Where's my mask?
Why are you checking my mask?
>> Get down.
>> I didn't, I turned it because it looked silly.
>> You know what?
Go take yours off the lady high, or go take Lady Hiles.
>> No, no, I don't want it.
No, I don't want it.
No, no, no.
>> I'm upset.
>> I don't know what your contents--
>> I want to go rob children.
>> Children can't get those.
>> Masks are exploding.
They're exploding masks.
It's my new invention.
>> Sure.
And why would you give one to the broad?
>> Well, here's the other thing.
Two of them don't explode, and two of them do explode.
We just don't know which.
>> Oh, thank God.
What?
>> I would have labeled them, but I don't know how to write.
>> Do you know how to put a piece of string of a different color?
On that so you know which one would be different?
You know, do you know how to make any distinguishing marks at all?
>> High-Tide is 2020.
Yes, there's a hundred things I could have done,
but I didn't.
I was too busy being excited for making an exploding mask.
I invented the exploding mask.
>> Don't stay there too long.
>> All I'm going to say, all I'm going to say,
all I'm going to say is you better get your exploding mask off that hot mama over there,
or she's going to explode.
>> Excuse me.
You will address her with respect.
That is my girlfriend and future wife.
And probably--
>> I am trained to save her life.
>> Mother of my future goblin children.
You take it back.
>> It's fine.
I'm just telling you, you need to save him.
You need to get that mask off of her before it explodes,
because our luck is not good.
>> All right.
But we got to save the harp,
or we got to check on that stupid goblin man.
He's probably dead already, right?
Let's just tell her he's dead.
>> Yeah, probably.
>> No, we probably should not tell her that.
>> Okay, then let's just lie to her and tell her that he's safe.
Wait, no, I feel like that's going to blow up in my face later.
No pun intended.
>> Yeah.
>> Let's grab the old man.
>> Grab the old man.
>> Grab the hot mama.
>> He might literally blow up in her face too.
>> Let's grab the old man, take the mask off the hot mama,
hope give it to one of these other guards,
and just assume that all the masks are bad.
Grab her father, get his key,
and then ditch both and get the harp.
>> I have the key.
>> You have the key.
>> Yeah, you have the key.
>> What are the chances that the harp has fire extinguishing features
if we just play it?
>> Does it talk the harp?
Can we really look at it?
>> Can I sew it into my jacket?
>> Can it give us any advice at all about the do what to do here?
>> Yeah, let's ask the lion.
Does the lion have any thoughts?
>> Paul, can I ask Paul what's going on?
Paul, what any advice on the situation?
>> Did you look at the chest that it's in?
>> Let's go look at the chest real quick.
>> I've been looking at her chest.
>> That's not what I meant, and you know it.
>> So when you were in the keep or the treasure room patches,
you did notice there were a lot of incantations and things written on the walls and on certain things.
You can see that these are also on the chest as well.
>> A lot of incantations on this chest, boys.
>> So what?
>> Yeah.
>> You're going to read it?
>> No, no, no.
I just think a lot of warning signs here, a lot of maybe stay out.
>> Stay out of the--
>> Guys think we should go in?
>> Go into the harp?
>> Maybe.
>> No, take a look into the chest of the harp.
>> Are you saying you want to open up the chest and see the harp that's inside?
>> Yeah.
>> Okay.
You walk towards the chest where the four men are still holding onto it,
and they immediately take their bayonets and cross it in front of them, and they say,
"Sorry, sir, under orders."
There's no one allowed to touch this chest except for Lord High Hill.
>> What about Lady High Hill?
He's right here.
>> They look at Lady High Hill and she looks back at them, and she just,
you don't need to see that.
>> All right, let's get the goblin, man.
>> I am really wanting to open this harp now.
>> I want to know what's up with this.
This is my new mission.
We got to get this chest guys.
>> All right, the question, what are we doing?
>> Let's blow up the masks, kill all the guards, and steal the chest.
>> Possibly, my girl.
>> So I'm assuming the masks--
>> I am.
>> I'm assuming the masks have a--
>> I know you are.
>> Are the masks timed?
Do they have a button?
That nation's--
>> That's radio.
>> Yeah, it's my talky walky.
>> Radio.
It's the talky walky.
So if he says whatever over the talky walky,
we'll-- the air radio waves will make the masks explode.
And again, we have four masks.
We don't know how many explode and how many are safe or who has what.
>> Oh, so it could be all four of them are exploding.
>> It could be.
It could be all four of them are just regular masks.
>> Boy, I am real stupid.
>> You are really, yeah, you really fucked us up.
>> I say we need Lady High Hill out of here.
We tell the four guard-- the five guards to get out of here with the harp,
make them take her mask, lead her out of here, and then, you know,
just hopefully those and then blow those little suckers up.
>> Why can't we just blow them up now?
>> Because Lady High Hill, you know,
Juckle seems to be fine with her.
>> Yes.
>> Yeah, he's fine of anything that stands on two feet
as not testicles he can punch.
>> Wow, that's awfully reductive.
>> I don't--
>> But you know--
>> No, don't squish.
Look what you did.
You hurt the lad's feelings.
Look at his face.
He's upset about that.
>> Yeah.
>> He knows his feelings.
>> Yeah, I'm a sensitive boy.
>> It's fine.
>> All right.
Lady High Hill, babe, darling,
have you ever seen one of those movies
where they toss someone out the window to save them from fire?
>> I've heard stories about this, yes.
>> We're going to do that to you right now.
Yes, it's the only way to save you.
>> We have to demonstrate you.
>> I just go down the stairs.
The side of the house is an--
>> There's no time.
You're hysterical.
>> No time.
>> I have a mask.
I should be fine.
>> Jesus, everyone grab her.
Toss out the window.
>> Yeah, and give me that mask.
We got to save it for the guards.
Because we got to carry this out of here,
and you're just going to slow everyone down.
Listen, it's for your own good.
>> Is there a window nearby?
Is there a window nearby?
>> Yes, there is.
I don't know if you guys saw it.
Hold on.
Let me put this in the--
This is her bedroom.
>> All right.
Define a straighter.
>> Yep.
>> Toss her out the window.
That's what I mean.
>> Squish.
That's your job.
And make sure you take the mask off of her,
because we need to give it to the other--
You have to give it to the guards
so they can carry out this.
They can carry this harp out.
This is through the--
>> She's got a team effort.
We got to throw her out the window.
>> Yeah, that's why you're bigger than she is.
>> Am I?
>> Yes.
>> All three of us should do this.
This is a team effort.
Just throw it out the window.
>> Yes.
>> If all three of you want to do this,
you all have to roll your finesse roll,
and you have to work together to pick her up
and chuck her out the window.
>> All right.
>> Group roll it.
>> You'll thank me someday.
>> I do not like this idea.
I really don't like this idea.
>> Oh, no.
>> What do you mean?
You were ready to blow her up.
>> Yes.
It would have been a lot simpler.
>> Did we all fail?
>> Did you roll?
>> Oh.
>> Yeah, we all failed.
>> Oh, no.
>> Excellent.
>> So you all like--
>> She punches off the window.
>> She like wraps her.
[laughter]
>> And all she does is scream and just bats you away.
Like, you know, just like, "Pah!"
"Sing with you!"
>> All right.
>> "No, seriously, that pisses me right the hell off."
>> No, I was hugging you.
Because I'm so scared.
>> Lady.
>> Lady, hold on.
>> Did you just bone brush me?
>> Can you lady--
Lady, can we open those windows for a second?
Let me tell you this.
This plan of ours is a good one.
We just need to recalibrate.
Can these windows open?
>> Listen, all right.
You see, are you afraid of it?
>> Open their windows.
>> Yes.
Okay, fine.
I'll go first.
Throw me out first, and I'll show you how safe it is
to be thrown out the window.
>> All right.
I grabbed--
>> Who's throwing him out the window?
>> I grabbed chuckles to throw him out the window.
[laughter]
>> All right.
>> Who's throwing this sack of cabin boy?
>> All right.
Go ahead.
>> Can I ask--
>> Let's--
>> Wreck it.
You're right.
>> Well, the window is open now.
>> Yeah, the window is open.
I'm going to say that you two--
Are you two working together to show her
how easy it is to throw her out the window to be safe?
>> I'm doing my best plank.
I'm just being real straight and real easy to throw.
>> I think Andy's frozen.
>> Oh, no, he needs to come back.
>> He's really-- he needs to come back.
I just thought he was really annoyed with us for the last one.
[laughter]
>> Okay.
So what I'm going to say is you're not going to throw your finesse.
Instead, when you are going to roll chuckles,
since you need to survive this,
is I'm going to have you try to roll your prowess, which is three,
to see how well you survive getting thrown out the window.
>> Wait, wait, wait.
Prowess?
Oh.
>> Yeah, so that's like a defensive roll.
>> Okay.
>> We never use--
>> But it's just three.
So just throw three, 3D.
>> Right.
So Captain picks you up.
He tosses you out the window.
chuckles, how do you land?
You survived the landing.
How do you land?
[laughter]
>> I don't know.
I was going to say, I land right on my head.
I need to take some damage from being thrown out the window.
I don't know if I knocked out or like just injury.
I'm definitely--
>> No, no, you landed on a-- you landed on a rose bush.
>> Oh my god.
You're-- I land-- you throw me right onto a cactus.
>> No, like some kind of easy bush that's going to catch you.
>> Yeah, rose bushes, famous for being full of thorns.
[laughter]
Oh wow.
>> All right, I'm in a rose bush.
I'm going to fetch it.
>> He looks-- Lady Highhill looks out over you and she goes,
"Yeah, I mean, I guess-- are you okay?"
>> Well, look how--
>> You're next.
>> Look how brave I was.
[laughter]
>> When you pop your head out, you have like a rose between your teeth,
like real romantic life,
but really it's just your mouth is full of thorns.
>> You have covered in blood.
[laughter]
>> Yeah, you're real cut up.
But she is smitten.
She goes, "Okay, well, if you promise it won't hurt."
>> Oh, it's going to hurt.
I mean, it's not-- you'll be fine.
>> I promise.
>> All right, who's going to throw Lady Highhill off-- out of the window?
Because she will be convinced now that she saw chuckles do it.
>> Squish, you want the honors?
You want me to do it?
[silence]
>> Oh.
>> Oh, that's not his listening face.
[laughter]
>> Well, I guess this is all up to me.
[laughter]
All right, Lady Highhill, get on my shoulders.
[laughter]
>> Do I toss her?
>> I didn't go back.
>> What did you say you broke up?
>> Nope.
>> You're going to wait for Andy to come back?
>> Maybe we should.
>> Oh.
>> Yeah.
>> Fine.
>> But you can toss her if you want.
>> No, I'm good.
I'll wait.
[laughter]
>> Strange that tossing someone out of window has happened, like occurred twice.
[laughter]
>> Oh, he's back.
>> There he is.
>> He's pissed.
He hates this plan.
>> All right.
>> I went head first and go at Rose Bush.
>> Yes, and so now Lady Highhill has been convinced to let someone else toss her.
Capt.
Patches, were you going to truck her over?
>> I think Squish would help me out if he can.
>> Do you both want to assist her out the window?
>> Yeah, Squish, you want to assist me with tossing the lady out the window?
>> The lady's never going to get thrown out of window.
>> He's frozen again.
>> Oh, no.
>> All right.
We're, all right, I'm pulling rank here.
I'm throwing her out the window.
Like it's like a fireman toss.
It's not graceful or anything.
It's just me throwing her out the fucking second cabin boy.
>> So no skill whatsoever?
>> No.
>> Okay, roll your wreck.
>> Roll your wreck.
>> Hell yeah.
>> No.
No.
It's real bad.
>> Instead of you suffering harm, you just like push her essentially out the window.
And she goes screaming into the Rose Bush.
Were you able to take her mask?
Did you decide if you're taking her mask?
>> He was supposed to.
He was supposed to.
>> I looked at her and I go, well, your turn.
Grab her mask off and give her a good push out the window.
>> You only this where you're going, right in the Rose Bush.
>> But if this is a failure of a push, I like fall over as I'm pushing her.
Like it's like, it's like if like, it's like if Kramer pushed somebody out of a window.
>> Yeah.
So here's what your complications going to be.
The guards have seen this and they are absolutely no longer convinced by your bullshit anymore.
They've watched this shenanigan go on long enough.
They saw you push.
They saw you all attempt to gang rush her and push her out the window.
They saw chuckles go in head first over the window.
They just saw you just biff her out.
Guards absolutely do not believe anything.
>> All right.
>> You're about to say.
>> It's time for the explosions.
>> I say I throw the mask I have in my hand right at whoever doesn't have one.
Hey catch and then juggles.
It's time for some spottables.
>> All right.
>> Should we take a break, let Andy get back to this and everyone can go get a drink.
>> Yeah.
[MUSIC]
>> Oh, she threw 4D D2s.
>> 4D2s.
>> Yeah.
If you double click the D2, it'll tell you what the answer was.
You can see there are three twos and one one, which means.
>> These are really good or really bad.
Did you convince Lady High Hill to take her mask off?
>> Thankfully, Boo remembers to take her mask off after he was reminded that that was what he
was supposed to have done.
And he ripped it off of her face.
>> And then he tucked her out the window.
>> Oh yeah.
Yeah, he just pushed her and she flipped over and hit her head on the side of the building.
Fell into the roast.
>> Mask over tea kettle.
>> It was ungraceful and now we're both bloody.
It's not a good way.
>> Did she lay it on top of you?
>> Indetermined at this point.
All I know is I'm out of time.
>> So you just want me and Patches to take these guys on?
>> When you say it that way, it makes me sound cowardly, but I feel like I was being really brave.
>> You were a real Mac right then.
>> Real Mac.
I told you, hey, I got us out of that jam.
You've got the masks on the guards now and I am covered in blood and thistles.
>> Yeah, and we might be covered in more than blood when we got a fight.
Possibly five of these guys.
>> They're all going to explode.
>> Well, one's going to do something different.
>> And that's the one we punch.
>> I'm just going to have you roll a quick tinker throw for me if you don't mind.
>> Juckles?
>> Yes, chuggles.
>> I talked with a wrong tinker.
>> Just standard, nothing fancy.
Partial.
>> Can't hear you.
>> Can you hear me now?
>> Yes.
>> Okay, sorry.
All right, yeah, so just to recap, yes.
Chuggles went over the...
Chuggles went over the window into the rose bush.
And then moments later, he had Lady High Hill just again land straight on top of him.
Because it was such a bad roll of a failure.
Chuggles, I'm going to have you take, yeah, level two love concussion, perfect.
Because you are, this is the second time this woman has landed on you.
But this time you were not at all prepared for it.
And she hits you hard.
You do get a little bit of a concussion, but she's fine.
And her love for you grows day by day.
So I figured out the mask situation, or is that what you're going to do now?
You're going to make these masks explode?
>> Yeah.
>> Okay, so as a reminder, Captain Squish, you are in a room with five armed guards.
Four of them are attending to the crate.
They have one hand on the crate.
All four of them are wearing masks.
One of them is holding the mask that Lady High Hill just tossed them, or tossed you.
You tossed it to him.
So let me know what do you do next?
>> That's going to be a exploding juggles.
>> Oh, so you're going to radio down to me?
>> Yeah.
Juggles, explode.
>> All right.
I pull out my, yeah, I hear that coming from my pocket.
And yeah, I'm a little slow because I'm, can cost.
And I pull out my radio and I push the button.
>> When he pushes the button, three of the men wearing the mask,
so three of the people holding the crate, their masks explode.
>> Okay.
>> It's a pretty sizable damage.
These are pretty strong guards, but you have done some significant damage to them.
So I'm going to just move the, thank you.
Do you see these clocks on the sides of the screen?
Perfect.
So your explosion is they are, these are like level, or they have six, I should say.
Explox, oops.
So of the three wearing explosions, they are immediately like not to the ground.
They're just between a mixture of the explosions in their face,
they're concussed, they drop the chest, they drop to the ground.
They're not completely dead, but they have been severely immobilized.
The other two see what has happened and they look at you and their swords are already drawn,
but now they've come into attack.
They go to attack both you, one takes captain, one takes squish.
What are you two doing?
>> I'm going to shoot him.
>> Awesome.
>> I got a gun.
>> Yeah.
>> You might have helped me out, but.
>> Bush always has a gun.
>> Yeah, go ahead and roll your, roll your, well, what kind of gun are you using?
Describe it a little bit.
It's going to be that rifle at first.
While he's coming in to like charge in, I'm going to use the rifle
that Juckles tinkered for me.
>> All right, it all comes back to Juckles.
I don't never forget that.
>> Yeah.
>> Chuck Daddy.
>> I shoot him.
>> You, you.
It's one of the guards and point blank just immediately goes down.
So take care of this guy.
Oops.
What's he doing over here, Mr.
The other one that closes into you and he has his own sword.
While you shoot him, he is going to go and try to like.
Slice and hit at you.
Let's see your right here.
>> Do I have a dodge?
>> I don't think so.
>> You have a finesse though.
You could probably like use that to dodge.
If you would prefer.
>> You know who did have dodge?
>> Dodge.
>> Sorry.
>> Maybe that's what I'm thinking of.
Yeah, I thought there was something I had where I could dodge, but.
No, no, I'm not going to dodge.
I'm not, I can't really afford much more stress.
>> Okay.
He swings.
Well, Patches, what about you before this other one attacks?
What are you doing?
>> Where is Hotman at?
>> Hotman's on the other side of the building.
>> All right, I'm quickly glancing around for him and I am looking for someplace to hide.
How many guys are in front of me and which ones are about to attack me?
>> What is laying down dead?
Three of the guys are, well, severely incapacitated.
They had an explosion mask on their face.
One guy is heading towards Squish because he's obviously seen him shoot.
There are other guards on this floor and they are responding to the explosion and the gunfire.
>> Okay, can I use my hook chain thingy?
Like I didn't normally use for Ghost, but I used it as like a lasso and catch the guy
that was going after Squish.
>> Yeah.
>> All right then.
>> What's the thing called?
>> All right, roll your thing.
>> Yeah, electro hook.
I'm going to electro hook that bitch.
>> A lightning hook.
>> That's cool.
>> That's even better.
>> Yeah, roll your finesse.
>> That's the fuck of this guy.
>> Partial success.
>> Imagine- >> So the guy that's running,
yeah, you managed to like, I think grab his leg and kind of trip him up a little bit so he stumbles.
So he's not able to take his sword and like immediately like hit Squish.
He kind of, you just like, do you see what I'm saying?
He like, catch him on the leg with your hook, kind of pull his leg forward and he stumbles.
So he's not able to hit Squish right away.
One of the car, couple of the guards are, they pulled their mask off of them.
You can see that they're very badly burned underneath.
Like their skin is just completely like red and scalding and it smells and there's like
the bad smell of bad air.
These guys are demons, so they are a little bit tougher than like an average human.
One of them is getting to their feet and they're stumbling towards you patches.
>> No, no.
Go away, shoo, shoo, what do I do?
Is he coming at me fast?
>> No, he's definitely heading towards you, but he is again, very badly burned.
So he's in a lot of pain.
>> All right, well, I'm gonna just casually like get out of his way.
>> Just side step in?
>> Yeah, side step him, but I imagine he's so fucked up,
he's not gonna even try to touch me because he's all burnt.
>> Okay, yeah, I guess that's another finesse to see you side step that guy.
>> Side step.
>> Sashay.
Like I got my hands in the air like he's like covered in germs like whoa, whoa, whoa, whoa,
and he like wonders right by me. >> Yeah, you side step him and he stumbles
to the ground in pain as you side step him.
Squish, the guard that stumbled is now back to his feet and he is also heading for you.
These other two guards are splitting up, one is gonna head towards Squish,
one is gonna head towards Captain. These two guards are though are the ones that are also very
badly burned. >> Well, I got one that's not burnt though, right?
>> Right, right, so what was able was stumbled was not badly burned,
but the other badly burned one is also heading towards your direction.
>> All right, well, I'm gonna pull out the, let me see what's my,
I guess I'm just gonna pull out a pistol and shoot at him.
>> Okay. >> So I start blasting.
>> At the burnt one. >> At the burnt ones.
>> Yeah, yeah, shoot that, shoot that burnt boy.
>> Oh, God. >> You miss and the non-burnt one
tries to tackle you to the ground. He just like rushes towards you and goes to tackle you.
>> Squish, look out. >> Said that I get tackled.
>> As you get tackled, also Captain Patches,
as you scream that you are also tackled to the ground by these two men.
>> Me, look out. >> Junkals, how are you saying that on the radio?
>> I'm screaming it. >> You're right here, where are you?
>> I'm in the, >> He's out the window.
>> You threw me out the window. >> I forgot.
>> Yeah, so from on the ground while you're trying to recover, you have heard
screaming, clattering, gunshots, and so has the rest of the guards in this area. Also, the house is
on fire, so the outside of the house is just a buzz of activity. Let's just go there very quickly.
Oops. We're right back where we started over here.
Yeah, so her bedroom's more towards the front of the house. So you can see out of the front door,
there are people like streaming out of the house. They're a little panicky, but they're also a little
drunk, so everyone's bringing their drinks with them, and they're kind of stumbling around and
milling. But as they leave the house, they can see the flames better now, because now they can
actually see the exterior of the house, that's a fire. And there are tons of people rocking around
you. People don't seem to have noticed that you have fallen out of the window. You're just kind of
caught up in the swell and push of people. I stumble up and I said, oh, God. Oh, God. And Lady
High Hill's going to look at the house and just be like, oh, my God, my father, my dad. Oh, God.
And I run into the flames. All right. Wow. Have you run into the flames?
Yes. Oh, the road is safe. Oh, the high hill. I'm looking. I'm looking. I'm looking for the
red captain. What? What about the gray captain? You're upstairs and you're in distress. You're
not going to be able to help you. If you could help you, you wouldn't need me.
You're right. I definitely. But we do need you. So you should help us.
You, you run. Are you going on about pushing people out of the way? Like George Costanza
looking for. Yeah. You run into this ballroom as people are trying to like push their way out.
Smoke has filtered down to the main floor now and it's starting to get hazy.
You just see a bunch of people kind of just running all over the place.
This is the last spot. Well, you actually, I don't think you saw the Lord High Hill down here. That
was the other two, but this is where everyone is kind of trying to either they're trying to push
out. You're trying to push in. It's chaos. All right. Can I survey to see if I can see the red
captain? I guess I always think the red captain is big, but he's not going to be a big compared to
a bunch of demons. No, but he is one of the few humans here. So yeah, you can survey to see if
you find him.
You see the red captain. He's kind of in the back of the of the of the room,
but he is, he has spotted you and he is glaring at you. He's just standing there like as the crowd
were like, yeah, he's pissed and he's just like larger than life at this point glaring at you as
you come in. Oh boy. I was running to him and then I saw that he was glaring and I'm starting to back
up at all. Maybe this wasn't a good idea. Are you backing out of the room? No, I well,
I am backing like out of the room, but I don't think that I have like time because I imagine
he's going to be he's going to have a purpose after he sees me. So I don't think I'm not going to be
trying to get away just narratively, I guess. Oh, he's he's pissed. Okay. Yeah. So he starts
striding over to you and he grabs your arm and he shakes you and he goes, well, have you done?
Well, you see, we started a fire.
You started a fire. This was supposed to be easy in and out fun little game and you started a fire.
Tactically, we didn't start the fire. It's it's always been burning since the world's been turning,
but in a real sense, hotman started the fire and it was the great captain, not me. I told him not
to do it or I would have a fire there, but he didn't ask me. Wow. There's that bus and here's me
being thrown right underneath. You're not here. But yes, I'm throwing you under the bus.
Yes.
The captain kind of sputters. He's like, the great catches. This is painful. Where is he?
Well, funny you mentioned that I was looking for you. Actually, I was going to save you.
I was here. I'm here to rescue you actually. So I feel like I should get some credit for that.
Listen, when I'm finished, you guys are the Floyd's are going to be the one who need wrestling
rescuing. Yes. Yes. No, we need we need rescuing. Well, I don't need rescue rescuing. I was fine.
I probably should have just left all this behind, but my stupid conscious. Yes, he's upstairs and
yeah, he could use a little bit of help, at least judging by his girlish screams earlier.
The captain storms away. You also chuckles after the captain storms away. You do see
Lord Highhill. He's cowering underneath the table like this front table here. Okay.
But I see him. He's got his hands up to his ear. You do see him mostly because he has his hands
up to his ears and he's just like, oh, the noise. I don't know what bed we ordered, but this is just
dreadful. I peek my head under and I say, Hey, buddy.
Been going. You guys are doing pretty good. I feel like you're reacting very well to this fire.
Well, you know what they say when there's a fire duck. No, no one says that.
But they say when there's a fire, juke. That's me. It's sort of for juggles.
I'm here to save you, sir. Oh, we lost you.
It leads you to save my daughter. Where is she? That brings me to my next point. I'm here to save
you and also ask you for your daughter's hand in marriage. Well, well, one thing at a time,
I suppose. Well, let's get out of here first and we'll ponder the second question in just a moment.
No, I feel like the second question is contingent on the first. Wait, no, strike that reverse it.
I'm threatening you. No, I'm not threatening you. I am offering you salvation. I would save you
if I can marry your daughter.
Yeah. I don't really believe in the whole, you know, controlling my daughter thing,
but yeah, sure. If she gives you the go ahead, that's fine. I really like to get out from under
this table. I was just testing you and you passed. Now let's go. You little green goblin man.
Yeah. Well, how do you how do you lead him out of the ball?
Is he still wearing that hat? The chef hat? He is. He is. Oh, cool. I don't know. I just wanted to know.
I was going to say I was going to pick him up, like throw him over my shoulder,
like a continental soldier, but I realized he's probably roughly the same size as me.
He is. You could like do a fireman's carry if that's what you were interested in.
Um, maybe I'll just throw my hand around. I'm like a drunk man's carry.
Okay. Uh, yeah. So you kind of like lead him with your arm underneath his like his.
Yeah. Just so that he feels like he's doing half of the saving of himself.
Yeah. And he's pretty tipsy too. So I think he told the goes along with it.
He, uh, he kind of like he's giggling as you're leading him because in his head,
this is all just like part of the party. Um, he's, you know, you know, he's, he's a fool.
He thinks it's a drill. Yeah. Yeah. He's convinced this is a fire drill.
You lead him out to the exterior of the house. While you do that, back upstairs.
I am inhaling quite a bit of smoke, by the way. Yes.
Because I'm a took my mask. The house is very smoky. Yes.
All right. Am I being, am I being told by this guy?
Yeah. So these, uh, captain, you were being just so we're clear. You're being attacked by
two men who have been badly burned. Um, and one that you cites up and fell over. But, uh,
yeah, you both are kind of like dealing with two attackers at once and they have you on the ground.
I would like to, uh, not kick him. The guy who's on top of me.
Okay. A little spin on a classic.
Yeah. You know, you know, I'm being, I'm being wrecked right now. I need to wreck him. So is I
rock right? Yep. Rack. Oh, I missed. Oh, he missed and kicked yourself in the nuts. That's not how it happened.
Is it? Is it? You do try to go and kick this guy in, in the nuts, but he's able to give,
like, block it and kind of like shoves your knee back into your chest. So I'm going to say you're
going to take one damage, uh, winded. Oh my God.
Gwys, how about you? Well, I'm being, because the burnt guys tackled me, right?
Yes. You are being attacked by a burnt man and one man who, uh, is not,
who just stumbled a little, so they're not. All right. Yeah. Yeah. The, the burnt man is like
tackled me. I still got the pistol in my hand. I would like to shoot the guy that's standing on,
on burnt one. Sure.
I shoot him. You shoot him.
Uh, preferably right in the heart. Yeah. No, you get him good. Uh, there's, I'm going to say
shooting is not something that most people are going to, going to survive. Uh, so you, you shoot
him good. Uh, he goes down, but you still are dealing with like the one guy that's kind of
grappling with you. He's trying to throw in some punches. Uh, captain, there are patches.
Uh, I'm on the ground being tussled by a man. Uh,
don't do it. Don't do it. Don't do it. It's done.
I, uh, call Nelix to pull him off me. Can I, can I call Nelix to be a woman again?
Oh, no, this time I need him to save me. Going back to, going back to the well.
I call, I command them.
You have it. So you just yelling save me. Yeah. Nelix, get out here and save me for, oh my god.
Now I just want to remember, uh, what Nelix looked like the last time you, you summoned him.
Uh, just so we're, you know, hold on. Let me, where is he?
No, he looks like, he looks like Scrooge McDuck's valid. Yes. Yes. Covered in Mary Antoinette costume.
Yes. Uh, so, uh, yeah. So the last time you called Nelix, uh, you had him dress up like a woman to try to, uh,
get the attention of the guards. Um, and so you suddenly, uh, you, you command, you shout out,
Nelix, I need your help. And like the door to the her bedroom just like, for the, like a cold wind
opened and flying in is Nelix still in his Marie Antoinette costume. So the big hair,
the big bushy ball ground, but he has on his face like pure demonic energy. Uh, and he takes the guy
that's nearest to you or on top of you and picks him and just like throws him against the wall,
kind of like a poltergeist situation where just, uh, so you are able to, uh, this one guy I'm gonna,
is no longer going to be on top of you. Uh, whoops. It's going to take an extra,
extra strain as he hits the wall. Yeah. Nelix. Would you believe, would you believe that they
have sexy Mary Antoinette costumes? Yes. You look beautiful right now, by the way.
You beautiful son of a bitch. Nelix, you pull off a Mary Antoinette like I would never have imagined.
What do you guys want me to do with my Nelix?
Where did my Nelix go? Oh well, off to make a new one.
I don't know. My Nelix, uh, my, my band Nelix has disappeared. I was throwing a ghost.
There's the Nelix. Uh, so, uh, patches, you're now able to stand up.
Squish, uh, you still have one guard that is, uh, coming near you. Uh, there is also patches one
that is, uh, within striking distance of you. You both have one guy now.
Well, my guy was on top of me. Yes. Yes. He's on top of you.
Tussling you, as it were.
Um, I guess I'm just going to try to punch him in the face.
Well, pistol whipping, actually. Sure. Okay. Uh, that's going to be a skirmish.
Well, this is not going to go well. I guess I'll push myself. Maybe it will. You ever know. All right.
It didn't. Instead of pistol whipping you, he's able to get a really good punch in, punch in.
So your defense right now, hold on. Let's pull that up.
Your abilities. I have tough as nails. Yeah.
So I'm going to have you just take one strice because he's able to get you pretty well dubbed.
But you're able to kind of withstand the punch and you're just going to get a bloody nose.
I can't take any more stress. No, no, it's just going to be one harm. Oh, one harm. Yeah.
What a surprise. You can't take any more stress.
He's really afraid after tonight. So was that a level two harm that it got knocked down to one
level one? Yeah. Yeah. All right. Patches. You're on your feet. Where's the harp at?
The large chest is in the center of the room. Can I grab it with Nelix and like jump out the window?
You'd have to command Nelix to grab the chest. All right. How desperate is Squish right now?
Should I try to save him? No, leave him. Leave him for dead. He'll be fine.
You should ask yourself. Squish, how desperate is your situation?
Pretty. All right. I run up and kick the guy in the face.
Okay. I ran his burnt up face. The horribly burned man. I can't kick him.
Kick him where it really hurts. I imagine I kick him in the face and fall over.
Yeah. So you kick him. You go to like really Mollie Wampum, you know, really kick him,
but you kind of fumble it at the last minute and you just succeed in knocking him over.
I'll be honest. Every time I do a partial success of like anything like physical,
I imagine it's like Kramer achieving something, but like then falling over.
So one guy is in battle with Nelix. One guy has, well, the one that you,
so the guy that you punched was the one that was on top of Squish, right?
Yeah. Okay. He's gonna get off of Squish. You still have one guy who, realizing now that the
other two are kind of in more danger than him, he is guarding the chest. He's just standing in
front of it. He's got his sword out. He's badly burned, pretty beaten up, but he is still standing
by the chest. Can I summon Hotman at all? Hotman's here. Hotman's already been summoned.
What? No, I know, but can I, wherever he's at, can I call him? Is he nearby? Is he far away?
You could have tuned to him and like call him to your position if you wanted to like see where
he is and call him. Let's try that. I like that idea. Because normally he's in a bottle,
but he's not in a bottle right now. He's a genie in a bottle, baby. Oh, no, that's a critical failure.
Yeah. You start on fire.
You turn into Hotman. I like this. So, of course you like it. I'm gonna say we're gonna come up in.
Yeah. So, Katz, you go to a tune, Hotman, but Hotman completely misunderstands what it is you're
trying to say. And he instead starts lighting your room on fire. So, like you can see smoke
starting to build. Before it was on one side of the house, but now the entire top of this floor,
the top floor is being engulfed in flames. So, you see smoke kind of coming in through the door.
It's starting to get really hot in there. And you're aware that you are now on a time crunch,
because this place is about to not only just burn, but structurally is going to fall apart.
Okay. I got another idea. Where's the harp? It's in the chest. Still. Where's the chest? Still in
the chest. It's in the center of the room with one guard in front of it. All right. Can I attack the
guard? Yes. All right. I'm gonna attack the guard. I'm gonna wreck him as hard as I can. I stressed
a little bit. It's worked so far. Wreck him. I failed miserably. Oh. You need to take some harm for
that one. I'm gonna... I bet you're wishing you got thrown out the window right now.
Like a little cabin boy. Did you go to... How did you win to kick him? I went to throw a punch,
and he... Let's just say he dodged and punched me in the face instead. Yeah. He's gonna just like
punch you. I'm gonna give him a good uppercut. So you can go ahead and take one harm uppercut.
So I'm two damaged now? You're two damaged. Okay.
Did you ever see that scene in Indiana Jones, where like the guy pulls out a sword, he started
like swinging around and Indiana just goes, "Well, it shoots him. I'm gonna do the same thing
to the guy standing next to me." With the sword? Like I don't... Yeah. Like I don't want to deal with
this shit. So I just shoot him. Not the one that's guarding the chest, the one that was previously
on top of you, right? The one that you knocked over? Yeah. Yeah. I've been some revenge on him
for tackling me.
You're like, "Nobody makes me bleed my own blood. Nobody!" Nobody!
He's pretty wounded. I'm gonna say you did manage to knock him out. He's gone now.
It's just... He's gone? Do that.
Could I hope he wakes up and his face really hurts him later?
But since it is a partial success, there were other guards on this floor.
They are very aware of what's going on in this room and you can hear them like summoning outside
of the door. It is starting to be on fire so they can't quite like enter, but you can hear that there
are a lot of guards coming from outside. The door's on fire? The whole building is on fire,
but yes, they are at the door trying to get their way in. Can you grab the chest? Yeah.
Yeah, there's a guard in front of it though. All right. Let's see here. Can I have Nelix
like grab him from behind and cover his eyes? I don't know.
Is that how ghosts work? Some ghosts.
He's grappling the other guy, so if you want him to go attack this one by the chest,
you're gonna have to let this second guard go. Do it. Okay. Go ahead and roll your command.
Nelix, sick of him! Oh no.
Oh, I know. I've been having a real poor fucking rolls all this game, man.
You got to finesse and good command. Nelix, despite being a ghost, this guard has suddenly
overtaken him and is like beating him back now. And so you see the two like grappling,
but Nelix is like getting weaker and weaker and he's starting to like fade. He's like,
I'm sorry, sir, but my time out the bottle, it's too much. And he does a dramatic like faint.
And this appears into the mix. Nelix is gonna be out of commission. So there are two guards left.
Wait, hold on. When, I mean, I assumed the red captain was running up to get them.
I was hoping he was gonna help.
Yes. So we'll quickly go back to you down here.
Chuckles, so you have led, oops.
You have led the Lord High Hill out into the lawn. Lady High Hill sees you and she comes over
and she just starts like doting immediately on her father, like kissing the top of his head,
saying, oh my god, so what about you? Oh, this has all been a disaster. This is horrible. I can't
believe everything that this has happened. Chuckles, thank you so much for finding him.
Oh, I can't thank you enough. You're welcome. I've breathed so much smoke.
You breathed too much smoke? Well, where was your mask?
State took it from me. The great captain, that bastard.
You what? Well, come on, come on from the house. You need water. You need air. So she leads you down,
as you see in the picture, the front of the house, because again, this is all like a very
canal water logged area. It's just the shorefront, essentially it's the waterfront. So she leads
you down the steps and starts taking water and kind of like splashing it into your face. So cold.
That water. But refreshing. Thank you.
Oh, yeah, that was really dumb. There's a lot of fire in there.
Tell me the truth. Be honest with me. You're not an insurance inspector, are you?
I can't read, lady.
Okay. I'm not sure what one has to do with the other.
I feel like there's a lot of reading and insurance, but I don't know what insurance is.
So no, I'm not an insurance man.
Tell me the truth. Were you here to steal the harp?
Let's, you know, steal is a loaded term, steal.
Yes, we were here to steal the harp.
But I found you and now I'm in love.
But also my friends are still in there. I mean, my co-workers.
At the insurance agency.
Have you heard them at all while you're out here waiting for me patiently?
I've heard gunfire.
Did you hear any girlish screaming?
Lots of girlish screaming.
Did you hear any low grunts swearing?
Probably no. Yes, probably.
Okay. Yep. Those, they're not doing too good then.
I got, I've got to go back in.
No, listen, you can't go back in there. You need to, you,
this clearly is not going our way. And I don't think there's anything I can do
to stop this harp from either burning or being stolen or whatever it is that you guys plan on
doing. So we can have it?
But can you, can you have it? I don't, I think, I don't think I have a say in it anymore,
whether or not you have it. But listen, that's not what's important.
You have to listen to this.
You cannot let that red captain have the harp.
Oh.
Your boss, head of the insurance agency.
I don't trust him.
Why? What's his deal? You know what? I just met him. He's very nice. He flatters me.
The harp has so much more power than anyone knows. It's, it's cursed. It's a cursed object.
So we should want him to have it because it'll kill him if it's cursed.
Not that, not that kind of curse. It says anyone who hears it falls under its spell
will automatically just, just do whatever whoever wields it says.
Yeah.
I promise I will use this power mostly for good.
You have a supervisor I could talk to.
I've been hailed a lot of smoke.
And you are a good boss.
Also, I got, I leveled to love concussion. I gotta go back and save my friends.
No, no, and she's staggering towards the front door.
She's, she's going to stop you from running inside.
Okay. Just toss me through the window. Just toss me back up through the window.
You're big and strong. Just toss me back up there.
Okay. So, uh, meanwhile upstairs, Squish patches, you are side by side.
There are two guards between you and the chest.
Behind you, uh, the room is full of flame.
And there are guards trying to enter and beat down the door.
Squish, we need to get that chest and we need to get the F out of here.
Yeah. I'm thinking about what if we lower it down to juckles through the window?
I think we just grab it and jump through the window.
This house is on fire. This requires some window like an episode of star skiing hutch.
Just grab it and just launch yourselves through the window and then we'll end on a freeze frame.
In not, in not in character, he's absolutely right.
I'm not there. All right. That's fine with me.
All right. Well,
before you guys, uh, jump out the window, uh, with the harp, which is relatively fragile.
Again, I will repeat it is made out of bone, uh, and delicate wood. Uh, you hear, uh, this
stomping coming off the stairs. Uh, and as you, as it stops to the top, suddenly
it seems like the room goes silent. The fire is not quite as loud.
You don't hear the screaming of the guards anymore. It's kind of this weird pressurized
silence that fills the room. Oh, shit. With a bang, the door is kicked open and through the flames,
you are, you see the illuminated figure of the red captain. His beard, the tips of his beard and
his hair are ablaze. They have caught on fire. Uh, he has in either hand,
a guard from earlier, completely knocked out and he takes them, takes one of them,
trucks it at one guard, takes the other guy, chucks it at the other guard. And he's standing,
towering over you, uh, squish and, and, uh, patches. His eyes are red. He's very angry.
And he looks at the two of you and then he looks at the chest.
Hey, hey captain.
He looks at the two of you and he points the chest. He goes, pick it up. I get the fuck out of here.
I go grab it and, uh, I look at the window. Yeah. I look, I look at fans go,
do you go through with our plan or do we follow the window? God damn it gets good going.
All right. I pick up the other head. All right. And then we just run and we jump out the window
where we threw, uh, we were through chuckles into the rose bush. I was like, yeah, into the
rose, but I don't care where I'm going. I'm getting out the fuck out of this room. This
fucking fucking captain's crazy man. I would like to hold onto the chest after patches jumps through.
Yeah. Hold on because it's the only comfort you have that fucking guys crazy.
Wait, you're tricking him. Yes.
He seems so dead set on jumping out the window. Oh, just so I'm clear on the order of events,
patches. You're just going to jump out the window with the chest.
So are you, it takes two people to carry this thing. So are you jumping out of the chest to get
out of the window together or holding the chest between you? I would like him to go first. Okay.
So he can jump and then I want to try to hold onto the chest so it doesn't go smash into the ground.
Oh, then you're going to jump on the captain.
Well, with the harp, maybe, maybe now.
I was just going to have the scenes getting a little complicated. I was just going to have
the red cap to help me carry it out. Fuck the red cabinet again out of here.
Okay. Yeah. So jump up the window. That's fucking crazy. His fucking face is on fire.
This is going to jump out the window patches. Roll a finesse to see how badly injured you get.
I don't care. This guy's fucking crazy. All right. Do you want to get out of here?
I'm terrified right now. Oh, I'm successful. I land on my feet.
And I get the fuck out of there. I'm like fucking shaggy right now.
We're going to get the fuck out of here. Just jumps, swan dives, perfect landing
out of the burning building. Squish, you're there holding one half of the chest. Now what do you do?
I would look at the red cat and be like, well, you got to help me carry this out of here now.
So the captain strides forward and it seems strange to you,
Squish, but suddenly the captain seems much bigger and taller than he's ever been. He takes the chest
and just one arm lugs it on his arm, like just holds it with one arm. He wraps the other one
around you and he just jumps straight out the window. Can I radio, Squish?
Yes. Squish.
Yes. I just got some key information.
Does it involve the heart? Yes.
Okay. Well, I'm currently falling in the air wrapped up by the red captain who's got the heart
in his other arm. That brings me to my next point. Do not let the red captain have the harp.
It is a little too late for that. You know that window you fell out of? I was thrown out of it.
Thank you. Yeah. That was me just there. Okay.
The captain lands like a cat just on his feet, no issues. He drops you, Squish,
which is strange. You've never been carried like that before.
It was oddly comforting. I know, right? Because I really enjoyed it, actually.
It was terrifying in a comforting way. Yeah.
Patches, what have you done since landing outside? Oh, I'm running back to the ship.
Okay. So he's Scooby doing it back onto the ship.
Exactly. The captain is going to keep the chest on his shoulder. He looks at you, Squish.
Chuffles, have you met up with Squish? Yeah. Well, yeah, I'm walking over there.
Is Lady Highhill, would she be coming with me or is she kind of staying back?
Yeah. She's following with you, seeing where you're going. She's a little concerned about your
level two love concussion. Is that what I think it is?
In character? He has it. What do you think it is? Is that the harp?
Well, it's the chest that contains the harp. Are you sure?
No, we've never actually opened it. Huh. Well, if he has the harp,
it's not good.
Why do you say that? That's what Lady Highhill told me and she knows way more than I do.
And you're just going to believe her? Because you love her now? You're just going to believe
everything she says? Well, she seems to know him more than I do.
How hard did you hit your head? Really? Okay. Well, that might explain some things.
We shouldn't have given him the harp. Good job. Let's not get a bloomin' eye. I agree.
All right. So the captain not even doesn't stop, doesn't look at the two of you.
He is also making a B line for his ship. Squish, where are you going?
I'm following him. Okay. And then Chuckles, are you leaving as well?
Uh, well, I looked at Lady Highhill hoping she'll say something to me.
Yeah. Before Lady Highhill stops you as you follow Squish and she says, "Look, I think we
may have gotten off on the wrong foot. I can tell that you have a real true heart. You know,
you're your real kind soul. It's covered and buried beneath some questionable material,
but I can tell you're a good person." I've never been more flattered and insulted at the same time.
I was speaking to Chuckles. I thought you said Squish.
What? Listen, I'll write to you while you can't write. I'll draw some pictures and hopefully
you'll find them. All right. I'm telling you, really. Give it to the newspaper boys. They seem
to be able to find us. Okay. But look. Good. Sorry. Whatever happens, you really can't let the captain
play that harp. I mean, if he had like a sound system or something, he could control anyone who
hears it and he has a ship. Oh, boy. And he's incredibly powerful. Didn't you make speakers?
Yeah. I made them a whole thing out of... Yeah, I did.
Well, that was... Do you know if they explode or not?
Unlikely. I'm real good. Just not with label it. Right. If you ever come through this way again,
stop by. Please don't burn my house. And I really do hope I'll see you soon, Chuckles.
And she takes your top hat off and she kisses you on the very top of your head and then puts
your top hat back down. Okay. Well, I hope we didn't fuck this up too much.
She kind of turns you and pushes you towards Squish, gives you a quick slap on the bottom
and sends you on your way. I feel like this is not good.
Can I... I'm back in my room in the bathroom. Did you get time first?
Hyper... I got there first and I'm hyperventilating.
He did run pretty hard.
I'm hyperventilating in fear, in fear. And I just like... I'm like in a fetal position,
rocking back and forth. And I cast to go down. Captain Fitch's glide has to go down.
Fucking has to go down. I'm freaked out.
Well, now he has the harp.
Yeah, but he can't even play them ukulele.
She didn't say he had to play a concerto. He just had to play it real loud.
The bones do most of the work.
Oh, she's going back.
Oh, no, I made that part up, but it's... it made sense in the context.
Dead.
Captain Fitch's glide has to go down, guys. He has to go down.
Ah, yeah, but you do seem like a crazy person. You are hyperventilating in a bathroom.
Because that fucking thing was scary. All right, I'm terrified.
That was scary. You didn't see what me and Squish saw.
Oh, you can hear me.
He looked like my uncle.
Skluck?
No, my uncle, not your uncle.
Your conjugal uncle?
No, your conj... not your conjugal uncle.
You have a conjugal uncle? Oh my god, regular uncle.
Dude, out of character, I'm so excited to find more about your family.
Oh, Squish.
Yeah.
Yeah. Yeah, we don't know anything about your family or you.
Right.
Okay.
This is not the time to try to get me to open up.
The walk back to the ship.
He sounds mad.
How do I so mad?
Okay.
You walk back to the ship, you just hear like the distant sounds of sirens.
Just...
Another job well done.
Another mansion burnt.
What is this now? Two mansions?
Two mansions in a dock.
Oh, a warehouse.
Oh, warehouse.
Yeah.
Warehouse, harbor, two mansions.
Oh, an island.
An island?
We burnt a ship.
What ship did we burn?
The lady, the one where Tawny used to work.
Oh, yeah.
Tawny?
Yeah, yeah, Dawn's hammer.
Dawn's hammer, yeah.
I feel like that's just kind of like how things end.
Well, we're finished here.
Let's burn it down.
Yeah. Well, I don't see any way out of here.
Also, I have a fire demon.
Yeah.
You gave us a fire demon.
We didn't ask for the fire demon.
You're just like, hey, here's a fire demon.
Hey, here's a flame thrower.
You expect us not to use it?
Here's a flame thrower.
Don't ever use it.
Yeah.
Check off fire demon.