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Speaker 1: Hail the Junk Fort Boys, in the night they roam, solving woes with fire and sloat.

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Speaker 1: With a clash and a crash and a twist of fate, explosions mark the hours never late.

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Speaker 2: Hello, welcome to the Junk Fort Boys, an actual play RPG podcast set in the Blades in the Dark System and Universe,

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Speaker 2: featuring three guttersnipes who rose from the streets of Dustfall to a junk fort in the sky,

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Speaker 2: a junk barge in the sewers, and now a junk ship on the seas

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Speaker 2: or waiting in the port full of ghosts and turns and probably parking tickets.

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Speaker 3: I think I'm the only one that does sniping, though.

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Speaker 2: No, gutter snipe.

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Speaker 2: You terrible little gutter snipe.

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Speaker 2: Why would you snipe from a gutter?

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Speaker 2: Yeah, that doesn't make better.

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Speaker 2: No, I don't think so.

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Speaker 2: I think it's one word.

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Speaker 4: It's an old big stir.

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Speaker 2: There you go.

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Speaker 4: It's a homeless person or street child

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Speaker 4: A homeless person or street child

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Speaker 4: Who lives in the slums

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Speaker 2: Oh yeah

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Speaker 2: You're right that's us got it

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Speaker 2: But you are the only one that does sniping

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Speaker 4: That's true a sniping gutter

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Speaker 2: That could be in your bio

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Speaker 2: A sniping gutter snipe

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Speaker 2: And Juggles you're a street child

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Speaker 2: And I am a street child

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Speaker 2: I'm Tiger I play the character Jarlsander Doubleday

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Speaker 2: Juggles for short the D's are all silent

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Speaker 2: can i finish the intro no all right i'm done that

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Speaker 4: thanks dad yeah charles and her obleday i'm gonna turn this car back to winnipeg

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Speaker 2: juggles would be from winnipeg uh no not the d's and double day those are those are not silent

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Speaker 4: What's your fun fact?

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Speaker 2: Oh, my fun fact for this week is

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Speaker 2: Jarl Xander's first job was

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Speaker 2: He was six years old

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Speaker 2: And he worked at a bike shop

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Speaker 2: And then he worked at a bike shop all the way until he was 18

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Speaker 2: And the owner wasn't very nice to him

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Speaker 2: Does he know how to ride a bike?

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Speaker 2: He doesn't need to know how to ride him to fix him

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Speaker 3: That's true, I was curious

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Speaker 2: Probably

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Speaker 2: Yeah.

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Speaker 2: He knows how to ride a bike.

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Speaker 2: That's how he got to work.

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Speaker 2: He rode a bike that was left there.

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Speaker 2: It was a girl's bike.

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Speaker 4: Sometimes it was the broken ones.

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Speaker 4: He's like, oh, there's the train.

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Speaker 2: Yeah.

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Speaker 4: Excellent.

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Speaker 4: Excellent.

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Speaker 4: Thank you for that.

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Speaker 2: Yep.

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Speaker 3: Squish, you got yours.

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Speaker 3: My name is Andy.

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Speaker 3: I play Tarquish Squish Sunder.

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Speaker 3: All the sounds are there.

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Speaker 3: and I am the

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Speaker 3: snipe and gutter snipe

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Speaker 3: and my fun fact about

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Speaker 3: Squish this week is the fact that when he was

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Speaker 3: growing up, he always wanted to be a professional

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Speaker 3: athlete like most kids do

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Speaker 3: but his sport of choice was

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Speaker 3: mini golf

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Speaker 2: oh

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Speaker 2: so they had mini golf in this

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Speaker 2: universe

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Speaker 2: at least one

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Speaker 3: 18 course

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Speaker 5: if one of us says it, it's canon

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Speaker 3: yep

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Speaker 3: You have the making of a college athlete.

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Speaker 3: We didn't go there.

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Speaker 3: It doesn't exist.

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Speaker 3: So what happened?

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Speaker 3: Oh, he found out he's really bad at it.

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Speaker 3: Did he like it?

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Speaker 3: He thought it was fun.

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Speaker 3: But it was the clown.

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Speaker 3: The clown got to him.

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Speaker 3: He just couldn't get it past the clown's mouth.

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Speaker 2: Well, aren't you supposed to shoot it in the clown's mouth?

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Speaker 3: Yeah, he couldn't get it past the mouth.

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Speaker 2: Oh, like a mental block?

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Speaker 4: No, I think his aim was just bad.

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Speaker 3: It was really bad.

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Speaker 4: No matter how many hours he spent on that golf course,

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Speaker 4: he just could not pop that hole.

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Speaker 3: Nope.

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Speaker 3: Nope.

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Speaker 3: He even tried using his club to hold the mouth open one time

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Speaker 3: and then realized he didn't have anything to hit the ball with.

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Speaker 2: I guess I don't.

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Speaker 4: I love mini golf.

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Speaker 4: Mini golf is so fun.

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Speaker 4: I'm not good at it, though, either.

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Speaker 4: I'm with Squish.

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Speaker 4: I'm not great at it.

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Speaker 3: It is fun.

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Speaker 4: Patches, what do you got?

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Speaker 5: Yar!

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Speaker 5: Hi, B. Patches, the pirate, I B.

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Speaker 5: And to be a fun fact for this week, B,

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Speaker 5: I really miss me red coat.

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Speaker 3: I thought your coat was reversible.

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Speaker 2: Oh, yeah.

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Speaker 2: Well, don't tell me that in the game.

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Speaker 2: I actually don't remember what happened to your coat.

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Speaker 2: Did the captain take a pass?

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Speaker 3: He turned it inside out.

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Speaker 4: I turned it inside out.

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Speaker 5: Yeah, go ahead.

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Speaker 4: Yeah, when the real captain showed up and he became Patches,

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Speaker 4: or rather regained his name as Patches,

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Speaker 4: he flipped his coat inside out.

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Speaker 5: and now I've been wearing my red

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Speaker 5: inside coat so long

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Speaker 5: I don't know I feel weird bringing it back

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Speaker 5: but I really liked wearing my red coat

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Speaker 5: I stole it from

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Speaker 5: Adric

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Speaker 4: sometimes when I take my coat off

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Speaker 4: it's like I can see it

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Speaker 5: oh yeah

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Speaker 5: every day I take my coat off it feels like

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Speaker 5: the old days

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Speaker 3: I've never seen you without your coat on

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Speaker 5: no no one does

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Speaker 5: but I wonder

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Speaker 5: When I changed my coat inside out, I had to go into the bathroom.

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Speaker 5: Or as we call it in the shipping business, Chuckles' room.

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Speaker 5: No, I'm just kidding with you, lad.

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Speaker 2: Your room was the bathroom.

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Speaker 5: Oh, yeah.

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Speaker 5: Well, you don't shit where you shower.

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Speaker 5: That's what I'm saying.

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Speaker 2: No, you shit where you shower.

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Speaker 5: Yeah.

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Speaker 5: Well, I stole this coat.

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Speaker 5: That was my fun fact.

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Speaker 5: No, waffle stopping.

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Speaker 5: Waffle Stopping.

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Speaker 5: That was number one back in season one.

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Speaker 5: Season two.

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Speaker 5: Season two.

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Speaker 5: What do we have with season one?

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Speaker 5: No, we had Waffle Stopping prohibitions back then.

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Speaker 4: I'm sure it was brought up in council, but I don't know if it ever passed the committee.

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Speaker 4: We didn't have any drain covers.

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Speaker 3: It was holes in the middle of whatever we were on.

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Speaker 4: Yeah, that's true.

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Speaker 4: You didn't have to Waffle Stop.

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Speaker 4: It just went straight down.

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Speaker 2: Oh, yeah.

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Speaker 2: We had a poop hole.

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Speaker 5: Yeah, the poop hole.

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Speaker 5: We need to make a new pooh-poh in the Kahuna Wave

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Speaker 5: or the Cuddly Curtain or whatever we're calling it.

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Speaker 4: Cuddly Curtain?

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Speaker 4: Memories.

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Speaker 4: Memories.

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Speaker 4: I'm Bridget. I'm the GM.

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Speaker 4: I play all the other characters.

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Speaker 4: And, you know, cults are an interesting thing to talk about

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Speaker 4: because they really do provide people a sense of, you know, belonging.

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Speaker 4: That's why people join cults, you know,

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Speaker 4: and they feel like there's something missing in their life

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Speaker 4: and they show you a sense of belonging.

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Speaker 4: Unless you're running a cult, in which case it's just a power trip.

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Speaker 4: Anyway, Madame Bouquet, she just loves power.

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Speaker 4: And she's already rich.

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Speaker 4: And she's already socially powerful.

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Speaker 4: So now she's got to be spiritually powerful, too.

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Speaker 3: Eventually she can really do a good waffle stomp with her big old clompers.

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Speaker 4: She really could.

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Speaker 2: Which is good because she also has big old dumps.

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Speaker 4: Oh, God.

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Speaker 2: Well, that's canon now.

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Speaker 4: All right.

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Speaker 4: All right.

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Speaker 4: All right.

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Speaker 4: Here we go.

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Speaker 2: Let's do this.

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Speaker 2: Somebody shut chuckles up.

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Speaker 2: Coming in hot.

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Speaker 4: All right.

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Speaker 4: So let me pull up my own version because it's a little small for me to read.

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Speaker 2: Oh, my God.

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Speaker 2: Why is there this dice there?

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Speaker 2: Oh, sorry.

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Speaker 4: Give me one second.

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Speaker 4: Just pulling this up so I can read it.

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Speaker 4: The Lockport Legend

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Speaker 4: Finally, something interesting

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Speaker 4: Please let us leave this party and go home

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Speaker 4: You should have Irish goodbye

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Speaker 4: The crew took time to read the backstory on Neelix

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Speaker 4: The short of it is this

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Speaker 4: Neelix is one half of an all-powerful demon

202
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Speaker 4: Should he combine with his other half, Neelix

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Speaker 4: Bad things would happen

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Speaker 4: Squish, satisfied he had received all the answers he needed

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Speaker 4: Wanted to leave the party at once

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Speaker 4: Chuckles was more concerned about finding his girlfriend

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Speaker 4: Who had mysteriously disappeared

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Speaker 4: He found Evelyn, but she was no help

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Speaker 4: Squish decided to enter the hedge maze

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Speaker 4: Chuckles and Patches wandered the party for a long time, talking to more party guests.

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Speaker 4: They got the sense that something weird was going to happen at the after party, and everyone was thinking, orgy.

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Speaker 4: Squish continued in the hedge maze.

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Speaker 4: Finally, Patches and Chuckles talked to Chef Roselle, and she directed them to the basement.

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Speaker 4: Squish came to the center of the hedge maze.

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Speaker 4: In the basement, Patches could sense an ominous presence.

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Speaker 4: Squish reached the center of the maze, where Evelyn was there, and she promptly knocked Squish out.

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Speaker 4: Patches and Chuckles reached the end of the basement, found the cult that smells like flowers waiting for them,

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Speaker 4: Made up of Madame Bouquet, Tam Mazarin, and Evelyn.

219
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Speaker 4: They were holding Lady High Hill and Patches.

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Speaker 4: I'm sorry, Squish hostage, not Patches.

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Speaker 4: Squish was held hostage.

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Speaker 4: Now they must face the cult, get some answers, and get out before someone starts blasting.

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Speaker 3: Did she knock me out with her fist?

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Speaker 3: Or was it like a chloroform situation?

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Speaker 4: It was definitely a chloroform situation.

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Speaker 4: Oh, okay.

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Speaker 4: Some might call it a chlorophyll chloroform situation.

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Speaker 5: It was a roundhouse kick to the head.

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Speaker 2: That would hurt her foot.

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Speaker 2: Or maybe one of those.

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Speaker 2: What is that?

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Speaker 2: A sap?

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Speaker 4: Ooh, a sticky sap.

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Speaker 2: No, like a, I don't know.

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Speaker 2: What is that thing called?

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Speaker 2: It's like, I don't even know what it's made of.

237
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Speaker 2: It looks like a little leather thing in all those old movies and they whack people with it.

238
00:09:52,480 --> 00:09:53,120
Speaker 4: A shillelagh.

239
00:09:55,040 --> 00:09:56,200
Speaker 2: Well, that's more hard, isn't it?

240
00:09:56,260 --> 00:09:57,020
Speaker 2: Isn't it like a club?

241
00:09:57,740 --> 00:09:58,480
Speaker 2: Yeah, a cudgel.

242
00:10:00,160 --> 00:10:00,460
Speaker 2: Sap.

243
00:10:01,660 --> 00:10:02,300
Speaker 2: Knockout sap.

244
00:10:02,420 --> 00:10:03,620
Speaker 2: You got that from the book we're reading.

245
00:10:05,120 --> 00:10:05,380
Speaker 2: Cudgel?

246
00:10:05,900 --> 00:10:06,580
Speaker 5: No, Shaleli.

247
00:10:08,820 --> 00:10:09,640
Speaker 2: It came up like that.

248
00:10:09,640 --> 00:10:10,700
Speaker 2: Yeah, here it is. Here's the picture.

249
00:10:10,740 --> 00:10:12,840
Speaker 2: It did, and I was really excited about it.

250
00:10:13,500 --> 00:10:16,640
Speaker 2: This is an excellent picture that describes exactly what I'm trying to say.

251
00:10:19,499 --> 00:10:20,300
Speaker 2: Thanks, ChatGPT.

252
00:10:21,140 --> 00:10:21,280
Speaker 2: No.

253
00:10:22,380 --> 00:10:22,980
Speaker 2: Thanks, AI.

254
00:10:24,840 --> 00:10:25,720
Speaker 2: I put it in the Discord.

255
00:10:27,620 --> 00:10:28,500
Speaker 2: Do you guys see that picture?

256
00:10:28,500 --> 00:10:29,020
Speaker 2: It's actually from D&D.

257
00:10:30,700 --> 00:10:32,420
Speaker 2: Of your big hat? Oh, not that Discord.

258
00:10:33,920 --> 00:10:34,540
Speaker 5: My big hat.

259
00:10:35,060 --> 00:10:37,300
Speaker 2: You put Dan in there like every week though, don't you?

260
00:10:37,800 --> 00:10:38,940
Speaker 2: Yeah, he's really proud of that hat.

261
00:10:39,960 --> 00:10:41,560
Speaker 5: If you look, the hat is slowly

262
00:10:41,780 --> 00:10:42,180
Speaker 5: getting bigger.

263
00:10:44,340 --> 00:10:45,020
Speaker 5: Oh, is it?

264
00:10:45,940 --> 00:10:46,100
Speaker 5: Yeah.

265
00:10:50,860 --> 00:10:51,760
Speaker 2: Oh my god.

266
00:10:53,300 --> 00:10:54,060
Speaker 4: Oh my god.

267
00:10:54,150 --> 00:10:55,140
Speaker 4: Look at that guy's haircut.

268
00:10:56,240 --> 00:10:57,080
Speaker 2: Yeah, I'd like him too.

269
00:10:57,370 --> 00:10:58,120
Speaker 2: Mr. Spock.

270
00:11:01,140 --> 00:11:02,940
Speaker 4: What a terrible, terrible haircut.

271
00:11:03,600 --> 00:11:03,760
Speaker 4: Okay.

272
00:11:04,980 --> 00:11:05,720
Speaker 2: 1D4 blazing.

273
00:11:07,320 --> 00:11:08,640
Speaker 5: Reminds me of the Simpsons episode

274
00:11:08,750 --> 00:11:10,780
Speaker 5: where Homer's going to space

275
00:11:10,890 --> 00:11:12,780
Speaker 5: and the guy from NASA keeps whacking people out

276
00:11:12,780 --> 00:11:14,820
Speaker 5: with that. And it's like, where'd you get

277
00:11:14,920 --> 00:11:15,280
Speaker 5: that from?

278
00:11:18,280 --> 00:11:18,800
Speaker 5: Because honestly,

279
00:11:18,970 --> 00:11:20,180
Speaker 5: where do you buy a shillelagh from?

280
00:11:21,080 --> 00:11:21,380
Speaker 4: Ireland.

281
00:11:22,350 --> 00:11:22,460
Speaker 5: Ireland.

282
00:11:25,600 --> 00:11:26,320
Speaker 5: Tiger Herder Ghost.

283
00:11:27,300 --> 00:11:28,260
Speaker 2: I'm hearing music.

284
00:11:29,160 --> 00:11:30,420
Speaker 2: Yeah, there's music in this.

285
00:11:31,200 --> 00:11:31,740
Speaker 2: Oh, nice.

286
00:11:33,020 --> 00:11:33,260
Speaker 2: Yes.

287
00:11:33,860 --> 00:11:36,280
Speaker 4: we might have to pause at some point because I only had the one song

288
00:11:36,460 --> 00:11:37,860
Speaker 4: playing so if we get tired of it

289
00:11:37,990 --> 00:11:38,600
Speaker 4: we'll have to

290
00:11:39,400 --> 00:11:40,720
Speaker 2: it never stopped me

291
00:11:42,360 --> 00:11:42,800
Speaker 2: alright

292
00:11:43,320 --> 00:11:44,740
Speaker 2: my headset hooked up

293
00:11:45,900 --> 00:11:47,200
Speaker 4: why can't I hear it though

294
00:11:47,480 --> 00:11:48,700
Speaker 5: no I don't hear it either

295
00:11:49,560 --> 00:11:50,480
Speaker 4: it's very strange

296
00:11:50,750 --> 00:11:52,560
Speaker 5: I might have thought maybe I mute

297
00:11:52,940 --> 00:11:55,140
Speaker 4: oh it could be yeah it could be the music's muted

298
00:11:56,460 --> 00:11:57,340
Speaker 2: might just be

299
00:11:58,640 --> 00:11:59,340
Speaker 2: now I'm hearing it

300
00:11:59,990 --> 00:12:00,500
Speaker 2: oh it was just

301
00:12:00,730 --> 00:12:01,759
Speaker 2: the volume was just slow

302
00:12:03,240 --> 00:12:04,380
Speaker 2: Scare the crap out of you.

303
00:12:07,240 --> 00:12:07,960
Speaker 4: Yes, so,

304
00:12:08,980 --> 00:12:09,860
Speaker 4: Chuckles and Patches,

305
00:12:09,880 --> 00:12:12,220
Speaker 4: you enter this last room

306
00:12:12,340 --> 00:12:14,280
Speaker 4: in the basement after you've gone

307
00:12:14,340 --> 00:12:15,520
Speaker 4: through a few different rooms,

308
00:12:16,620 --> 00:12:18,200
Speaker 4: one of which had a very creepy

309
00:12:18,400 --> 00:12:20,080
Speaker 4: presence. You open the doors, and

310
00:12:20,280 --> 00:12:22,060
Speaker 4: there is Squish with

311
00:12:22,300 --> 00:12:24,240
Speaker 4: Lady High Hill. They are tied up,

312
00:12:24,660 --> 00:12:26,180
Speaker 4: not with ropes, but

313
00:12:26,280 --> 00:12:28,220
Speaker 4: with vines, and you have

314
00:12:28,400 --> 00:12:29,439
Speaker 4: you recognize

315
00:12:30,500 --> 00:12:31,360
Speaker 4: No, they are

316
00:12:33,640 --> 00:12:34,520
Speaker 4: separately wrapped

317
00:12:35,550 --> 00:12:36,980
Speaker 4: but together in the same area.

318
00:12:37,640 --> 00:12:38,860
Speaker 4: So they're not like tied together.

319
00:12:39,440 --> 00:12:41,200
Speaker 4: They are both tied and they are together.

320
00:12:41,960 --> 00:12:42,660
Speaker 4: That makes sense.

321
00:12:43,960 --> 00:12:45,340
Speaker 4: Madame Bouquet is there.

322
00:12:45,760 --> 00:12:47,440
Speaker 4: Tam Mazarin, who you recognize,

323
00:12:47,670 --> 00:12:49,680
Speaker 4: is there. There's three other cult

324
00:12:49,880 --> 00:12:51,440
Speaker 4: members in big scary robes.

325
00:12:51,760 --> 00:12:53,640
Speaker 4: And there's Evelyn standing in the center

326
00:12:54,160 --> 00:12:55,840
Speaker 5: with them. My God, this is the basement?

327
00:12:57,240 --> 00:12:57,680
Speaker 5: Wait, wait, wait.

328
00:12:57,690 --> 00:12:59,380
Speaker 5: Let me repeat my famous line from the end.

329
00:13:00,260 --> 00:13:01,340
Speaker 5: Give me head

330
00:13:04,700 --> 00:13:06,400
Speaker 5: Alright, that's where I ended it last time

331
00:13:07,720 --> 00:13:09,140
Speaker 4: What was the context for this?

332
00:13:10,480 --> 00:13:11,260
Speaker 2: I said give us

333
00:13:12,220 --> 00:13:14,360
Speaker 2: She said give me Neelix

334
00:13:14,440 --> 00:13:16,420
Speaker 5: and I said give me head and that's where you ended it

335
00:13:16,860 --> 00:13:17,540
Speaker 5: It was pretty epic

336
00:13:17,920 --> 00:13:18,700
Speaker 5: It was one of the better endings

337
00:13:19,060 --> 00:13:22,100
Speaker 5: It was like in the other game when Andy just started shooting

338
00:13:22,320 --> 00:13:24,700
Speaker 5: this guy at the end of the racing episode

339
00:13:25,380 --> 00:13:25,980
Speaker 5: and Ty goes like

340
00:13:26,140 --> 00:13:27,279
Speaker 5: Oh no

341
00:13:32,240 --> 00:13:34,080
Speaker 4: Yes, Lady Bouquet,

342
00:13:34,390 --> 00:13:36,260
Speaker 4: Madame Bouquet said, yes, we know

343
00:13:36,740 --> 00:13:37,880
Speaker 4: you have Neelix.

344
00:13:39,160 --> 00:13:39,960
Speaker 4: Give him to us

345
00:13:40,340 --> 00:13:42,200
Speaker 4: and we will let your girlfriend and your

346
00:13:42,380 --> 00:13:44,100
Speaker 4: very large red friend go.

347
00:13:45,260 --> 00:13:45,800
Speaker 2: Alright, let him know.

348
00:13:46,160 --> 00:13:47,260
Speaker 2: He's very large.

349
00:13:48,100 --> 00:13:49,700
Speaker 2: He's large. He's in charge.

350
00:13:51,240 --> 00:13:51,940
Speaker 4: Your mouth

351
00:13:52,200 --> 00:13:54,000
Speaker 4: is gagged, so all they hear

352
00:13:54,100 --> 00:13:54,560
Speaker 4: is, you know,

353
00:13:54,760 --> 00:13:56,520
Speaker 4: Oh.

354
00:13:59,260 --> 00:14:00,480
Speaker 2: All right, give him Neelix.

355
00:14:01,340 --> 00:14:02,340
Speaker 2: I'm not giving him shit.

356
00:14:03,300 --> 00:14:04,980
Speaker 2: I'm getting angry and violent fast.

357
00:14:06,320 --> 00:14:06,620
Speaker 2: All right.

358
00:14:07,720 --> 00:14:09,220
Speaker 2: Well, what do you want Neelix for?

359
00:14:11,420 --> 00:14:11,940
Speaker 2: Yeah, exactly.

360
00:14:12,040 --> 00:14:13,360
Speaker 2: What you can't have...

361
00:14:13,600 --> 00:14:14,460
Speaker 5: He's not your friend.

362
00:14:14,540 --> 00:14:15,080
Speaker 5: He's our friend.

363
00:14:16,460 --> 00:14:17,080
Speaker 5: A co-worker.

364
00:14:17,220 --> 00:14:18,700
Speaker 5: A butler friend.

365
00:14:19,320 --> 00:14:21,520
Speaker 5: A butler is like a co-worker that's your friend.

366
00:14:23,520 --> 00:14:24,640
Speaker 2: Yeah, well, he's not my butler.

367
00:14:25,840 --> 00:14:27,180
Speaker 2: I mean, he's the team butler.

368
00:14:27,400 --> 00:14:29,480
Speaker 2: Is he? I think you always say that he's my

369
00:14:29,600 --> 00:14:31,380
Speaker 2: butler and he's no one else's butler. I think you say that

370
00:14:31,400 --> 00:14:31,800
Speaker 2: all the time.

371
00:14:33,040 --> 00:14:35,220
Speaker 4: Do you know how we have searched

372
00:14:35,639 --> 00:14:37,380
Speaker 4: long and hard for Neelix?

373
00:14:37,600 --> 00:14:39,320
Speaker 4: I've spent, this is Madame Bouquet

374
00:14:39,500 --> 00:14:41,440
Speaker 4: speaking, she goes, I have spent a large

375
00:14:41,700 --> 00:14:42,240
Speaker 4: fortune

376
00:14:43,580 --> 00:14:44,780
Speaker 4: trying to track him down.

377
00:14:45,600 --> 00:14:47,460
Speaker 4: Do you know how many attempts I've made to steal

378
00:14:47,620 --> 00:14:48,180
Speaker 4: him from you?

379
00:14:49,080 --> 00:14:51,100
Speaker 4: That you've been completely oblivious of?

380
00:14:51,519 --> 00:14:52,860
Speaker 4: No. Flashback.

381
00:14:53,540 --> 00:14:53,740
Speaker 4: Seven?

382
00:14:56,559 --> 00:14:57,360
Speaker 4: Throughout your

383
00:14:57,380 --> 00:15:03,420
Speaker 4: your trials patches, specifically you, there's been these odd occurrences that you haven't been able to

384
00:15:03,780 --> 00:15:09,440
Speaker 4: explain. For example, one time you got drunk at a bar and as you were leaving, a fight broke out.

385
00:15:09,620 --> 00:15:14,980
Speaker 4: Nothing you did, but a fight broke out while you were there. Someone was trying to pit pocket Neelix

386
00:15:15,360 --> 00:15:21,300
Speaker 4: and was caught. When you as a group were in Duskable, walking back to the junk fort one night,

387
00:15:21,700 --> 00:15:27,340
Speaker 4: somebody cracked out of the shadows and then they tripped and fell and were not able to

388
00:15:27,360 --> 00:15:29,320
Speaker 4: or Neelix. In Ticharos,

389
00:15:29,590 --> 00:15:30,700
Speaker 4: while you guys were eating

390
00:15:31,260 --> 00:15:31,700
Speaker 4: onion

391
00:15:33,680 --> 00:15:35,100
Speaker 4: flowers, or what are those

392
00:15:35,360 --> 00:15:36,820
Speaker 4: called? Blooming Onions.

393
00:15:37,120 --> 00:15:39,240
Speaker 4: Blooming Onions. While you were

394
00:15:39,400 --> 00:15:41,440
Speaker 4: feasting on there, someone barged

395
00:15:41,580 --> 00:15:43,160
Speaker 4: in, ready to take the

396
00:15:43,400 --> 00:15:44,780
Speaker 4: bottle of Neelix from you,

397
00:15:45,360 --> 00:15:47,240
Speaker 4: only to be, you know, hear the

398
00:15:47,600 --> 00:15:49,100
Speaker 4: sound of the loot that made people

399
00:15:49,460 --> 00:15:51,260
Speaker 4: listen and behave and do whatever the

400
00:15:51,460 --> 00:15:53,180
Speaker 4: captain wanted them to do. All of these

401
00:15:53,340 --> 00:15:55,220
Speaker 4: events have happened around you that you have been

402
00:15:55,320 --> 00:15:57,320
Speaker 4: blissfully unaware of

403
00:15:57,340 --> 00:16:05,380
Speaker 5: the last three years as you've made your travels and now it's come to this and madame bouquet says

404
00:16:05,420 --> 00:16:12,140
Speaker 4: it's like you aren't even trying to keep him hidden every time we we hear another story oh we let neelix

405
00:16:12,320 --> 00:16:18,680
Speaker 4: out of the bottle and he became a giant leviathan dressed in a skirt trying to to scare away another

406
00:16:18,840 --> 00:16:26,680
Speaker 4: leviathan or neelix neelix became madame antoinette and tried to lure something away lure another

407
00:16:26,700 --> 00:16:27,420
Speaker 4: creature away.

408
00:16:28,520 --> 00:16:30,940
Speaker 4: You use him willy-nilly and you have no idea

409
00:16:31,330 --> 00:16:32,740
Speaker 4: the power you hold in your

410
00:16:32,920 --> 00:16:34,900
Speaker 5: hands. That's fair.

411
00:16:35,200 --> 00:16:37,840
Speaker 5: I don't use him willy-nilly.

412
00:16:38,480 --> 00:16:40,100
Speaker 5: I don't even know what willy-nilly means.

413
00:16:40,520 --> 00:16:42,620
Speaker 5: But if I ever willed a nil, that wasn't

414
00:16:42,840 --> 00:16:43,380
Speaker 5: for Neelix.

415
00:16:45,320 --> 00:16:45,660
Speaker 5: But anyway,

416
00:16:46,700 --> 00:16:48,320
Speaker 5: he's our friend. And we used him

417
00:16:49,580 --> 00:16:50,640
Speaker 5: and let him

418
00:16:50,900 --> 00:16:52,260
Speaker 5: grow and become a

419
00:16:52,540 --> 00:16:54,380
Speaker 5: compadre. I mean, he's more

420
00:16:54,860 --> 00:16:56,140
Speaker 5: Neelix than he's ever been.

421
00:16:57,200 --> 00:16:58,300
Speaker 5: And what do you want him for?

422
00:16:58,700 --> 00:16:59,980
Speaker 5: For nothing. I don't know.

423
00:17:00,460 --> 00:17:01,880
Speaker 5: Some bullshit power?

424
00:17:02,639 --> 00:17:03,440
Speaker 5: Stupid power?

425
00:17:04,660 --> 00:17:05,939
Speaker 5: No. I refuse.

426
00:17:07,040 --> 00:17:08,720
Speaker 5: Every good pirate needs a friend.

427
00:17:09,360 --> 00:17:10,939
Speaker 2: But more importantly, they need a good butler.

428
00:17:14,060 --> 00:17:15,240
Speaker 2: But I have to share my butler.

429
00:17:18,040 --> 00:17:19,160
Speaker 2: Alright, boy. I'm making a speech.

430
00:17:19,280 --> 00:17:19,660
Speaker 5: Oh, sorry.

431
00:17:22,220 --> 00:17:23,420
Speaker 5: Now, what are you...

432
00:17:23,980 --> 00:17:25,400
Speaker 5: Now, what are you gonna do about it?

433
00:17:27,959 --> 00:17:33,700
Speaker 4: if you don't hand over neelix then i think we'll just have to say goodbye to your friends

434
00:17:34,180 --> 00:17:41,320
Speaker 4: uh and she madam okay is able to pick up uh she picks up lady high hills um

435
00:17:43,440 --> 00:17:48,440
Speaker 4: uh ropes and like lifts her uh she's not actually lifting her though you can see that there's these

436
00:17:48,640 --> 00:17:53,480
Speaker 4: vines that are kind of like you know obviously under her command that lift up lady high hill and

437
00:17:53,420 --> 00:17:58,080
Speaker 4: they kind of like lift her up into the air and kind of give her a jostle lady high hill screams

438
00:17:58,400 --> 00:18:05,160
Speaker 4: beneath her her gag um she looks distressed she looks like she did not come willingly uh she may

439
00:18:05,280 --> 00:18:11,200
Speaker 4: have some uh fabric ripped on her dress oh nice she has some scratches you know she's not beaten up

440
00:18:11,220 --> 00:18:16,200
Speaker 4: but she is uh she is uh distressed sorry one second

441
00:18:19,700 --> 00:18:20,400
Speaker 2: the yellow the dog

442
00:18:21,760 --> 00:18:21,820
Speaker 2: hmm

443
00:18:23,260 --> 00:18:24,620
Speaker 2: yeah well I feel like

444
00:18:24,790 --> 00:18:26,640
Speaker 2: no juggles yes I'm juggles

445
00:18:26,770 --> 00:18:26,880
Speaker 5: quite

446
00:18:28,720 --> 00:18:30,660
Speaker 5: I'm gonna give him the I'm gonna give them

447
00:18:30,660 --> 00:18:32,580
Speaker 2: the bottle the bottle of what

448
00:18:33,880 --> 00:18:34,320
Speaker 2: hotman

449
00:18:35,620 --> 00:18:36,700
Speaker 2: oh he's gonna be good tell them

450
00:18:36,800 --> 00:18:38,180
Speaker 2: it's Neelix he's probably really

451
00:18:39,400 --> 00:18:40,700
Speaker 4: sorry the dog is like

452
00:18:40,820 --> 00:18:42,620
Speaker 4: taking his bone and like rattling the inside

453
00:18:42,690 --> 00:18:44,460
Speaker 4: of his cage like a prisoner

454
00:18:44,660 --> 00:18:45,260
Speaker 4: with a cup

455
00:18:45,860 --> 00:18:46,760
Speaker 4: Let me out.

456
00:18:49,460 --> 00:18:51,580
Speaker 4: So, yes, give us

457
00:18:51,620 --> 00:18:53,060
Speaker 4: knee legs or you will

458
00:18:54,160 --> 00:18:55,380
Speaker 4: lose your friend and then she

459
00:18:55,460 --> 00:18:56,780
Speaker 4: kind of just pushes squish over.

460
00:18:57,340 --> 00:18:59,240
Speaker 2: What do you mean by lose exactly?

461
00:19:00,280 --> 00:19:01,060
Speaker 2: No, no, squish.

462
00:19:02,220 --> 00:19:03,320
Speaker 2: Yeah, the guy that dishes earlier.

463
00:19:04,520 --> 00:19:04,980
Speaker 2: Our friend.

464
00:19:05,400 --> 00:19:05,480
Speaker 2: Right.

465
00:19:07,500 --> 00:19:09,280
Speaker 4: Evelyn speaks up and she goes,

466
00:19:09,460 --> 00:19:11,380
Speaker 4: look, you are all

467
00:19:11,540 --> 00:19:13,460
Speaker 4: very close. It hurt your heart.

468
00:19:13,500 --> 00:19:15,060
Speaker 4: It hurt your soul. Besides,

469
00:19:15,240 --> 00:19:17,240
Speaker 4: I know how much you love Lady High Hill.

470
00:19:17,720 --> 00:19:17,920
Speaker 2: What?

471
00:19:18,450 --> 00:19:19,460
Speaker 2: You know about that?

472
00:19:22,340 --> 00:19:22,980
Speaker 4: Aren't you drunk?

473
00:19:24,460 --> 00:19:25,700
Speaker 4: Of course I know.

474
00:19:26,100 --> 00:19:26,860
Speaker 4: Of course I know.

475
00:19:26,890 --> 00:19:28,380
Speaker 4: I know about all of this.

476
00:19:29,360 --> 00:19:29,760
Speaker 2: Everything?

477
00:19:30,060 --> 00:19:31,000
Speaker 4: We've been with...

478
00:19:31,580 --> 00:19:32,340
Speaker 4: Oh, I...

479
00:19:32,600 --> 00:19:34,460
Speaker 4: A lot more than I think you even know.

480
00:19:34,560 --> 00:19:34,740
Speaker 2: Uh-oh.

481
00:19:36,200 --> 00:19:36,520
Speaker 2: Ruh-roh.

482
00:19:36,790 --> 00:19:37,880
Speaker 2: So you're into it.

483
00:19:42,020 --> 00:19:43,460
Speaker 4: Without speaking another word,

484
00:19:43,960 --> 00:19:47,880
Speaker 4: Evelyn throws her hand in the air.

485
00:19:48,420 --> 00:19:55,820
Speaker 4: The few lights that had illuminated the walls suddenly dim and then flare up again.

486
00:19:56,210 --> 00:19:58,160
Speaker 4: And you can see more of this room now.

487
00:19:58,450 --> 00:20:01,020
Speaker 4: You can see that it extends pretty far back.

488
00:20:01,070 --> 00:20:07,080
Speaker 4: And there appears to be an altar at the center with a human-esque shape in the center.

489
00:20:08,160 --> 00:20:11,840
Speaker 4: And she goes, if you won't take this seriously, then I will let you choose.

490
00:20:12,180 --> 00:20:13,400
Speaker 4: Who would you prefer to sacrifice?

491
00:20:13,900 --> 00:20:15,540
Speaker 4: Squish or Lady High Hill?

492
00:20:16,680 --> 00:20:17,640
Speaker 4: Wait, wait, hold on, hold on.

493
00:20:18,900 --> 00:20:20,040
Speaker 2: It was a simple question.

494
00:20:20,780 --> 00:20:21,560
Speaker 5: I mean, if you had to pick.

495
00:20:22,740 --> 00:20:24,020
Speaker 5: I don't need, no, hold on, hold on.

496
00:20:24,220 --> 00:20:24,740
Speaker 5: Juggles, juggles.

497
00:20:25,160 --> 00:20:28,480
Speaker 5: We've obviously been outsmarted

498
00:20:29,660 --> 00:20:31,660
Speaker 5: and out-tricked and everything else.

499
00:20:33,140 --> 00:20:34,820
Speaker 5: Let's just give them what they want.

500
00:20:38,360 --> 00:20:43,140
Speaker 5: And I'm going to try to give them the bottle,

501
00:20:43,360 --> 00:20:44,980
Speaker 5: but instead of Neelix, it's going to be Hotman.

502
00:20:46,800 --> 00:20:49,220
Speaker 4: So you extend the bottle out in your hand?

503
00:20:49,740 --> 00:20:49,860
Speaker 4: Yeah.

504
00:20:49,860 --> 00:20:52,180
Speaker 5: Well, I'm going to roll it towards them.

505
00:20:52,760 --> 00:20:54,860
Speaker 5: But it is a trick bottle.

506
00:20:56,460 --> 00:20:57,680
Speaker 5: Well, it's a Hotman bottle.

507
00:20:58,220 --> 00:20:59,140
Speaker 2: Yes, it's very hot.

508
00:21:00,460 --> 00:21:01,020
Speaker 5: Yeah, so...

509
00:21:01,020 --> 00:21:01,480
Speaker 2: Hot, hot, hot.

510
00:21:02,080 --> 00:21:04,620
Speaker 5: It's probably a deception, but...

511
00:21:05,520 --> 00:21:05,920
Speaker 4: Okay.

512
00:21:06,800 --> 00:21:07,000
Speaker 4: All right.

513
00:21:07,440 --> 00:21:10,480
Speaker 4: Yeah, if you want to roll, let's see.

514
00:21:15,440 --> 00:21:22,720
Speaker 4: uh you know yeah so you roll the bottle towards them uh and madame bouquet catches it with her

515
00:21:22,860 --> 00:21:28,320
Speaker 4: foot she doesn't pick it up she catches it with her foot uh and she glances down at it what do

516
00:21:28,320 --> 00:21:36,960
Speaker 5: you see when you look in these bottles uh i just i uh smoke just smoke yeah just smoke okay yeah

517
00:21:36,980 --> 00:21:43,200
Speaker 4: She picks up the bottle and kind of turns it over in her hand.

518
00:21:43,290 --> 00:21:48,780
Speaker 4: And she goes, I don't believe that you would just hand him over so easily.

519
00:21:48,850 --> 00:21:55,060
Speaker 4: And she looks to Evelyn and Evelyn reaches out her hand and she snatches the bottle from Madame Bouquet.

520
00:21:55,070 --> 00:21:56,540
Speaker 4: She doesn't even look at it.

521
00:21:56,850 --> 00:22:01,360
Speaker 4: And she looks at the bottle and she throws it and she smashes it on the ground.

522
00:22:03,840 --> 00:22:04,660
Speaker 4: Hotman is released.

523
00:22:05,220 --> 00:22:05,300
Speaker 2: Yeah.

524
00:22:06,860 --> 00:22:09,060
Speaker 4: A big glowing ball of hot.

525
00:22:10,660 --> 00:22:12,660
Speaker 4: And Evelyn takes one look at him.

526
00:22:15,920 --> 00:22:16,640
Speaker 4: Look at him.

527
00:22:16,960 --> 00:22:20,880
Speaker 4: And from behind her back, you see her pull out these two hooks.

528
00:22:21,600 --> 00:22:25,700
Speaker 4: These are the same ghost hooks that you have, Patch, as you recognize them.

529
00:22:26,420 --> 00:22:36,320
Speaker 4: And with almost like the ease of a well-trained cowboy, she just onto Hotman and pulls him down.

530
00:22:36,920 --> 00:22:38,440
Speaker 4: to the ground, almost like

531
00:22:39,470 --> 00:22:40,780
Speaker 4: the hooks go into his back,

532
00:22:40,790 --> 00:22:43,000
Speaker 4: and she pulls him down into the ground.

533
00:22:44,340 --> 00:22:44,860
Speaker 4: And she goes,

534
00:22:45,160 --> 00:22:45,840
Speaker 4: oh, this?

535
00:22:46,420 --> 00:22:47,500
Speaker 4: This is your trick?

536
00:22:47,710 --> 00:22:48,620
Speaker 4: This is your Hotman?

537
00:22:50,680 --> 00:22:52,000
Speaker 2: No, that's Neelix.

538
00:22:54,480 --> 00:22:55,180
Speaker 2: Yeah, that's Neelix.

539
00:22:55,230 --> 00:22:55,880
Speaker 5: And let me tell you,

540
00:22:56,300 --> 00:22:57,580
Speaker 5: if you think that's the start of us

541
00:22:57,720 --> 00:22:58,280
Speaker 5: pulling things off,

542
00:22:58,280 --> 00:22:59,260
Speaker 5: you got another thing coming.

543
00:23:00,680 --> 00:23:03,560
Speaker 3: How close am I to Hotman?

544
00:23:04,200 --> 00:23:04,720
Speaker 5: Are you wiggling?

545
00:23:05,100 --> 00:23:06,140
Speaker 3: You're fairly close.

546
00:23:06,680 --> 00:23:14,820
Speaker 4: yeah so you you're wiggling over over she kind of again she kind of kicked you over um you wiggle

547
00:23:15,060 --> 00:23:19,660
Speaker 4: over to hopman what would you like to do hopman you look and see in hopman hopman has like tears

548
00:23:20,140 --> 00:23:27,640
Speaker 4: coming out of his eyes flame tears so it's more like steam and he's just like it really it really

549
00:23:27,880 --> 00:23:33,840
Speaker 3: hurts it really hurts well i would just because i can't really talk to him so like i like to like

550
00:23:33,840 --> 00:23:35,860
Speaker 3: look at the vines try to tell him to like

551
00:23:36,680 --> 00:23:37,800
Speaker 3: slain a shot of fire

552
00:23:37,890 --> 00:23:39,320
Speaker 3: over to burn the vines away from me

553
00:23:40,540 --> 00:23:40,980
Speaker 4: um

554
00:23:42,000 --> 00:23:43,880
Speaker 4: sure uh let's take

555
00:23:43,880 --> 00:23:44,080
Speaker 4: a look

556
00:23:45,680 --> 00:23:46,740
Speaker 2: wait I think

557
00:23:47,900 --> 00:23:48,520
Speaker 2: can I whisper

558
00:23:50,200 --> 00:23:50,800
Speaker 2: can you

559
00:23:51,960 --> 00:23:53,640
Speaker 2: no I thought maybe I had a

560
00:23:53,840 --> 00:23:55,900
Speaker 2: I might be confusing it with the podcast I'm listening to

561
00:23:58,860 --> 00:23:59,800
Speaker 4: oh he getting confused

562
00:24:01,880 --> 00:24:03,780
Speaker 4: uh so your abilities

563
00:24:03,800 --> 00:24:08,380
Speaker 4: don't see whisper on here uh if that's what you were referring to i don't see anything on here

564
00:24:10,820 --> 00:24:13,820
Speaker 4: um but um yeah andy let's see

565
00:24:18,180 --> 00:24:23,760
Speaker 4: go ahead and roll your consort with him um just to see how well you can get your point across

566
00:24:24,450 --> 00:24:32,420
Speaker 4: uh with your eyes only and you already have a pretty low uh i got uh zero in

567
00:24:32,440 --> 00:24:33,760
Speaker 4: concert. He got zero on that, yeah.

568
00:24:33,920 --> 00:24:35,480
Speaker 3: So I'm going to push myself.

569
00:24:36,230 --> 00:24:37,000
Speaker 4: Okay, yeah, go ahead.

570
00:24:41,480 --> 00:24:43,640
Speaker 3: That's a two, apparently.

571
00:24:47,960 --> 00:24:52,120
Speaker 4: So you stare at him, you know, pleading with your eyes,

572
00:24:52,560 --> 00:24:55,620
Speaker 4: and Hotman is just kind of just crying and sobbing,

573
00:24:56,580 --> 00:24:59,660
Speaker 4: not loudly, but enough that he's kind of wrapped up in his own pain

574
00:25:00,040 --> 00:25:02,760
Speaker 4: as these hooks kind of dig into his side.

575
00:25:03,460 --> 00:25:03,980
Speaker 4: Patches chuckles.

576
00:25:04,750 --> 00:25:06,680
Speaker 4: Two of the cult members, the nameless ones,

577
00:25:06,710 --> 00:25:09,000
Speaker 4: have kind of come behind you.

578
00:25:09,000 --> 00:25:10,720
Speaker 4: You feel their presence at your back.

579
00:25:12,380 --> 00:25:14,940
Speaker 4: Evelyn looks over to you two and she goes,

580
00:25:16,419 --> 00:25:18,160
Speaker 4: I don't want to hurt you.

581
00:25:18,800 --> 00:25:20,340
Speaker 4: I really, I do want to say,

582
00:25:21,460 --> 00:25:23,680
Speaker 4: Patches, I know you don't remember

583
00:25:23,960 --> 00:25:25,580
Speaker 4: because of your amnesia,

584
00:25:26,940 --> 00:25:29,640
Speaker 4: but you really were fun to have

585
00:25:29,940 --> 00:25:31,580
Speaker 4: have in Westervale's class.

586
00:25:31,780 --> 00:25:33,860
Speaker 4: I remember you fondly as your TA.

587
00:25:36,880 --> 00:25:38,760
Speaker 4: And Chuckles, we spent so much time

588
00:25:39,020 --> 00:25:39,840
Speaker 4: getting to know each other

589
00:25:40,320 --> 00:25:41,920
Speaker 4: in the brief moments that we've had.

590
00:25:42,000 --> 00:25:44,320
Speaker 4: I don't want anything bad to happen to you.

591
00:25:44,960 --> 00:25:46,180
Speaker 4: You don't need Neelix.

592
00:25:46,560 --> 00:25:47,480
Speaker 4: I need Neelix.

593
00:25:47,680 --> 00:25:48,900
Speaker 4: He's very important to me.

594
00:25:49,500 --> 00:25:51,660
Speaker 4: So just give him up and nobody has to get hurt.

595
00:25:53,240 --> 00:25:55,340
Speaker 2: I mean, I don't really have control over it.

596
00:25:56,060 --> 00:25:57,600
Speaker 2: The pirate to my right,

597
00:25:57,900 --> 00:25:59,100
Speaker 2: he's awfully stubborn

598
00:25:59,120 --> 00:26:02,800
Speaker 2: and he really likes this butler.

599
00:26:03,280 --> 00:26:05,100
Speaker 2: So I guess...

600
00:26:06,910 --> 00:26:07,720
Speaker 2: The little one's right.

601
00:26:09,880 --> 00:26:11,220
Speaker 5: Sorry, I don't mean the little one.

602
00:26:11,300 --> 00:26:12,520
Speaker 5: You're a cabin man.

603
00:26:14,120 --> 00:26:16,600
Speaker 4: When you say that, you feel the ground start to shake.

604
00:26:17,110 --> 00:26:17,740
Speaker 5: Oh my God.

605
00:26:19,299 --> 00:26:22,160
Speaker 4: And from the center of the room,

606
00:26:22,750 --> 00:26:25,480
Speaker 4: or yeah, from the center of the room

607
00:26:25,500 --> 00:26:30,120
Speaker 4: where Lady High Hill and Evelyn and Squish are standing,

608
00:26:30,460 --> 00:26:31,020
Speaker 4: Squish is bent over,

609
00:26:31,900 --> 00:26:35,460
Speaker 4: you see that the ground starts to crack

610
00:26:35,690 --> 00:26:36,760
Speaker 4: and it starts to shake.

611
00:26:37,090 --> 00:26:39,600
Speaker 4: And you two are kind of now on unsteady grappling.

612
00:26:39,860 --> 00:26:42,840
Speaker 4: You're shaking as there's a mini earthquake occurring

613
00:26:43,270 --> 00:26:43,940
Speaker 4: in your center.

614
00:26:44,270 --> 00:26:46,460
Speaker 4: And Evelyn looks you down straight in the eye

615
00:26:46,460 --> 00:26:49,240
Speaker 4: and she goes, this is just a taste of what I can do.

616
00:26:49,820 --> 00:26:51,420
Speaker 4: I don't want to release Neela.

617
00:26:51,670 --> 00:26:52,240
Speaker 4: I don't.

618
00:26:52,640 --> 00:26:56,480
Speaker 4: I've worked so hard to come to an understanding with her.

619
00:26:56,740 --> 00:26:58,140
Speaker 4: But please, please understand.

620
00:26:58,860 --> 00:27:00,500
Speaker 4: I need Neelix more than anything.

621
00:27:00,680 --> 00:27:01,240
Speaker 2: Wait, are you evil?

622
00:27:04,800 --> 00:27:06,460
Speaker 4: Are you asking Evelyn if she's evil?

623
00:27:06,800 --> 00:27:06,900
Speaker 5: Yeah.

624
00:27:07,560 --> 00:27:08,200
Speaker 5: Answer the question.

625
00:27:09,700 --> 00:27:11,700
Speaker 4: Oh, oh, you sweet summer child.

626
00:27:12,580 --> 00:27:14,380
Speaker 5: Yeah, I'm evil.

627
00:27:15,080 --> 00:27:17,560
Speaker 4: And with that, she's lost her patience.

628
00:27:17,720 --> 00:27:21,060
Speaker 4: So she, you know, gives a quick jerk of her hand.

629
00:27:21,540 --> 00:27:24,700
Speaker 4: Vines shoot out of the cracks that once appeared,

630
00:27:25,030 --> 00:27:27,980
Speaker 4: and they start grabbing you, patches specifically.

631
00:27:28,400 --> 00:27:30,840
Speaker 4: They wrap around your arms, and they wrap around your legs.

632
00:27:30,940 --> 00:27:34,740
Speaker 4: If you'd like to resist, you can go ahead and throw a resistance roll

633
00:27:35,630 --> 00:27:38,100
Speaker 4: for finesse to see how well you can escape that.

634
00:27:39,440 --> 00:27:40,420
Speaker 5: Yeah, I'm going to...

635
00:27:40,870 --> 00:27:41,180
Speaker 5: Hold on.

636
00:27:41,920 --> 00:27:42,260
Speaker 5: I'll find it.

637
00:27:43,420 --> 00:27:46,260
Speaker 4: So it would be prowess, sorry, would be the roll that you would throw.

638
00:27:54,360 --> 00:27:57,720
Speaker 5: promise oh okay uh just regular

639
00:28:05,310 --> 00:28:10,160
Speaker 4: uh you're able to dodge the immediate vines coming up and reaching for you but you are

640
00:28:10,220 --> 00:28:11,120
Speaker 4: going to take too stress.

641
00:28:12,300 --> 00:28:13,460
Speaker 4: Chuckles, same for you.

642
00:28:14,000 --> 00:28:15,820
Speaker 4: The lines aren't coming at you directly,

643
00:28:16,900 --> 00:28:18,100
Speaker 4: but you do see

644
00:28:18,220 --> 00:28:19,900
Speaker 4: them all surge towards patches.

645
00:28:20,520 --> 00:28:22,020
Speaker 4: And you have a moment to react.

646
00:28:24,800 --> 00:28:25,360
Speaker 2: Let me see.

647
00:28:30,360 --> 00:28:31,320
Speaker 2: I have...

648
00:28:36,880 --> 00:28:37,340
Speaker 5: I'm already...

649
00:28:37,380 --> 00:28:38,540
Speaker 5: Did you add the stresses already?

650
00:28:39,140 --> 00:28:39,280
Speaker 4: No.

651
00:28:39,980 --> 00:28:44,460
Speaker 5: okay because i'm past stresses i'm all i'm full up on stress i have subterfuge supplies

652
00:28:45,539 --> 00:28:51,080
Speaker 4: it's got a trauma yeah you gotta take another trauma i can't do that it won't let me

653
00:28:54,180 --> 00:28:56,920
Speaker 4: you you just click one of those it wasn't letting me

654
00:28:57,760 --> 00:29:01,920
Speaker 5: it's not like me it's it's giving me like a no signal it does for me too

655
00:29:03,320 --> 00:29:07,719
Speaker 2: oh i can do it oh you have to you have to click on one of the things in text

656
00:29:08,760 --> 00:29:09,560
Speaker 4: Yeah, one of the words.

657
00:29:11,060 --> 00:29:13,140
Speaker 5: So what am I, um, paranoid?

658
00:29:13,680 --> 00:29:14,720
Speaker 5: Because I got vined?

659
00:29:15,600 --> 00:29:15,880
Speaker 4: Yeah, sure.

660
00:29:18,420 --> 00:29:18,960
Speaker 2: Red vined.

661
00:29:20,520 --> 00:29:21,580
Speaker 2: Everyone's favorite licorice.

662
00:29:22,720 --> 00:29:22,980
Speaker 2: Gross.

663
00:29:28,340 --> 00:29:29,080
Speaker 4: Yeah, sorry, Chuckles.

664
00:29:29,360 --> 00:29:33,280
Speaker 4: You have a moment to respond before the vines creep on you.

665
00:29:34,280 --> 00:29:39,260
Speaker 2: So I do have in my loadout subterfuge supplies,

666
00:29:39,410 --> 00:29:42,180
Speaker 2: which I would imagine includes something like a Leatherman.

667
00:29:43,940 --> 00:29:44,140
Speaker 2: Yeah.

668
00:29:44,540 --> 00:29:49,320
Speaker 2: I would like to use the knife and the Leatherman to stab at the vines.

669
00:29:50,840 --> 00:29:50,980
Speaker 2: Okay.

670
00:29:51,510 --> 00:29:51,660
Speaker 4: Yeah.

671
00:29:51,850 --> 00:29:54,000
Speaker 4: So yeah, you for sure keep like a pocket,

672
00:29:54,740 --> 00:29:58,400
Speaker 4: like a Swiss army knife type Leatherman tool on you all the time.

673
00:29:58,560 --> 00:29:59,960
Speaker 4: I mean, just considering how much you tinker.

674
00:30:00,350 --> 00:30:02,100
Speaker 4: So yeah, you pull out your little Leatherman.

675
00:30:02,580 --> 00:30:03,820
Speaker 4: Ha, ha, ha.

676
00:30:04,220 --> 00:30:10,220
Speaker 2: Yeah, just like that, to try and fend off the vines, to scare them in a threatening manner, threatening, stabbing manner.

677
00:30:11,620 --> 00:30:13,040
Speaker 2: I'm remembering Arn right now.

678
00:30:13,320 --> 00:30:14,960
Speaker 2: Arn, Arnie doing something.

679
00:30:15,160 --> 00:30:16,340
Speaker 2: Yeah, Arn, Arn loved to stab.

680
00:30:17,440 --> 00:30:18,680
Speaker 2: And I didn't get fined.

681
00:30:19,300 --> 00:30:24,520
Speaker 4: Go ahead and roll your finesse to see how well you kind of ward off the vines.

682
00:30:25,820 --> 00:30:26,140
Speaker 2: All right.

683
00:30:37,940 --> 00:30:43,680
Speaker 4: so you you start unfortunately when you pull out your knife it is a little comically smaller than

684
00:30:43,770 --> 00:30:49,540
Speaker 4: perhaps you realize in the moment it's one of those like meant for like very fine detail uh so you

685
00:30:49,720 --> 00:30:54,899
Speaker 4: start you start stabbing and unfortunately all it does is release this kind of like strange goo

686
00:30:55,580 --> 00:31:01,180
Speaker 4: from the vines that's like an acid splash when you see it drop onto the concrete so cutting these

687
00:31:01,420 --> 00:31:06,960
Speaker 4: vines will result in you getting a little bit of an acid splash which would be painful so

688
00:31:08,120 --> 00:31:13,000
Speaker 4: something to keep in mind yeah yeah we'll go ahead and call that a harm which level

689
00:31:14,580 --> 00:31:20,040
Speaker 4: oh just level one yeah you just got a little splash on you um now squish while all of this

690
00:31:20,000 --> 00:31:22,040
Speaker 4: has happened you Evelyn has lost

691
00:31:22,180 --> 00:31:23,880
Speaker 4: her immediate focus on you and

692
00:31:23,940 --> 00:31:25,640
Speaker 4: you've been able I would say

693
00:31:26,720 --> 00:31:27,900
Speaker 4: are no longer the focus

694
00:31:28,080 --> 00:31:29,920
Speaker 4: of attention so if you want to make

695
00:31:29,920 --> 00:31:31,880
Speaker 4: a maneuver to get away or do something you're more

696
00:31:31,880 --> 00:31:33,640
Speaker 4: than welcome to goodbye Brandon

697
00:31:34,040 --> 00:31:35,440
Speaker 3: yeah yeah I'd like to

698
00:31:36,280 --> 00:31:37,940
Speaker 3: I call it like brawl

699
00:31:38,020 --> 00:31:39,280
Speaker 3: over there yeah

700
00:31:39,760 --> 00:31:41,720
Speaker 3: yeah you like to get him to burn the vines

701
00:31:42,460 --> 00:31:42,560
Speaker 4: yeah

702
00:31:43,860 --> 00:31:44,940
Speaker 4: okay for sure

703
00:31:47,280 --> 00:31:47,760
Speaker 3: oh

704
00:31:48,000 --> 00:31:49,960
Speaker 3: and I got my hat so that's one to prowl

705
00:31:50,220 --> 00:31:50,900
Speaker 4: That is true.

706
00:31:51,320 --> 00:31:51,840
Speaker 4: Extra prowl.

707
00:31:54,240 --> 00:31:55,220
Speaker 3: I don't like these dice.

708
00:31:57,080 --> 00:31:57,280
Speaker 3: Yeah.

709
00:31:58,080 --> 00:31:58,240
Speaker 3: Success.

710
00:32:03,500 --> 00:32:06,180
Speaker 4: You, so how would you like to approach Hotman?

711
00:32:06,300 --> 00:32:06,800
Speaker 4: How does that work?

712
00:32:07,520 --> 00:32:09,980
Speaker 3: Just kind of like side by side so we can get like a whole,

713
00:32:11,120 --> 00:32:13,920
Speaker 3: a bunch of them instead of having one and then worry about unrolling them.

714
00:32:14,800 --> 00:32:15,000
Speaker 4: Yeah.

715
00:32:15,160 --> 00:32:19,180
Speaker 4: So he, you, you kind of like wiggle up next to him and basically shove your,

716
00:32:19,460 --> 00:32:23,460
Speaker 4: your bound hands into his face.

717
00:32:23,940 --> 00:32:24,040
Speaker 4: Like,

718
00:32:24,500 --> 00:32:24,640
Speaker 4: you know,

719
00:32:24,740 --> 00:32:25,220
Speaker 4: and he gets it.

720
00:32:25,580 --> 00:32:29,840
Speaker 4: So he just kind of touches your ropes or the vines holding you and they

721
00:32:30,220 --> 00:32:31,800
Speaker 4: immediately disintegrate and,

722
00:32:32,000 --> 00:32:35,620
Speaker 4: and float away or burn away,

723
00:32:36,060 --> 00:32:36,480
Speaker 4: ash away,

724
00:32:36,580 --> 00:32:36,700
Speaker 4: whatever.

725
00:32:37,580 --> 00:32:38,540
Speaker 4: So your hands are free.

726
00:32:38,740 --> 00:32:40,340
Speaker 4: And I'm also going to say your legs are free too,

727
00:32:40,480 --> 00:32:43,040
Speaker 4: because that seems like a simple thing as well.

728
00:32:44,020 --> 00:32:44,200
Speaker 3: Okay,

729
00:32:44,380 --> 00:32:44,500
Speaker 3: cool.

730
00:32:44,660 --> 00:32:45,720
Speaker 3: Can I shoot Evelyn then?

731
00:32:46,520 --> 00:32:47,420
Speaker 4: You can in your next turn.

732
00:32:48,360 --> 00:32:48,500
Speaker 4: Okay,

733
00:32:48,700 --> 00:32:48,800
Speaker 4: cool.

734
00:32:49,520 --> 00:33:03,880
Speaker 4: Perfect. So, Patches, you are now being held by the vines. You feel them kind of crawling over you. They're searching for the bottle, and it's getting a little uncomfortable for you. How would you like to respond to that?

735
00:33:05,260 --> 00:33:10,880
Speaker 5: By squirming and taunting and yelling and resisting in any way I can.

736
00:33:12,700 --> 00:33:13,620
Speaker 3: Are you ticklish?

737
00:33:14,220 --> 00:33:15,180
Speaker 5: I am very ticklish.

738
00:33:15,430 --> 00:33:20,760
Speaker 5: Also, if you think I hid Neelix in some obvious place, like where I keep my liquor, you got another thing coming.

739
00:33:22,260 --> 00:33:24,140
Speaker 4: Yeah, so I guess that is a question we got to ask.

740
00:33:24,190 --> 00:33:26,720
Speaker 4: Did you bring Neelix with you to the party?

741
00:33:28,180 --> 00:33:33,080
Speaker 5: I mean, it's a pretty loaded question from the Game Master.

742
00:33:33,360 --> 00:33:36,260
Speaker 5: I mean, I could just ask back and say, yeah, no, I left him at home.

743
00:33:37,340 --> 00:33:37,560
Speaker 4: Right.

744
00:33:37,710 --> 00:33:37,800
Speaker 4: Okay.

745
00:33:38,060 --> 00:33:42,220
Speaker 4: So I'm going to assume that you have brought Neelix with you, considering you bring him everywhere.

746
00:33:42,780 --> 00:33:42,920
Speaker 2: Yeah.

747
00:33:43,030 --> 00:33:44,700
Speaker 2: We always try to get him to solve our problems.

748
00:33:46,260 --> 00:33:46,420
Speaker 2: Yeah.

749
00:33:46,660 --> 00:33:47,680
Speaker 2: Except for right now.

750
00:33:49,380 --> 00:33:49,440
Speaker 4: Okay.

751
00:33:49,820 --> 00:33:55,440
Speaker 4: So you kind of want to like, are you trying to wiggle so they don't touch him?

752
00:33:55,640 --> 00:33:55,840
Speaker 4: Yeah.

753
00:33:56,840 --> 00:33:58,360
Speaker 5: Just try to escape overall.

754
00:33:58,600 --> 00:33:59,060
Speaker 5: They're not going to.

755
00:33:59,820 --> 00:33:59,980
Speaker 5: Yeah.

756
00:34:01,340 --> 00:34:01,480
Speaker 5: Okay.

757
00:34:01,860 --> 00:34:01,940
Speaker 4: Yeah.

758
00:34:02,080 --> 00:34:04,600
Speaker 4: Go ahead and roll your finesse for that to try to wiggle out of their grasp.

759
00:34:05,600 --> 00:34:05,700
Speaker 4: Okay.

760
00:34:10,040 --> 00:34:10,360
Speaker 4: Sorry.

761
00:34:12,179 --> 00:34:12,679
Speaker 5: Sorry, I'm hurting.

762
00:34:15,799 --> 00:34:16,440
Speaker 5: So just...

763
00:34:16,679 --> 00:34:17,800
Speaker 5: Can you move my character?

764
00:34:18,080 --> 00:34:18,899
Speaker 5: Sorry, give me one second.

765
00:34:19,200 --> 00:34:19,300
Speaker 5: Sorry.

766
00:34:19,840 --> 00:34:20,480
Speaker 5: Do you need me to roll?

767
00:34:21,200 --> 00:34:21,840
Speaker 5: No, no, no.

768
00:34:22,760 --> 00:34:25,460
Speaker 5: The stupid macro screen is blocking my character.

769
00:34:25,500 --> 00:34:26,340
Speaker 5: I couldn't click on it.

770
00:34:26,980 --> 00:34:27,419
Speaker 4: Oh, I'm sorry.

771
00:34:27,440 --> 00:34:28,700
Speaker 4: I can move him up if you need me to.

772
00:34:28,940 --> 00:34:29,460
Speaker 5: No, no, I got it.

773
00:34:29,460 --> 00:34:29,720
Speaker 5: I got it.

774
00:34:29,760 --> 00:34:30,740
Speaker 5: What am I rolling again?

775
00:34:30,780 --> 00:34:31,540
Speaker 5: I'm sorry, skirmish?

776
00:34:31,740 --> 00:34:33,480
Speaker 4: your finesse.

777
00:34:33,919 --> 00:34:34,440
Speaker 5: Finesse, sorry.

778
00:34:46,399 --> 00:34:46,500
Speaker 4: So,

779
00:34:47,659 --> 00:34:49,659
Speaker 4: unfortunately, your wiggle maneuver doesn't work

780
00:34:49,730 --> 00:34:51,720
Speaker 4: and instead the vines just completely

781
00:34:51,919 --> 00:34:53,760
Speaker 4: kind of grasp you

782
00:34:53,960 --> 00:34:55,520
Speaker 4: and hold you firmly

783
00:34:56,020 --> 00:34:57,560
Speaker 4: where you are. Evelyn

784
00:34:57,780 --> 00:34:59,840
Speaker 4: crosses the room to walk up to you

785
00:35:00,060 --> 00:35:01,700
Speaker 4: at the same time

786
00:35:02,720 --> 00:35:03,600
Speaker 4: the other uh

787
00:35:06,080 --> 00:35:11,940
Speaker 4: well we'll have we'll have you go uh uh sorry uh chuckles before we make the next maneuver

788
00:35:12,260 --> 00:35:17,200
Speaker 2: uh did you want to make a maneuver i mean i would like to uh but

789
00:35:22,100 --> 00:35:27,520
Speaker 2: i'm not really sure i just i guess i just want to stay guard i but i don't have a good uh

790
00:35:28,340 --> 00:35:30,220
Speaker 2: good idea for what to do here.

791
00:35:31,620 --> 00:35:31,760
Speaker 2: Okay.

792
00:35:32,920 --> 00:35:34,200
Speaker 4: So just to kind of

793
00:35:34,520 --> 00:35:36,200
Speaker 4: give an idea of where everyone is, let me make sure

794
00:35:36,260 --> 00:35:37,500
Speaker 4: I've got relative position.

795
00:35:38,180 --> 00:35:40,280
Speaker 5: I'm being held up by vines

796
00:35:40,420 --> 00:35:42,320
Speaker 5: and you're staring

797
00:35:42,640 --> 00:35:42,820
Speaker 5: at me.

798
00:35:44,640 --> 00:35:46,240
Speaker 2: The only thing I thought that I could

799
00:35:46,380 --> 00:35:48,180
Speaker 2: use to attack vines turns out it just

800
00:35:48,300 --> 00:35:50,220
Speaker 2: turns them into acid. So that's not

801
00:35:50,340 --> 00:35:50,440
Speaker 2: good.

802
00:35:52,100 --> 00:35:53,600
Speaker 2: Okay, I could stab

803
00:35:55,240 --> 00:35:56,220
Speaker 2: patches and put them out of

804
00:35:56,280 --> 00:35:56,600
Speaker 2: his misery.

805
00:35:58,800 --> 00:36:05,660
Speaker 2: wow great great idea so you did you did get wrapped up are you and you're getting slowly

806
00:36:05,900 --> 00:36:11,580
Speaker 2: pulled away okay then i'll grab his arm held in place oh just held in place then yeah i'll

807
00:36:11,880 --> 00:36:16,280
Speaker 2: try to pull him out then i'll grab him i'll grab him on his wrist and try to pull him out

808
00:36:18,140 --> 00:36:21,220
Speaker 4: okay yeah so uh i i'm guessing that'd be more like a

809
00:36:22,900 --> 00:36:23,800
Speaker 4: we'll say finesse

810
00:36:24,040 --> 00:36:25,380
Speaker 4: a finesse roll to kind of

811
00:36:25,960 --> 00:36:27,500
Speaker 4: try and get him out of

812
00:36:27,700 --> 00:36:28,840
Speaker 4: his predicament

813
00:36:29,490 --> 00:36:30,480
Speaker 5: are you pulling on my feetie

814
00:36:31,920 --> 00:36:33,820
Speaker 2: my footsie no because you're right side up

815
00:36:34,840 --> 00:36:35,280
Speaker 5: alright

816
00:36:39,660 --> 00:36:39,820
Speaker 5: okay

817
00:36:40,260 --> 00:36:41,920
Speaker 4: I'm going to say that instead of maybe pulling

818
00:36:42,200 --> 00:36:43,900
Speaker 4: on patches

819
00:36:44,010 --> 00:36:45,960
Speaker 4: you pull on the vines and kind of like

820
00:36:45,990 --> 00:36:47,920
Speaker 4: are managed to rip some of them

821
00:36:48,140 --> 00:36:49,060
Speaker 4: off of him

822
00:36:49,420 --> 00:36:54,580
Speaker 4: um patches you're going to be more loose where you can actually maneuver and do things now at

823
00:36:54,580 --> 00:37:00,480
Speaker 4: this point you're not so held up um but the the group that is here has now seen what's happening

824
00:37:00,660 --> 00:37:08,780
Speaker 4: including tam mazaran which as you guys know uh has a has a master plan uh from his robes you see

825
00:37:08,970 --> 00:37:17,000
Speaker 4: suddenly just something fly into the air and break you hear the glass shatter oh no and suddenly

826
00:37:17,060 --> 00:37:25,000
Speaker 4: brutalized boys the brutalized boys a gas starts filling the room um and starts uh just making

827
00:37:25,050 --> 00:37:31,840
Speaker 4: things difficult hard to see um evelyn uh yells and she's like you idiot now i can't see them either

828
00:37:32,250 --> 00:37:39,860
Speaker 4: uh and she crosses towards where she thinks you are patches um to try and find your your neelix

829
00:37:39,880 --> 00:37:47,480
Speaker 4: bottle um madame bouquet you hear a slap as madame bouquet slaps somebody um and you see the dark

830
00:37:47,820 --> 00:37:53,620
Speaker 4: hooded uh figures before you uh the three that were standing around they're kind of all moving

831
00:37:54,020 --> 00:37:59,020
Speaker 4: around now things have kind of gotten chaotic now that tam mazarin has released some sort of gas

832
00:37:59,340 --> 00:38:09,000
Speaker 4: um squish you are now loosened uh your hands and feet are are free uh from binded bondage

833
00:38:10,520 --> 00:38:11,600
Speaker 3: yeah I think I'm going to shoot Evelyn

834
00:38:11,610 --> 00:38:14,260
Speaker 3: and try to damage her and distract her

835
00:38:14,260 --> 00:38:15,340
Speaker 3: and hopefully she drops

836
00:38:16,520 --> 00:38:17,720
Speaker 3: okay yeah go ahead

837
00:38:19,400 --> 00:38:19,880
Speaker 3: patches

838
00:38:21,900 --> 00:38:22,720
Speaker 5: drop the patches

839
00:38:26,460 --> 00:38:27,720
Speaker 5: let my patches go

840
00:38:28,920 --> 00:38:29,260
Speaker 5: alright

841
00:38:33,059 --> 00:38:35,880
Speaker 4: so through the smoke you're able to detect

842
00:38:36,180 --> 00:38:38,060
Speaker 4: Evelyn just see the outline

843
00:38:38,060 --> 00:38:39,760
Speaker 4: of her and you shoot.

844
00:38:40,780 --> 00:38:42,100
Speaker 4: And she takes,

845
00:38:42,310 --> 00:38:43,100
Speaker 4: you see her like

846
00:38:44,200 --> 00:38:46,020
Speaker 4: take the bullet and it gives

847
00:38:46,080 --> 00:38:47,500
Speaker 4: her pause. She stops

848
00:38:48,460 --> 00:38:49,940
Speaker 4: and she turns and is

849
00:38:50,100 --> 00:38:51,960
Speaker 4: looking through the gas to see who

850
00:38:52,120 --> 00:38:52,620
Speaker 4: has shot her.

851
00:38:55,620 --> 00:38:55,880
Speaker 4: Meanwhile,

852
00:38:56,700 --> 00:38:58,120
Speaker 4: another Madame Bouquet

853
00:38:58,600 --> 00:39:00,040
Speaker 4: says, this is ridiculous. This is

854
00:39:00,380 --> 00:39:01,160
Speaker 4: absolutely nonsense.

855
00:39:02,080 --> 00:39:03,960
Speaker 4: And she, you

856
00:39:04,220 --> 00:39:06,160
Speaker 4: hear some sort of incantation from

857
00:39:06,180 --> 00:39:13,940
Speaker 4: her you can't make out what it says uh but moments later uh you you see this like large another large

858
00:39:14,160 --> 00:39:20,340
Speaker 4: vine creature this one with the head of a rose kind of like crack open from the road from the

859
00:39:20,980 --> 00:39:29,320
Speaker 4: round beneath you and rear up kind of like a big scary monster uh yelling at you uh this is going

860
00:39:29,320 --> 00:39:35,560
Speaker 4: to be i'm gonna place her kind of off to the uh see she was here off to the side here uh near lady

861
00:39:35,620 --> 00:39:36,100
Speaker 4: high hill

862
00:39:37,460 --> 00:39:39,420
Speaker 4: as kind of a deterrent. It's just

863
00:39:39,560 --> 00:39:41,520
Speaker 4: this snapping creature that kind of like snaps

864
00:39:41,680 --> 00:39:43,060
Speaker 4: and lunges at you. It can't move.

865
00:39:43,420 --> 00:39:45,420
Speaker 4: It's stuck in place, but it can attack

866
00:39:45,640 --> 00:39:47,420
Speaker 3: you. Oh, so it's kind of like

867
00:39:47,660 --> 00:39:49,560
Speaker 4: Audrey too? Exactly like Audrey

868
00:39:49,820 --> 00:39:49,980
Speaker 4: too.

869
00:39:54,640 --> 00:39:55,520
Speaker 4: Patches, you

870
00:39:55,760 --> 00:39:57,420
Speaker 4: are now not

871
00:39:58,480 --> 00:39:59,360
Speaker 4: completely entangled

872
00:39:59,500 --> 00:40:00,400
Speaker 4: in the vines.

873
00:40:04,760 --> 00:40:05,540
Speaker 5: Okay, where's

874
00:40:05,560 --> 00:40:06,340
Speaker 5: Juckles, what's he doing?

875
00:40:07,599 --> 00:40:08,840
Speaker 5: What's Squish doing?

876
00:40:09,980 --> 00:40:13,140
Speaker 4: Chuckles just ripped off the vines to help free you.

877
00:40:14,030 --> 00:40:16,880
Speaker 4: Across from you, you can see Lady Highhill.

878
00:40:17,000 --> 00:40:19,600
Speaker 4: She's still being held up on the air by these mysterious vines.

879
00:40:21,859 --> 00:40:26,720
Speaker 4: Evelyn was approaching you, stopped, and is now looking for Squish.

880
00:40:27,280 --> 00:40:31,200
Speaker 4: Squish, I'm assuming, is hiding somewhat in the back since you were sniping.

881
00:40:31,840 --> 00:40:32,680
Speaker 5: Somewhat, yeah.

882
00:40:33,960 --> 00:40:37,360
Speaker 4: Hotman is also in the center of the room, hooks deep in his back.

883
00:40:38,319 --> 00:40:40,340
Speaker 5: But Evelyn's not holding him down anymore, right?

884
00:40:41,300 --> 00:40:42,400
Speaker 4: No, but the hooks are still there.

885
00:40:43,340 --> 00:40:46,460
Speaker 5: Does it like, can he get the hooks out by himself if he's not being like,

886
00:40:46,800 --> 00:40:50,820
Speaker 5: like, it's like, is he like, like, I imagine if you're hooking something,

887
00:40:51,040 --> 00:40:52,480
Speaker 5: that's kind of like you got to hold it down.

888
00:40:52,820 --> 00:40:55,360
Speaker 5: But if she's like distracted, it's kind of like, you know,

889
00:40:55,440 --> 00:40:56,900
Speaker 5: the hooks are just dangling from him, right?

890
00:40:57,520 --> 00:40:59,020
Speaker 4: Yeah, the hooks are dangling from him.

891
00:40:59,300 --> 00:41:01,120
Speaker 4: But it's kind of like, you know, when you got an itch in your back

892
00:41:01,340 --> 00:41:02,920
Speaker 4: and it's right where your hands can't reach.

893
00:41:03,640 --> 00:41:05,040
Speaker 5: Alright, well, I'm going to call out the hot...

894
00:41:05,700 --> 00:41:06,340
Speaker 3: I'm going to give a command.

895
00:41:07,500 --> 00:41:08,440
Speaker 3: I'm going to give him a command.

896
00:41:09,100 --> 00:41:10,060
Speaker 5: I'm going to try to give him a command.

897
00:41:11,360 --> 00:41:11,660
Speaker 5: Okay.

898
00:41:13,580 --> 00:41:14,680
Speaker 5: Is he near enough to anybody?

899
00:41:15,400 --> 00:41:16,940
Speaker 5: Any of the other

900
00:41:18,080 --> 00:41:18,320
Speaker 5: cultists?

901
00:41:20,240 --> 00:41:21,460
Speaker 4: Yeah, he's near a cultist.

902
00:41:23,260 --> 00:41:23,960
Speaker 5: I'm going to command him

903
00:41:25,220 --> 00:41:26,200
Speaker 5: to light that guy

904
00:41:26,210 --> 00:41:26,620
Speaker 5: on fire.

905
00:41:27,690 --> 00:41:27,780
Speaker 4: Okay.

906
00:41:29,260 --> 00:41:29,580
Speaker 5: Hotman!

907
00:41:30,490 --> 00:41:31,420
Speaker 5: Light that guy on fire!

908
00:41:31,860 --> 00:41:37,380
Speaker 2: Wait, no, he's trying to get over his addiction to fire, to burning things.

909
00:41:38,680 --> 00:41:40,800
Speaker 2: I don't think addiction's matter right now, man.

910
00:41:40,940 --> 00:41:41,860
Speaker 5: He's got hooks in his back.

911
00:41:41,970 --> 00:41:43,120
Speaker 5: We got to get to work.

912
00:41:43,340 --> 00:41:43,920
Speaker 5: Oh, my God.

913
00:41:44,880 --> 00:41:48,720
Speaker 5: The drug fort boys, I got to start burning shit if we're going to get out of this scrape.

914
00:41:48,890 --> 00:41:50,500
Speaker 5: We are in progress.

915
00:41:51,900 --> 00:41:52,600
Speaker 5: I agree.

916
00:41:53,480 --> 00:41:53,980
Speaker 5: I agree.

917
00:41:54,040 --> 00:41:54,560
Speaker 3: We're in a pickle.

918
00:41:54,650 --> 00:41:55,440
Speaker 3: He needs to.

919
00:41:56,580 --> 00:41:57,260
Speaker 3: You're hiding.

920
00:41:57,720 --> 00:42:00,660
Speaker 5: We're treating him like he is a drug addict.

921
00:42:00,820 --> 00:42:01,260
Speaker 5: He is.

922
00:42:01,620 --> 00:42:03,740
Speaker 5: He's a very, but he's also a fire demon.

923
00:42:03,740 --> 00:42:06,220
Speaker 2: He's addicted to rage a hole and fire a hole.

924
00:42:06,480 --> 00:42:10,900
Speaker 5: But he's more like, it's more like a pressurized bottle.

925
00:42:11,340 --> 00:42:13,980
Speaker 5: And he needs to blow up every now and then.

926
00:42:14,260 --> 00:42:15,180
Speaker 5: And we need to blow up.

927
00:42:15,680 --> 00:42:17,820
Speaker 5: I can't have a market with you hanging from vines.

928
00:42:21,960 --> 00:42:22,660
Speaker 5: Did I win the argument?

929
00:42:23,600 --> 00:42:25,160
Speaker 4: You got to roll, I guess.

930
00:42:26,300 --> 00:42:26,620
Speaker 4: Roll.

931
00:42:27,180 --> 00:42:28,440
Speaker 4: He's just been shouting.

932
00:42:30,260 --> 00:42:30,540
Speaker 4: Hey.

933
00:42:31,360 --> 00:42:32,280
Speaker 5: That sounds like me.

934
00:42:37,940 --> 00:42:38,960
Speaker 4: Hotman rears up.

935
00:42:41,720 --> 00:42:42,920
Speaker 4: Hook's still on his back.

936
00:42:43,340 --> 00:42:45,380
Speaker 4: And he just starts blasting.

937
00:42:46,240 --> 00:42:46,780
Speaker 4: Do it, man.

938
00:42:46,960 --> 00:42:47,240
Speaker 4: Do it.

939
00:42:47,420 --> 00:42:47,700
Speaker 4: Do it.

940
00:42:47,840 --> 00:42:48,140
Speaker 4: Do it.

941
00:42:49,120 --> 00:42:52,860
Speaker 4: I'm going to just move this particular guy next to him.

942
00:42:53,780 --> 00:42:54,380
Speaker 4: Just so we can see him.

943
00:42:54,380 --> 00:42:56,380
Speaker 5: Have you to square a place this picture with one of flames?

944
00:42:57,560 --> 00:42:59,280
Speaker 2: I mean, it is one of flames.

945
00:43:00,400 --> 00:43:02,360
Speaker 2: Oh, no, that's not how that was supposed to work.

946
00:43:03,380 --> 00:43:03,520
Speaker 2: Hmm.

947
00:43:04,300 --> 00:43:04,440
Speaker 2: Okay.

948
00:43:06,300 --> 00:43:06,960
Speaker 2: Is that right?

949
00:43:07,580 --> 00:43:11,600
Speaker 4: Anyway, yeah, so, yeah, he sets one of the cultists aflame.

950
00:43:12,570 --> 00:43:13,640
Speaker 4: It sets him on fire.

951
00:43:14,050 --> 00:43:15,380
Speaker 4: And he's just screaming.

952
00:43:15,730 --> 00:43:17,440
Speaker 4: So the scene's getting more and more chaotic.

953
00:43:17,840 --> 00:43:18,720
Speaker 4: There's smoke.

954
00:43:19,140 --> 00:43:20,380
Speaker 4: There's Hotman screaming.

955
00:43:20,640 --> 00:43:22,420
Speaker 4: There is the aflamed man screaming.

956
00:43:22,640 --> 00:43:27,300
Speaker 4: There is Audrey, too, snapping at anyone trying to approach Lady High Hill.

957
00:43:28,120 --> 00:43:29,460
Speaker 4: Madame Bouquet is screaming.

958
00:43:29,780 --> 00:43:32,800
Speaker 4: You hear Taz Mazaran screaming.

959
00:43:33,260 --> 00:43:33,880
Speaker 5: It's like everyone else.

960
00:43:38,640 --> 00:43:39,100
Speaker 4: In there.

961
00:43:40,540 --> 00:43:41,260
Speaker 4: Yeah, Chuckles.

962
00:43:42,120 --> 00:43:47,080
Speaker 4: So you have seen one crew, one cultist go up in flame.

963
00:43:47,480 --> 00:43:49,880
Speaker 4: There are still two cultists around the room.

964
00:43:50,660 --> 00:43:52,240
Speaker 4: Madame Bouquet is also yelling.

965
00:43:52,600 --> 00:43:54,260
Speaker 4: Taz Mazaran is yelling.

966
00:43:57,720 --> 00:43:58,440
Speaker 2: All right.

967
00:43:58,620 --> 00:43:59,760
Speaker 2: Well, I want to stab.

968
00:44:01,870 --> 00:44:02,120
Speaker 2: Can I?

969
00:44:02,370 --> 00:44:02,460
Speaker 2: Okay.

970
00:44:02,780 --> 00:44:06,460
Speaker 2: I'd like to run towards, well, because I felt this man's presence behind me.

971
00:44:07,140 --> 00:44:09,400
Speaker 2: I'd like to run at him with my Leatherman knife.

972
00:44:10,640 --> 00:44:10,880
Speaker 4: Yeah.

973
00:44:11,550 --> 00:44:12,040
Speaker 4: Go for it.

974
00:44:13,200 --> 00:44:13,640
Speaker 4: Finesse him.

975
00:44:15,560 --> 00:44:15,880
Speaker 2: Kill him.

976
00:44:15,940 --> 00:44:16,500
Speaker 2: Can I wreck him?

977
00:44:18,040 --> 00:44:18,240
Speaker 4: Yeah.

978
00:44:18,630 --> 00:44:18,760
Speaker 4: Yeah.

979
00:44:18,820 --> 00:44:21,640
Speaker 4: If you want to wreck him, you can, but you can't do it with a knife.

980
00:44:22,620 --> 00:44:23,480
Speaker 2: Oh, I see.

981
00:44:24,660 --> 00:44:27,620
Speaker 4: Because I feel like if you're going to, you know, try to stab him, you know,

982
00:44:27,700 --> 00:44:29,360
Speaker 4: You got to have some skill there.

983
00:44:29,750 --> 00:44:29,880
Speaker 2: Okay.

984
00:44:31,680 --> 00:44:32,600
Speaker 2: Yeah, did not punch him.

985
00:44:34,740 --> 00:44:35,400
Speaker 2: No, I'm stabbing.

986
00:44:36,920 --> 00:44:37,260
Speaker 3: Uh-oh.

987
00:44:38,620 --> 00:44:39,400
Speaker 3: Did I not punch him?

988
00:44:40,540 --> 00:44:45,780
Speaker 4: You go to stab him, and it just, you whiff it entirely.

989
00:44:45,970 --> 00:44:47,940
Speaker 4: Like, he dodges right at the last second.

990
00:44:48,360 --> 00:44:52,140
Speaker 4: And instead, as you kind of fall forward and past him,

991
00:44:52,410 --> 00:44:54,700
Speaker 4: the cult member kind of puts you into a headlock

992
00:44:54,750 --> 00:44:57,660
Speaker 4: and is holding you as you're squirmishing and squiggling

993
00:44:57,680 --> 00:45:00,360
Speaker 4: like trying to kick out of it.

994
00:45:02,680 --> 00:45:03,560
Speaker 4: Patches, sorry.

995
00:45:04,800 --> 00:45:05,940
Speaker 4: You're doing your thing.

996
00:45:06,320 --> 00:45:08,360
Speaker 4: Squish, what are you doing?

997
00:45:08,520 --> 00:45:10,640
Speaker 4: You're seeing this chaos explode in front of you.

998
00:45:11,620 --> 00:45:15,040
Speaker 3: Yeah, I would like to try to take the hooks out of Hotman's back.

999
00:45:15,860 --> 00:45:16,020
Speaker 3: Okay.

1000
00:45:17,800 --> 00:45:20,080
Speaker 4: Yeah, that seems like a finesse, really,

1001
00:45:20,260 --> 00:45:21,880
Speaker 4: just to pull those things out.

1002
00:45:29,800 --> 00:45:36,680
Speaker 4: okay partial success yeah yeah so you you are able to pull pull the hooks out um i don't think you

1003
00:45:36,680 --> 00:45:40,460
Speaker 4: do it very well i think you probably like definitely just like yank them out instead of

1004
00:45:40,480 --> 00:45:44,500
Speaker 4: like finagling them out like a fish hook you know you kind of pull upwards and out you just

1005
00:45:44,800 --> 00:45:45,880
Speaker 4: rip those suckers out.

1006
00:45:46,360 --> 00:45:48,360
Speaker 4: But now you have the two hooks with you.

1007
00:45:51,080 --> 00:45:52,380
Speaker 4: And Hotman is free.

1008
00:45:54,200 --> 00:45:54,820
Speaker 3: Hotman, burn.

1009
00:45:55,540 --> 00:45:56,860
Speaker 3: And then I'm going to throw the...

1010
00:45:57,300 --> 00:45:59,240
Speaker 3: I guess I'm just going to try to throw the hooks at

1011
00:46:00,520 --> 00:46:01,340
Speaker 3: Audrey 2.

1012
00:46:02,720 --> 00:46:04,300
Speaker 3: Because they're ghost hooks, right?

1013
00:46:04,380 --> 00:46:06,100
Speaker 3: They only really work on ghosts.

1014
00:46:07,980 --> 00:46:08,940
Speaker 4: They are...

1015
00:46:08,940 --> 00:46:10,200
Speaker 4: Yeah, I mean, also demons.

1016
00:46:10,440 --> 00:46:11,880
Speaker 4: He's a fire demon, so it works on both.

1017
00:46:12,600 --> 00:46:14,680
Speaker 4: I mean, they are still very sharp hooks.

1018
00:46:15,740 --> 00:46:18,840
Speaker 3: Okay, yeah, I'm just going to throw them at Audrey too then.

1019
00:46:19,530 --> 00:46:20,300
Speaker 4: Yeah, go for it.

1020
00:46:22,500 --> 00:46:23,300
Speaker 4: Probably finesse.

1021
00:46:23,510 --> 00:46:24,520
Speaker 4: Yeah, another finesse.

1022
00:46:29,700 --> 00:46:30,240
Speaker 3: All right.

1023
00:46:36,000 --> 00:46:40,080
Speaker 4: So you take the hooks and you just like almost like a boomerang, you know,

1024
00:46:40,140 --> 00:46:41,380
Speaker 4: kind of just sever,

1025
00:46:42,390 --> 00:46:43,260
Speaker 4: because you throw them, right?

1026
00:46:43,490 --> 00:46:43,900
Speaker 4: You're not,

1027
00:46:44,560 --> 00:46:45,520
Speaker 4: you throw them,

1028
00:46:45,570 --> 00:46:47,100
Speaker 4: yeah, you just like chuck them

1029
00:46:47,540 --> 00:46:48,400
Speaker 4: and it just completely

1030
00:46:49,120 --> 00:46:50,600
Speaker 4: severs the head off of the rose.

1031
00:46:52,860 --> 00:46:53,960
Speaker 4: It's going to go down.

1032
00:46:55,160 --> 00:46:57,520
Speaker 4: Madame Bouquet continues to scream

1033
00:46:58,120 --> 00:46:58,900
Speaker 4: and now she's screaming,

1034
00:46:59,020 --> 00:47:00,220
Speaker 4: my prized rose,

1035
00:47:00,410 --> 00:47:01,180
Speaker 4: my sweetheart,

1036
00:47:01,520 --> 00:47:01,980
Speaker 4: my beloved.

1037
00:47:03,060 --> 00:47:05,120
Speaker 4: Evelyn says something to her,

1038
00:47:05,500 --> 00:47:07,200
Speaker 4: says something horrible and mean,

1039
00:47:08,440 --> 00:47:08,800
Speaker 4: you know,

1040
00:47:09,560 --> 00:47:10,540
Speaker 4: Shut up, you old bag.

1041
00:47:12,240 --> 00:47:13,220
Speaker 4: Oh, my.

1042
00:47:13,520 --> 00:47:14,820
Speaker 4: She turns.

1043
00:47:15,320 --> 00:47:19,280
Speaker 4: She has seen you do this, Squish,

1044
00:47:19,480 --> 00:47:23,460
Speaker 4: and she's now directing herself towards you.

1045
00:47:23,560 --> 00:47:24,740
Speaker 4: She's starting to walk towards you.

1046
00:47:25,320 --> 00:47:26,260
Speaker 4: Oh, I run.

1047
00:47:27,560 --> 00:47:31,500
Speaker 4: You know, I didn't really like that place we ate at.

1048
00:47:31,680 --> 00:47:33,200
Speaker 4: I don't think it was a very good choice.

1049
00:47:34,120 --> 00:47:35,680
Speaker 2: Did you enjoy paying for it?

1050
00:47:38,060 --> 00:47:39,340
Speaker 2: Evelyn starts walking towards me?

1051
00:47:40,460 --> 00:47:41,740
Speaker 4: Evelyn starts walking towards you.

1052
00:47:42,000 --> 00:47:43,580
Speaker 3: Oh, I thought you said...

1053
00:47:44,740 --> 00:47:45,340
Speaker 4: Madame Bouquet?

1054
00:47:45,620 --> 00:47:45,740
Speaker 3: Yeah.

1055
00:47:46,120 --> 00:47:46,740
Speaker 3: Yeah, Bigfoot.

1056
00:47:47,640 --> 00:47:47,740
Speaker 4: Yeah.

1057
00:47:48,260 --> 00:47:48,660
Speaker 3: Oh, okay.

1058
00:47:49,100 --> 00:47:52,060
Speaker 4: No, Evelyn turns and starts stalking towards you like power walking.

1059
00:47:52,740 --> 00:47:54,860
Speaker 4: Because she also knows that you are the one who shot her.

1060
00:47:56,560 --> 00:47:57,560
Speaker 3: Yeah, her.

1061
00:47:58,160 --> 00:47:58,900
Speaker 3: I go, I know.

1062
00:47:59,220 --> 00:48:00,700
Speaker 3: That's why I went to the kitchen to complain.

1063
00:48:01,440 --> 00:48:04,460
Speaker 3: I tried to get it for free, but it didn't work.

1064
00:48:06,120 --> 00:48:06,520
Speaker 4: Patches.

1065
00:48:08,940 --> 00:48:09,480
Speaker 4: your turn.

1066
00:48:09,760 --> 00:48:10,500
Speaker 4: You had...

1067
00:48:11,920 --> 00:48:13,260
Speaker 4: So you freed Hopman.

1068
00:48:13,460 --> 00:48:13,880
Speaker 4: He is

1069
00:48:15,720 --> 00:48:17,200
Speaker 4: no longer being held down.

1070
00:48:17,880 --> 00:48:19,360
Speaker 4: You just saw your friend

1071
00:48:19,500 --> 00:48:21,360
Speaker 4: Shuffles get snatched by one of the

1072
00:48:22,000 --> 00:48:22,460
Speaker 4: Coltman.

1073
00:48:24,400 --> 00:48:25,480
Speaker 5: Do I have...

1074
00:48:26,420 --> 00:48:27,500
Speaker 5: Do I have any

1075
00:48:27,900 --> 00:48:29,280
Speaker 5: arm or what can I move?

1076
00:48:30,920 --> 00:48:31,760
Speaker 5: I'm not sure what I can do.

1077
00:48:31,800 --> 00:48:32,400
Speaker 5: You have two arms.

1078
00:48:33,300 --> 00:48:35,760
Speaker 4: You have two arms and two legs. You are free from the

1079
00:48:35,880 --> 00:48:36,620
Speaker 4: vines that bind you.

1080
00:48:37,240 --> 00:48:39,760
Speaker 5: Okay, then I'm going to whip out my own chain

1081
00:48:39,870 --> 00:48:40,860
Speaker 5: and throw it at the Caltman

1082
00:48:41,960 --> 00:48:42,660
Speaker 5: that has Chuckles.

1083
00:48:43,980 --> 00:48:45,880
Speaker 4: The hooks? You're going to try to hook the Caltman?

1084
00:48:46,020 --> 00:48:46,720
Speaker 4: Oh, yeah.

1085
00:48:47,510 --> 00:48:48,560
Speaker 4: Okay, yeah, finesse that.

1086
00:48:49,280 --> 00:48:50,580
Speaker 5: I'm going to finesse the shit out of that.

1087
00:48:51,300 --> 00:48:53,740
Speaker 4: If you fail, you may hit Chuckles.

1088
00:48:57,440 --> 00:48:58,180
Speaker 2: Why is this so funny?

1089
00:49:01,520 --> 00:49:02,380
Speaker 3: We'll see if it happens.

1090
00:49:03,980 --> 00:49:05,900
Speaker 3: Hey, it didn't happen, so it's not funny.

1091
00:49:07,020 --> 00:49:08,260
Speaker 4: you are able

1092
00:49:08,310 --> 00:49:08,940
Speaker 4: you hit

1093
00:49:11,000 --> 00:49:12,020
Speaker 4: the cultman

1094
00:49:12,840 --> 00:49:14,540
Speaker 4: where the back

1095
00:49:14,540 --> 00:49:15,760
Speaker 4: the front the back

1096
00:49:16,130 --> 00:49:18,280
Speaker 5: like the shoulder like around like right here by the

1097
00:49:18,550 --> 00:49:19,900
Speaker 5: shoulder but cut up maybe

1098
00:49:20,320 --> 00:49:22,300
Speaker 5: cut on his shoulder at the very

1099
00:49:22,300 --> 00:49:23,060
Speaker 5: least in his clothing

1100
00:49:24,230 --> 00:49:26,320
Speaker 4: okay yeah so you you catch

1101
00:49:26,480 --> 00:49:27,780
Speaker 4: him and he

1102
00:49:28,260 --> 00:49:30,180
Speaker 4: he screams out drops

1103
00:49:31,220 --> 00:49:32,260
Speaker 4: drops chuckles

1104
00:49:32,620 --> 00:49:34,260
Speaker 4: and turns towards you

1105
00:49:34,560 --> 00:49:37,360
Speaker 4: and is about to now attack you instead.

1106
00:49:38,360 --> 00:49:39,500
Speaker 4: Chuckles, you have been dropped.

1107
00:49:39,530 --> 00:49:40,240
Speaker 4: You are free now.

1108
00:49:41,400 --> 00:49:42,840
Speaker 2: Oh, but now he's attacking Patches.

1109
00:49:43,380 --> 00:49:43,620
Speaker 2: All right.

1110
00:49:45,940 --> 00:49:46,620
Speaker 2: See you, Patches.

1111
00:49:47,040 --> 00:49:47,320
Speaker 2: See you.

1112
00:49:49,220 --> 00:49:51,080
Speaker 2: And Squish is free.

1113
00:49:52,420 --> 00:49:53,060
Speaker 4: Squish is free.

1114
00:49:53,190 --> 00:49:55,800
Speaker 4: He is being, Evelyn is heading towards him.

1115
00:49:56,380 --> 00:50:00,280
Speaker 2: And his head, the monster, the flower monster,

1116
00:50:00,450 --> 00:50:01,240
Speaker 2: his head popped off.

1117
00:50:02,420 --> 00:50:02,960
Speaker 2: Is headless.

1118
00:50:03,190 --> 00:50:03,900
Speaker 2: Repeat, headless.

1119
00:50:04,040 --> 00:50:08,560
Speaker 2: Headless. Okay. Uh, I'm going to go run at, uh,

1120
00:50:10,540 --> 00:50:15,480
Speaker 2: Lady High Hill. Wait, no, no, no, no, no, no. I'm going to jump and, um,

1121
00:50:16,660 --> 00:50:22,720
Speaker 2: wreck on the man that just had me that was running towards patches. Um,

1122
00:50:23,370 --> 00:50:24,200
Speaker 2: I'm not going to stab,

1123
00:50:24,880 --> 00:50:28,520
Speaker 2: but I am going to jump on him and pound on his head karate style.

1124
00:50:29,520 --> 00:50:32,720
Speaker 4: Okay. Yeah. Yeah. Roll your wreck for that one.

1125
00:50:48,860 --> 00:50:48,960
Speaker 2: damn

1126
00:50:50,960 --> 00:50:53,760
Speaker 2: oh four twos yeah this doesn't usually happen to me

1127
00:50:56,640 --> 00:50:57,460
Speaker 3: at your age

1128
00:50:58,960 --> 00:51:00,480
Speaker 3: probably happens more and more often

1129
00:51:02,800 --> 00:51:07,980
Speaker 4: yeah i'm i'm gonna say uh you're you're definitely i'm gonna have you take a few

1130
00:51:08,050 --> 00:51:13,540
Speaker 4: stress for that and just miss him entirely just take two stress all right um and just miss him

1131
00:51:13,610 --> 00:51:17,660
Speaker 4: and you're taking the stress because not only is that embarrassing but it happened in front of your

1132
00:51:17,920 --> 00:51:27,880
Speaker 4: girlfriend both of them both of your girlfriends um yeah so evelyn uh evelyn's kind of following

1133
00:51:27,900 --> 00:51:32,940
Speaker 4: you squish and she's just shouting at you she's like i have spent years i have spent decades

1134
00:51:33,780 --> 00:51:37,920
Speaker 4: trying to get this together trying to piece it together and it's always just been in the hands

1135
00:51:37,920 --> 00:51:46,020
Speaker 4: of you three idiots i don't understand it and as she shouts the room shakes even more um patches

1136
00:51:46,160 --> 00:51:50,860
Speaker 4: i'm gonna have you roll um an attune for me

1137
00:51:56,580 --> 00:51:57,860
Speaker 4: attune attune

1138
00:52:06,900 --> 00:52:08,420
Speaker 4: you're too busy to understand what's happening

1139
00:52:10,640 --> 00:52:18,200
Speaker 4: uh squish uh you you are backing away or running rather from from evelyn who is trying to catch up

1140
00:52:18,200 --> 00:52:24,020
Speaker 3: with you um what would you like to do next um i'm gonna turn around and i'm gonna shoot tam

1141
00:52:24,040 --> 00:52:26,180
Speaker 3: Mazarin this time. Sure, yeah.

1142
00:52:28,680 --> 00:52:30,120
Speaker 3: She did not seem like she

1143
00:52:30,240 --> 00:52:32,180
Speaker 3: was very hurt by my gun.

1144
00:52:32,980 --> 00:52:34,180
Speaker 4: She was not. It did

1145
00:52:34,800 --> 00:52:36,120
Speaker 4: hit her, but it did not

1146
00:52:36,190 --> 00:52:38,220
Speaker 5: hurt her. I did not hit

1147
00:52:38,380 --> 00:52:39,020
Speaker 5: her. I did not.

1148
00:52:42,420 --> 00:52:42,820
Speaker 5: She's even.

1149
00:52:44,060 --> 00:52:44,280
Speaker 4: Yeah.

1150
00:52:46,280 --> 00:52:47,200
Speaker 4: Where do you want to hit him?

1151
00:52:49,320 --> 00:52:49,520
Speaker 3: Well,

1152
00:52:50,640 --> 00:52:51,960
Speaker 3: probably just in

1153
00:52:52,220 --> 00:52:53,840
Speaker 3: the right leg.

1154
00:52:54,500 --> 00:52:55,520
Speaker 3: the thigh.

1155
00:52:56,000 --> 00:52:58,060
Speaker 3: I was going to say butt.

1156
00:52:59,260 --> 00:53:00,180
Speaker 3: He's probably

1157
00:53:00,540 --> 00:53:01,000
Speaker 3: facing us.

1158
00:53:02,300 --> 00:53:03,160
Speaker 3: The right guy.

1159
00:53:04,900 --> 00:53:06,220
Speaker 4: You shoot him

1160
00:53:06,230 --> 00:53:07,820
Speaker 4: in the leg and he

1161
00:53:08,859 --> 00:53:09,980
Speaker 4: goes down

1162
00:53:10,810 --> 00:53:12,120
Speaker 4: a little bit like a sack of potatoes.

1163
00:53:14,700 --> 00:53:15,120
Speaker 3: You got him.

1164
00:53:16,010 --> 00:53:16,540
Speaker 3: Take that jerk.

1165
00:53:18,780 --> 00:53:20,200
Speaker 4: Patches, the cult

1166
00:53:20,320 --> 00:53:21,620
Speaker 4: member that you've hooked is now

1167
00:53:22,100 --> 00:53:22,760
Speaker 4: approaching you.

1168
00:53:23,500 --> 00:53:29,820
Speaker 4: He was not deterred at all by Chuckles' jump on his head.

1169
00:53:30,100 --> 00:53:32,180
Speaker 4: So Patches, what would you like to do?

1170
00:53:32,260 --> 00:53:33,540
Speaker 4: You see the guy coming towards you.

1171
00:53:33,960 --> 00:53:36,940
Speaker 5: Oh, I got something special for this guy.

1172
00:53:37,180 --> 00:53:41,540
Speaker 5: I get down on one knee, and I give him one big old nut punch.

1173
00:53:43,820 --> 00:53:45,500
Speaker 5: I slide into this thing.

1174
00:53:45,500 --> 00:53:48,140
Speaker 5: I run and slide on my knees into this thing.

1175
00:53:48,860 --> 00:53:49,660
Speaker 5: Like doing the splits?

1176
00:53:51,100 --> 00:53:52,940
Speaker 5: No, like I'm a rock star.

1177
00:53:53,680 --> 00:53:54,720
Speaker 5: sliding across the stage

1178
00:53:56,840 --> 00:53:57,740
Speaker 5: and doing splits.

1179
00:54:05,000 --> 00:54:06,500
Speaker 5: Oh, I missed.

1180
00:54:09,540 --> 00:54:11,700
Speaker 4: You go to nut punch him.

1181
00:54:14,340 --> 00:54:16,020
Speaker 4: Yeah, so you go to nut punch him

1182
00:54:16,370 --> 00:54:18,400
Speaker 4: and you miss and as your face

1183
00:54:18,400 --> 00:54:20,120
Speaker 4: is like right in front of his crotch,

1184
00:54:20,500 --> 00:54:22,600
Speaker 4: he's going to go ahead and knee you right in the nose.

1185
00:54:23,040 --> 00:54:24,980
Speaker 4: you're going to take level one harm

1186
00:54:25,540 --> 00:54:25,960
Speaker 4: bloody nose

1187
00:54:28,540 --> 00:54:28,980
Speaker 5: fuck

1188
00:54:30,760 --> 00:54:30,960
Speaker 5: ouch

1189
00:54:35,380 --> 00:54:36,980
Speaker 4: lady bouquet has watched all this

1190
00:54:37,779 --> 00:54:38,880
Speaker 4: going on

1191
00:54:39,240 --> 00:54:40,720
Speaker 4: and you know she's finished

1192
00:54:41,920 --> 00:54:43,120
Speaker 4: screaming about

1193
00:54:43,460 --> 00:54:45,060
Speaker 4: her poor beloved

1194
00:54:45,510 --> 00:54:45,680
Speaker 4: Audrey

1195
00:54:47,280 --> 00:54:48,980
Speaker 4: and she turns around and she just

1196
00:54:48,990 --> 00:54:50,800
Speaker 4: her face is like beet red

1197
00:54:50,820 --> 00:54:55,080
Speaker 4: It's more emotion you've seen in this woman's face than you have the entire time tonight.

1198
00:54:55,190 --> 00:54:57,880
Speaker 4: And she goes, this is just preposterous.

1199
00:54:58,000 --> 00:54:59,500
Speaker 4: It's not supposed to be this way.

1200
00:55:00,580 --> 00:55:03,260
Speaker 4: And more vines have now appeared.

1201
00:55:04,100 --> 00:55:05,460
Speaker 4: These are faster moving vines.

1202
00:55:05,470 --> 00:55:08,900
Speaker 4: So these are not ones that are just coming and grabbing you and holding you.

1203
00:55:09,980 --> 00:55:16,140
Speaker 4: They're coming up and trying to almost nip you in the leg or cut you slightly as you come by.

1204
00:55:16,920 --> 00:55:20,560
Speaker 4: And she's sending them kind of after everyone in particular.

1205
00:55:20,980 --> 00:55:23,160
Speaker 4: but mostly after you

1206
00:55:25,730 --> 00:55:26,660
Speaker 4: squish for being the one

1207
00:55:26,660 --> 00:55:28,580
Speaker 4: that cut off her poor baby's head.

1208
00:55:33,120 --> 00:55:35,440
Speaker 4: Chuckles, you were thrown off

1209
00:55:36,100 --> 00:55:38,180
Speaker 4: carelessly by the cult member.

1210
00:55:38,520 --> 00:55:39,500
Speaker 4: What would you like to do

1211
00:55:39,540 --> 00:55:40,920
Speaker 4: watching this chaos unfold?

1212
00:55:46,260 --> 00:55:46,540
Speaker 2: Hmm.

1213
00:55:52,840 --> 00:55:53,520
Speaker 2: let's see

1214
00:55:58,940 --> 00:56:00,040
Speaker 2: i guess

1215
00:56:02,060 --> 00:56:13,040
Speaker 2: i want to go help squish somehow okay uh so maybe what oh how nice yeah so i'm gonna go run since

1216
00:56:13,720 --> 00:56:15,620
Speaker 2: you've been having some kind of success shooting your gun.

1217
00:56:16,440 --> 00:56:17,820
Speaker 2: I want to run towards you.

1218
00:56:21,980 --> 00:56:22,380
Speaker 2: Squish.

1219
00:56:24,000 --> 00:56:24,860
Speaker 2: How can I help?

1220
00:56:27,900 --> 00:56:29,420
Speaker 3: Well, Evelyn is very mad.

1221
00:56:29,820 --> 00:56:30,800
Speaker 2: So you want me to talk her down?

1222
00:56:33,280 --> 00:56:34,020
Speaker 2: Show me a schmoozer.

1223
00:56:36,580 --> 00:56:38,680
Speaker 3: No, I don't think that's going to work.

1224
00:56:38,800 --> 00:56:39,100
Speaker 3: She's evil.

1225
00:56:39,460 --> 00:56:40,040
Speaker 2: Oh, that's right.

1226
00:56:40,180 --> 00:56:41,320
Speaker 3: I want you to kick her ass.

1227
00:56:41,500 --> 00:56:41,640
Speaker 3: Yeah.

1228
00:56:42,220 --> 00:56:43,980
Speaker 2: I can't hit my girlfriend.

1229
00:56:45,300 --> 00:56:48,300
Speaker 5: I said kick her ass, meaning your foot in her butt.

1230
00:56:48,560 --> 00:56:48,740
Speaker 5: Go.

1231
00:56:50,980 --> 00:56:51,340
Speaker 2: All right.

1232
00:56:51,620 --> 00:56:52,400
Speaker 2: That's not a bad idea.

1233
00:56:52,850 --> 00:56:53,480
Speaker 2: Go tackle her.

1234
00:56:53,560 --> 00:56:55,560
Speaker 2: I'm going to kick into her butt.

1235
00:56:57,540 --> 00:56:58,200
Speaker 2: We're not into it.

1236
00:56:58,680 --> 00:56:59,300
Speaker 2: Just onto it.

1237
00:56:59,450 --> 00:57:01,420
Speaker 2: I can't hit a woman except for kicking her butt.

1238
00:57:01,600 --> 00:57:04,540
Speaker 2: I mean, I can't hit a woman until you yell at me and tell me to do it.

1239
00:57:04,550 --> 00:57:05,680
Speaker 2: Then I just start doing it.

1240
00:57:08,380 --> 00:57:08,540
Speaker 4: Okay.

1241
00:57:08,840 --> 00:57:08,900
Speaker 4: Yeah.

1242
00:57:09,190 --> 00:57:10,040
Speaker 4: Go ahead and throw your rec.

1243
00:57:10,740 --> 00:57:11,940
Speaker 2: Like a Liu Kang kick.

1244
00:57:15,060 --> 00:57:21,040
Speaker 2: right into the butt right at the well yeah right at the butt in the hip area the tuchus yes

1245
00:57:27,980 --> 00:57:31,600
Speaker 2: all right that's better uh you

1246
00:57:34,000 --> 00:57:42,180
Speaker 4: you Liu Kang her butt uh kick her solidly in the butt um when you hit her you've punched and

1247
00:57:42,340 --> 00:57:48,020
Speaker 4: kicked a lot of people before this is a not a new fighting style for you and Evelyn's not a very big

1248
00:57:48,240 --> 00:57:55,120
Speaker 4: woman she's relatively short kind of petite um but when you kick her in the butt it's like hitting a

1249
00:57:55,240 --> 00:58:03,400
Speaker 5: brick wall. Ouch. Yeah. So I mean, she works out. And what I mean to say that is that you don't

1250
00:58:03,500 --> 00:58:08,840
Speaker 4: take any harm, but you, she is decidedly dense for how hard you kick her. Um, but you are

1251
00:58:09,120 --> 00:58:15,260
Speaker 4: successful in stopping her from, uh, charging towards, um, from charging towards a squish.

1252
00:58:15,790 --> 00:58:22,340
Speaker 4: Uh, she kind of stumbles and stops and kind of like for a second, just like looks disoriented,

1253
00:58:22,980 --> 00:58:24,720
Speaker 4: kind of like she's not quite sure what's happened

1254
00:58:25,360 --> 00:58:26,500
Speaker 4: you know doing one of those like

1255
00:58:26,620 --> 00:58:28,320
Speaker 4: what? Did I?

1256
00:58:29,220 --> 00:58:30,120
Speaker 5: Did my butt just get kicked?

1257
00:58:30,720 --> 00:58:31,780
Speaker 4: Did I just get kicked in the butt?

1258
00:58:32,780 --> 00:58:33,020
Speaker 4: Yes!

1259
00:58:36,520 --> 00:58:36,900
Speaker 4: Squish

1260
00:58:37,060 --> 00:58:38,500
Speaker 4: you've seen the butt kicking

1261
00:58:39,760 --> 00:58:40,760
Speaker 4: how would you like to respond?

1262
00:58:43,360 --> 00:58:45,020
Speaker 3: While she's distracted I'm going to shoot her again

1263
00:58:45,820 --> 00:58:46,220
Speaker 3: in the butt

1264
00:58:47,420 --> 00:58:48,820
Speaker 3: Yeah I'm going to aim for the butt

1265
00:58:49,580 --> 00:58:50,340
Speaker 3: Aim for the butt

1266
00:58:51,900 --> 00:58:52,380
Speaker 3: Yeah

1267
00:58:52,400 --> 00:58:52,760
Speaker 5: Roll for butt.

1268
00:58:52,900 --> 00:58:57,200
Speaker 3: That way, if it's a really good one and it's bleeding, she's going to be confused.

1269
00:58:59,420 --> 00:58:59,880
Speaker 3: Don't worry.

1270
00:59:00,020 --> 00:59:00,820
Speaker 5: Why is my butt bleeding?

1271
00:59:03,740 --> 00:59:11,680
Speaker 4: You go to shoot her and you feel something like almost grab your gun from you.

1272
00:59:12,240 --> 00:59:16,620
Speaker 4: They're not going to take it, but it's almost like a gust of wind or something.

1273
00:59:16,900 --> 00:59:22,620
Speaker 4: Like a strong arm has taken your weapon and just like shakes it out of your hand while you're trying to shoot.

1274
00:59:23,160 --> 00:59:23,700
Speaker 4: So you fumble.

1275
00:59:24,200 --> 00:59:25,540
Speaker 4: You're not able to get a shot off.

1276
00:59:26,250 --> 00:59:28,900
Speaker 4: And this is the first time this has ever happened to you.

1277
00:59:30,000 --> 00:59:33,420
Speaker 4: Taz Mazaran has recovered from his leg.

1278
00:59:33,760 --> 00:59:34,660
Speaker 4: I mean, he's not recovered.

1279
00:59:34,780 --> 00:59:36,520
Speaker 4: His leg is still bleeding and he's limping.

1280
00:59:37,480 --> 00:59:43,140
Speaker 4: But you see him kind of like pull into his pocket and he goes, ah, ah, and he chucks it.

1281
00:59:44,420 --> 00:59:46,820
Speaker 4: I'm going to have all of you roll just one die.

1282
00:59:47,390 --> 00:59:47,820
Speaker 4: Just one.

1283
00:59:48,440 --> 00:59:48,960
Speaker 4: Nothing specific.

1284
00:59:49,110 --> 00:59:49,660
Speaker 4: Just one die.

1285
00:59:53,300 --> 00:59:53,820
Speaker 2: One die.

1286
00:59:55,760 --> 00:59:56,240
Speaker 2: Of what?

1287
00:59:56,360 --> 00:59:57,780
Speaker 2: Oh, I guess these are all six.

1288
00:59:59,300 --> 00:59:59,440
Speaker 2: Yeah.

1289
01:00:00,580 --> 01:00:00,720
Speaker 2: Yeah.

1290
01:00:09,160 --> 01:00:10,640
Speaker 4: That's the persistent die.

1291
01:00:11,460 --> 01:00:11,640
Speaker 2: Yeah.

1292
01:00:11,820 --> 01:00:12,520
Speaker 2: Oh, oops.

1293
01:00:14,300 --> 01:00:15,340
Speaker 4: Unfortunately, it patches.

1294
01:00:15,870 --> 01:00:17,680
Speaker 4: It lands at your feet.

1295
01:00:18,380 --> 01:00:24,620
Speaker 4: This bottle smashes, and this black plume of smoke kind of appears.

1296
01:00:26,020 --> 01:00:29,940
Speaker 4: And the room goes dark for you.

1297
01:00:32,980 --> 01:00:33,520
Speaker 4: Are you there?

1298
01:00:34,020 --> 01:00:34,380
Speaker 5: Uh-oh.

1299
01:00:35,100 --> 01:00:35,580
Speaker 5: Sorry, I was muted.

1300
01:00:36,520 --> 01:00:36,620
Speaker 4: Yeah.

1301
01:00:37,800 --> 01:00:39,220
Speaker 4: And it goes dark.

1302
01:00:39,290 --> 01:00:42,560
Speaker 4: You take in a deep breath as you're trying to kind of clear your lungs.

1303
01:00:43,180 --> 01:00:48,180
Speaker 4: And you inhale more of this black powder.

1304
01:00:48,640 --> 01:00:50,660
Speaker 4: And we'll come back to you in just a second.

1305
01:00:53,000 --> 01:00:54,500
Speaker 4: Squish, Squish Truffles.

1306
01:00:56,860 --> 01:01:00,980
Speaker 4: You both have just seen Squish fail horribly at shooting.

1307
01:01:01,510 --> 01:01:03,360
Speaker 4: Would either of you like to do something else?

1308
01:01:12,720 --> 01:01:19,120
Speaker 3: why don't you not squish chuckle why don't you go try to free uh lady high hill all right well i

1309
01:01:19,340 --> 01:01:24,980
Speaker 2: yeah i just got done kicking a cement wall and then i'm gonna go reach for lady high hill although

1310
01:01:24,980 --> 01:01:29,900
Speaker 2: i don't know how she's gonna help pick her butt no did you say kick or lick

1311
01:01:32,440 --> 01:01:40,220
Speaker 3: can i tell hopman to do something yeah burn burn burn i don't think you need to tell him that i

1312
01:01:40,200 --> 01:01:45,060
Speaker 3: think he's got it well he so far hasn't he's got it or anybody well he is he hasn't been doing

1313
01:01:45,280 --> 01:01:51,260
Speaker 4: anything he did burn one cult uh cult guy uh yeah if you want to commit you do have to command him

1314
01:01:51,540 --> 01:01:58,260
Speaker 4: that's that's the one trick with him so uh i don't think i have any in command yeah gotta be his dom

1315
01:01:59,700 --> 01:02:06,279
Speaker 3: you gotta be his dom daddy his dom daddy well either way it's a failure three uh he does not

1316
01:02:06,300 --> 01:02:07,940
Speaker 4: hear you over the sound of his own

1317
01:02:08,240 --> 01:02:09,020
Speaker 4: maniacal laughter.

1318
01:02:10,190 --> 01:02:11,860
Speaker 3: Oh my god, he's laughing this whole time too?

1319
01:02:12,460 --> 01:02:12,660
Speaker 3: Yeah.

1320
01:02:13,340 --> 01:02:15,340
Speaker 3: That's probably the most terrifying thing.

1321
01:02:16,200 --> 01:02:17,640
Speaker 4: Yeah, he's going nuts.

1322
01:02:18,720 --> 01:02:19,860
Speaker 4: Would you like to try and

1323
01:02:20,780 --> 01:02:21,940
Speaker 4: save Lady High Hill

1324
01:02:22,500 --> 01:02:22,800
Speaker 4: patches?

1325
01:02:24,000 --> 01:02:24,880
Speaker 4: I'm sorry, Chuckles? Yeah.

1326
01:02:25,410 --> 01:02:25,900
Speaker 4: No, Chuckles.

1327
01:02:26,690 --> 01:02:28,440
Speaker 4: Okay, so she's up in these vines.

1328
01:02:28,720 --> 01:02:31,000
Speaker 4: So if you want to finesse your way up to the vines

1329
01:02:31,030 --> 01:02:32,700
Speaker 4: and try to cut her out, you totally can.

1330
01:02:33,020 --> 01:02:34,900
Speaker 2: Okay. Okay, that's what I want to do.

1331
01:02:36,920 --> 01:02:38,100
Speaker 2: so that would be finesse

1332
01:02:38,870 --> 01:02:39,640
Speaker 2: or tinker

1333
01:02:39,860 --> 01:02:40,520
Speaker 4: you're going to have to like

1334
01:02:41,180 --> 01:02:42,500
Speaker 4: you're going to have to swirl up there

1335
01:02:42,890 --> 01:02:43,560
Speaker 4: I mean if you can

1336
01:02:44,500 --> 01:02:45,660
Speaker 4: make a good case for tinker

1337
01:02:45,820 --> 01:02:46,320
Speaker 4: I'll let you do it

1338
01:02:48,260 --> 01:02:49,200
Speaker 4: make a rope ladder

1339
01:02:50,010 --> 01:02:50,660
Speaker 2: oh wait hold on

1340
01:02:50,890 --> 01:02:51,620
Speaker 2: I got to

1341
01:02:53,920 --> 01:02:54,100
Speaker 2: uh

1342
01:02:54,720 --> 01:02:55,060
Speaker 2: finesse

1343
01:02:58,760 --> 01:02:59,620
Speaker 2: not bad

1344
01:03:02,300 --> 01:03:03,180
Speaker 4: so you're

1345
01:03:03,440 --> 01:03:04,940
Speaker 4: you climb up there

1346
01:03:04,960 --> 01:03:08,840
Speaker 4: and she's being bound by her arms, her legs, and her mouth.

1347
01:03:10,060 --> 01:03:10,820
Speaker 4: What do you cut first?

1348
01:03:12,500 --> 01:03:12,980
Speaker 2: Her hands.

1349
01:03:14,700 --> 01:03:14,840
Speaker 2: Okay.

1350
01:03:15,820 --> 01:03:18,720
Speaker 4: You cut away from her hands, but again, as you do,

1351
01:03:18,880 --> 01:03:22,200
Speaker 4: there's like little bits of acid, but it does fall on her dress

1352
01:03:22,580 --> 01:03:26,540
Speaker 4: and, you know, is a tasteful sort of, you know, burns off.

1353
01:03:26,700 --> 01:03:26,840
Speaker 4: Exactly.

1354
01:03:27,300 --> 01:03:30,200
Speaker 4: Yeah, real tasteful, like, you know, PG here.

1355
01:03:31,100 --> 01:03:31,500
Speaker 3: Bound.

1356
01:03:34,640 --> 01:03:41,020
Speaker 4: And she gets her hands and she starts like scrabbling at her mouth, like trying to release her mouth.

1357
01:03:43,160 --> 01:03:45,580
Speaker 4: Patches, you have inhaled this smoke.

1358
01:03:47,380 --> 01:03:48,800
Speaker 4: And things have gone dark for you.

1359
01:03:49,660 --> 01:03:52,740
Speaker 4: And then like a spotlight kind of appears.

1360
01:03:54,460 --> 01:03:57,140
Speaker 4: And in it is your papa.

1361
01:04:00,040 --> 01:04:00,600
Speaker 4: Your papa.

1362
01:04:03,840 --> 01:04:07,420
Speaker 4: Yes, and he goes, Arrg Mileti, what are you doing?

1363
01:04:08,800 --> 01:04:10,080
Speaker 4: I don't know.

1364
01:04:11,220 --> 01:04:12,640
Speaker 5: What are you doing here?

1365
01:04:13,380 --> 01:04:19,160
Speaker 4: You've inhaled some sort of smoke you're having on a hallucination.

1366
01:04:19,760 --> 01:04:21,700
Speaker 4: What have I always told you about hallucinations?

1367
01:04:24,040 --> 01:04:28,960
Speaker 5: You can only hallucinate if you don't do drugs.

1368
01:04:32,600 --> 01:04:34,080
Speaker 4: I do weep for you, my boy.

1369
01:04:34,170 --> 01:04:35,220
Speaker 4: I do weep for you.

1370
01:04:36,780 --> 01:04:37,900
Speaker 4: Listen, you gotta get up.

1371
01:04:38,680 --> 01:04:40,040
Speaker 4: You've inhaled something bad.

1372
01:04:40,180 --> 01:04:44,540
Speaker 4: That crazy man there, that Tam Mazaran, he's giving you something real bad.

1373
01:04:46,000 --> 01:04:46,640
Speaker 5: I don't know.

1374
01:04:47,540 --> 01:04:48,580
Speaker 5: I'm hallucinating.

1375
01:04:48,610 --> 01:04:49,540
Speaker 5: What am I supposed to do?

1376
01:04:51,140 --> 01:04:53,060
Speaker 4: You need to try, son.

1377
01:04:53,270 --> 01:04:54,300
Speaker 4: You need to try.

1378
01:04:54,630 --> 01:04:56,420
Speaker 4: Because if you don't try...

1379
01:04:56,550 --> 01:04:57,860
Speaker 4: Ah! Ah! Ah!

1380
01:04:58,300 --> 01:05:00,180
Speaker 4: And as he screams, he morphs.

1381
01:05:00,470 --> 01:05:03,540
Speaker 4: And suddenly he's Captain Adric Fitzclyde.

1382
01:05:04,020 --> 01:05:07,260
Speaker 4: The real Captain Adric Fitzclyde, not ghost form.

1383
01:05:07,310 --> 01:05:11,940
Speaker 4: He goes, ah, my boy, if you don't try, you're going to end up just like me.

1384
01:05:12,200 --> 01:05:13,660
Speaker 4: Just like your dear papa.

1385
01:05:16,700 --> 01:05:19,200
Speaker 4: Father, you don't know that.

1386
01:05:19,290 --> 01:05:20,720
Speaker 4: You don't know what I've done to your mother.

1387
01:05:21,900 --> 01:05:23,120
Speaker 5: You fucking asshole.

1388
01:05:23,600 --> 01:05:25,480
Speaker 5: I should have killed you on that fucking boat twice.

1389
01:05:29,000 --> 01:05:30,000
Speaker 5: You piece of shit

1390
01:05:31,460 --> 01:05:32,780
Speaker 5: I start swinging

1391
01:05:33,000 --> 01:05:34,320
Speaker 5: I'm going to start swinging right at him

1392
01:05:35,120 --> 01:05:36,700
Speaker 4: Okay, go ahead and roll your rack

1393
01:05:37,420 --> 01:05:37,600
Speaker 5: Alright

1394
01:05:49,760 --> 01:05:50,380
Speaker 5: This is for

1395
01:05:50,900 --> 01:05:51,880
Speaker 5: This is for taking me

1396
01:05:52,010 --> 01:05:53,600
Speaker 5: Papa away from you on your ship

1397
01:05:56,480 --> 01:05:58,780
Speaker 4: As you just start swinging wildly,

1398
01:05:59,290 --> 01:06:02,260
Speaker 4: you start making contact with Captain Adrek Fitzclyde,

1399
01:06:02,450 --> 01:06:05,800
Speaker 4: which turns out is just the cult member that you actually hit with your shoulder,

1400
01:06:05,890 --> 01:06:06,820
Speaker 4: with the hook earlier.

1401
01:06:07,820 --> 01:06:10,340
Speaker 4: And you wallop him right in the jaw.

1402
01:06:12,880 --> 01:06:15,240
Speaker 4: How dare you give him a job and take him away from me home?

1403
01:06:17,820 --> 01:06:19,680
Speaker 4: So Patches is just screaming,

1404
01:06:20,500 --> 01:06:21,460
Speaker 4: don't take my papa.

1405
01:06:21,670 --> 01:06:22,900
Speaker 4: How dare you take my papa?

1406
01:06:23,580 --> 01:06:25,020
Speaker 4: and punching wildly.

1407
01:06:28,760 --> 01:06:30,060
Speaker 4: Squish, you

1408
01:06:31,920 --> 01:06:34,520
Speaker 4: had tried to shoot Lady...

1409
01:06:35,280 --> 01:06:36,880
Speaker 4: I'm sorry, what had you just done?

1410
01:06:37,640 --> 01:06:37,880
Speaker 4: Evelyn, yeah.

1411
01:06:37,910 --> 01:06:38,700
Speaker 4: I tried to shoot Evelyn.

1412
01:06:39,200 --> 01:06:40,100
Speaker 4: You tried to shoot Evelyn.

1413
01:06:40,170 --> 01:06:41,060
Speaker 4: It had gone badly.

1414
01:06:42,180 --> 01:06:43,160
Speaker 4: What would you like to do next?

1415
01:06:44,440 --> 01:06:46,800
Speaker 4: Just to kind of also reiterate what's going on.

1416
01:06:48,700 --> 01:06:50,660
Speaker 4: Squish, you are kind of

1417
01:06:51,630 --> 01:06:52,700
Speaker 4: center back of the room.

1418
01:06:53,080 --> 01:06:54,280
Speaker 4: You're seeing everything ahead of you.

1419
01:06:54,540 --> 01:06:55,300
Speaker 4: Evelyn was there.

1420
01:06:55,370 --> 01:06:56,400
Speaker 4: You just tried shooting her.

1421
01:06:56,520 --> 01:06:57,600
Speaker 4: She's still approaching you.

1422
01:06:58,440 --> 01:07:00,740
Speaker 4: Hotman is screaming and laughing maniacally.

1423
01:07:00,740 --> 01:07:02,200
Speaker 4: He did not respond to your command.

1424
01:07:03,500 --> 01:07:07,260
Speaker 4: Patches is possibly hallucinating, screaming about his papa.

1425
01:07:08,720 --> 01:07:12,620
Speaker 4: And Chuckles has climbed the vine to rescue Lady High Hill.

1426
01:07:13,020 --> 01:07:15,160
Speaker 4: There is still two cult members.

1427
01:07:15,460 --> 01:07:18,000
Speaker 4: One was lit aflame and has since perished.

1428
01:07:18,400 --> 01:07:21,760
Speaker 4: One is being punched by Patches at the moment.

1429
01:07:22,240 --> 01:07:23,300
Speaker 4: One's kind of loose.

1430
01:07:23,570 --> 01:07:26,460
Speaker 4: Madame Bouquet and Taz Mazaran are also in the room.

1431
01:07:27,580 --> 01:07:28,260
Speaker 3: Oh, my God.

1432
01:07:29,040 --> 01:07:30,300
Speaker 3: There's so much going on.

1433
01:07:32,300 --> 01:07:32,680
Speaker 3: I'm going to go.

1434
01:07:34,360 --> 01:07:35,320
Speaker 3: I better get out of here.

1435
01:07:41,440 --> 01:07:44,220
Speaker 3: I want to do a flashback to when we were on the boat right before we went to the party.

1436
01:07:44,900 --> 01:07:45,100
Speaker 3: Yeah.

1437
01:07:47,620 --> 01:07:48,800
Speaker 5: Two hours earlier.

1438
01:07:50,220 --> 01:07:51,260
Speaker 3: Several hours earlier.

1439
01:07:52,140 --> 01:07:58,660
Speaker 3: I would like to see if Juggles could have put extra pockets in on my suit.

1440
01:07:59,640 --> 01:08:01,920
Speaker 3: So I can make some boom boom sauce and put it in there.

1441
01:08:03,280 --> 01:08:05,620
Speaker 2: Yeah, I can put pockets on your shirt.

1442
01:08:06,320 --> 01:08:07,140
Speaker 2: What do you want that for?

1443
01:08:07,480 --> 01:08:07,720
Speaker 3: Thank you.

1444
01:08:08,620 --> 01:08:10,260
Speaker 3: Well, I'm going to use it to store stuff.

1445
01:08:10,840 --> 01:08:11,340
Speaker 3: Not chicken.

1446
01:08:12,460 --> 01:08:13,200
Speaker 3: Definitely not chicken.

1447
01:08:13,900 --> 01:08:14,300
Speaker 2: Produce?

1448
01:08:15,860 --> 01:08:21,960
Speaker 5: Yeah, we have a further flashback where it reveals you were the one who installed my bottle holder and my pants.

1449
01:08:22,420 --> 01:08:23,339
Speaker 5: You tinkered it in there.

1450
01:08:24,460 --> 01:08:25,319
Speaker 5: Like in season one.

1451
01:08:27,660 --> 01:08:28,220
Speaker 2: So wait.

1452
01:08:28,370 --> 01:08:31,259
Speaker 2: So you don't like put cocktail chicken into it?

1453
01:08:31,750 --> 01:08:32,200
Speaker 2: Into your shirt?

1454
01:08:32,720 --> 01:08:33,299
Speaker 3: No, no, no.

1455
01:08:33,480 --> 01:08:33,900
Speaker 3: Not cocktail.

1456
01:08:33,970 --> 01:08:36,000
Speaker 3: I want to put the boom boom sauce in there.

1457
01:08:36,080 --> 01:08:36,839
Speaker 2: That seems dangerous.

1458
01:08:38,720 --> 01:08:40,160
Speaker 2: I'd recommend cocktail chicken.

1459
01:08:40,980 --> 01:08:42,460
Speaker 2: What if the bottle breaks?

1460
01:08:42,900 --> 01:08:44,359
Speaker 2: Like if you hug someone too hard.

1461
01:08:45,859 --> 01:08:47,380
Speaker 3: Well, that's the good thing.

1462
01:08:47,520 --> 01:08:48,319
Speaker 3: I never hug anyone.

1463
01:08:49,240 --> 01:08:49,940
Speaker 2: That is a good thing.

1464
01:08:50,040 --> 01:08:50,400
Speaker 2: Got you there.

1465
01:08:52,220 --> 01:08:54,460
Speaker 3: Yeah, so we don't have to worry about that.

1466
01:08:55,140 --> 01:08:55,540
Speaker 2: All right.

1467
01:08:57,500 --> 01:08:58,299
Speaker 2: I'm suspicious, though.

1468
01:08:58,299 --> 01:09:02,940
Speaker 3: So I'm going to put, like, I don't know, three pockets on the inside

1469
01:09:03,580 --> 01:09:05,560
Speaker 3: so I can get in without them noticing.

1470
01:09:05,620 --> 01:09:07,359
Speaker 2: I'm going to give you double breast pockets.

1471
01:09:09,040 --> 01:09:09,200
Speaker 2: Okay.

1472
01:09:09,500 --> 01:09:10,900
Speaker 2: Oh, yeah, double breasts.

1473
01:09:12,020 --> 01:09:14,520
Speaker 4: Chuckles, roll your tinker to see how good these pockets are

1474
01:09:14,520 --> 01:09:17,200
Speaker 4: and if you're able to do three of them by the time the party starts.

1475
01:09:17,440 --> 01:09:18,299
Speaker 2: Well, does he have three breasts?

1476
01:09:19,900 --> 01:09:22,500
Speaker 4: Well, I don't know.

1477
01:09:22,670 --> 01:09:23,640
Speaker 4: I don't know demon anatomy.

1478
01:09:25,460 --> 01:09:26,960
Speaker 2: And it's not polite to ask.

1479
01:09:28,800 --> 01:09:31,960
Speaker 4: No, you're not sure if your own girlfriend has three breasts at this point.

1480
01:09:32,319 --> 01:09:33,339
Speaker 2: Yeah, but I'm about to find out.

1481
01:09:44,020 --> 01:09:44,779
Speaker 4: Yeah, all right.

1482
01:09:45,190 --> 01:09:46,580
Speaker 4: Yeah, I see you got three pockets.

1483
01:09:47,759 --> 01:09:48,020
Speaker 3: All right.

1484
01:09:48,359 --> 01:09:49,520
Speaker 3: I'm going to go around.

1485
01:09:49,560 --> 01:09:51,680
Speaker 3: I'm going to collect the empty alcohol bottles

1486
01:09:52,359 --> 01:09:53,920
Speaker 3: that Patches left lying around.

1487
01:09:55,680 --> 01:09:56,500
Speaker 3: Is this in your flashback?

1488
01:09:57,380 --> 01:09:57,560
Speaker 3: Yeah.

1489
01:09:58,100 --> 01:09:58,640
Speaker 3: Okay, sorry.

1490
01:09:58,760 --> 01:10:00,360
Speaker 3: I'm filling them up with boom boom sauce

1491
01:10:00,480 --> 01:10:02,360
Speaker 3: that's in my inside pockets.

1492
01:10:03,980 --> 01:10:04,520
Speaker 4: Yeah, yeah.

1493
01:10:04,740 --> 01:10:08,360
Speaker 4: So now back at the party in the middle of this fight,

1494
01:10:08,420 --> 01:10:09,360
Speaker 4: you reach down and you realize

1495
01:10:09,520 --> 01:10:13,360
Speaker 4: you still have your three pockets of boom boom sauce.

1496
01:10:13,820 --> 01:10:14,220
Speaker 4: Yeah.

1497
01:10:15,160 --> 01:10:18,620
Speaker 3: I'm going to throw one at...

1498
01:10:21,760 --> 01:10:23,180
Speaker 3: You know, I'm going to do Tam Azran.

1499
01:10:23,380 --> 01:10:24,100
Speaker 3: Get him out of the way.

1500
01:10:25,540 --> 01:10:25,640
Speaker 4: Sure.

1501
01:10:28,140 --> 01:10:29,120
Speaker 4: Yeah, finesse, I think.

1502
01:10:30,500 --> 01:10:31,600
Speaker 2: What does Boom Boom Sauce do again?

1503
01:10:31,760 --> 01:10:32,060
Speaker 2: Give him diarrhea?

1504
01:10:33,620 --> 01:10:35,920
Speaker 4: It definitely explodes on contact.

1505
01:10:38,920 --> 01:10:39,860
Speaker 3: All right, six.

1506
01:10:43,940 --> 01:10:44,380
Speaker 4: It explodes.

1507
01:10:45,340 --> 01:10:53,420
Speaker 4: And I'm going to say, because Tam Mazaran has his own pockets of interesting goo, it doesn't just explode.

1508
01:10:53,660 --> 01:10:54,900
Speaker 4: It violently explodes.

1509
01:10:55,160 --> 01:10:56,880
Speaker 4: So you tuck this jar.

1510
01:10:57,140 --> 01:10:58,700
Speaker 4: It lands on Tam Mazaran.

1511
01:10:59,280 --> 01:11:04,540
Speaker 4: And he just goes up in a plume of smoke and flames.

1512
01:11:05,040 --> 01:11:08,860
Speaker 4: There are firecrackers kind of going off, strange gases.

1513
01:11:09,640 --> 01:11:10,180
Speaker 4: I mean, just things.

1514
01:11:11,560 --> 01:11:11,960
Speaker 4: You know.

1515
01:11:12,760 --> 01:11:18,000
Speaker 4: He's, when the dust and smoke clears, he's completely gone.

1516
01:11:18,440 --> 01:11:24,000
Speaker 4: There's not even his shoes left behind or a little Tamazaran pile of dust.

1517
01:11:24,240 --> 01:11:25,480
Speaker 4: He is just gone.

1518
01:11:25,580 --> 01:11:25,860
Speaker 3: Gone.

1519
01:11:26,020 --> 01:11:27,460
Speaker 2: Are you killed Tamazaran?

1520
01:11:29,220 --> 01:11:30,020
Speaker 2: He was evil.

1521
01:11:30,240 --> 01:11:31,460
Speaker 2: I had so many questions for him.

1522
01:11:32,740 --> 01:11:33,120
Speaker 2: Like what?

1523
01:11:33,260 --> 01:11:33,880
Speaker 2: Why is he evil?

1524
01:11:33,990 --> 01:11:34,960
Speaker 2: Why is he having a big red nose?

1525
01:11:37,060 --> 01:11:37,400
Speaker 2: Alcohol.

1526
01:11:37,820 --> 01:11:37,880
Speaker 2: Oh.

1527
01:11:40,140 --> 01:11:42,860
Speaker 5: That's both answers and both answers to both questions.

1528
01:11:43,080 --> 01:11:44,460
Speaker 3: Ah, he just disappeared.

1529
01:11:46,300 --> 01:11:46,740
Speaker 3: He's gone.

1530
01:11:48,580 --> 01:11:51,860
Speaker 3: That's why you shouldn't carry explosive things in your jacket.

1531
01:11:53,200 --> 01:12:00,720
Speaker 4: Evelyn turns and sees Ted Mazarin is missing and, like, gets a little more panicky as the moment she goes,

1532
01:12:00,960 --> 01:12:01,760
Speaker 4: Mother, it's time.

1533
01:12:01,860 --> 01:12:02,720
Speaker 4: You have to do it now.

1534
01:12:03,100 --> 01:12:03,380
Speaker 2: Mother?

1535
01:12:04,200 --> 01:12:04,480
Speaker 2: Mother.

1536
01:12:04,740 --> 01:12:05,340
Speaker 2: You didn't tell me.

1537
01:12:05,920 --> 01:12:07,100
Speaker 2: Bitch, you better not have no mother.

1538
01:12:11,000 --> 01:12:18,800
Speaker 4: uh madame bouquet uh is there and she she draws herself in for a second and she goes yes yes of

1539
01:12:18,820 --> 01:12:23,860
Speaker 4: course uh and she runs towards this altar now again there was an altar kind of in the middle

1540
01:12:23,860 --> 01:12:29,000
Speaker 4: of the room where these you know lady high hill was being threatened to put into um and she

1541
01:12:30,140 --> 01:12:36,340
Speaker 4: when i say it's an altar it's a uh clear circle on the floor and there's this strange statue in it

1542
01:12:36,340 --> 01:12:39,840
Speaker 4: again, where someone could have their arms and legs positioned.

1543
01:12:41,160 --> 01:12:43,160
Speaker 4: And she starts crawling into the altar.

1544
01:12:44,620 --> 01:12:47,600
Speaker 4: Patches, with Tam Mazaran's explosion,

1545
01:12:47,800 --> 01:12:49,560
Speaker 4: it kind of shakes you out of your stupor.

1546
01:12:50,640 --> 01:12:51,880
Speaker 4: Your papa has disappeared.

1547
01:12:54,980 --> 01:12:55,980
Speaker 5: What's going on?

1548
01:12:56,480 --> 01:12:57,760
Speaker 5: Squirrels! Squirrels!

1549
01:12:59,560 --> 01:13:00,540
Speaker 3: I blew up somebody!

1550
01:13:01,780 --> 01:13:02,080
Speaker 3: What?

1551
01:13:02,660 --> 01:13:03,720
Speaker 3: I blew up somebody!

1552
01:13:04,660 --> 01:13:05,400
Speaker 3: Was it my papa?

1553
01:13:06,260 --> 01:13:08,620
Speaker 3: No. He's been dead a while.

1554
01:13:09,380 --> 01:13:10,240
Speaker 5: Oh, my God.

1555
01:13:10,700 --> 01:13:12,260
Speaker 5: Was it Andrews McSky? Because let me tell you,

1556
01:13:12,360 --> 01:13:14,340
Speaker 5: that guy needs to be blown up several six times.

1557
01:13:15,200 --> 01:13:16,700
Speaker 3: No, he's watching the ship for us.

1558
01:13:18,060 --> 01:13:18,880
Speaker 5: It's not a good idea.

1559
01:13:19,050 --> 01:13:19,920
Speaker 2: Wait, your papa's dead?

1560
01:13:21,540 --> 01:13:22,660
Speaker 2: What? Your papa's dead?

1561
01:13:24,160 --> 01:13:24,440
Speaker 2: Yeah.

1562
01:13:25,220 --> 01:13:26,300
Speaker 2: Yeah, you never told us that.

1563
01:13:26,870 --> 01:13:27,460
Speaker 2: How did you know then?

1564
01:13:29,820 --> 01:13:30,200
Speaker 2: My papa?

1565
01:13:31,220 --> 01:13:32,900
Speaker 2: Andy said that your papa's been dead

1566
01:13:33,030 --> 01:13:33,400
Speaker 2: for years.

1567
01:13:38,780 --> 01:13:39,900
Speaker 3: I forgot

1568
01:13:41,719 --> 01:13:43,920
Speaker 4: I think it was just a general insult

1569
01:13:44,040 --> 01:13:45,680
Speaker 4: which is like your mom's always been ugly

1570
01:13:46,120 --> 01:13:46,400
Speaker 2: whoa

1571
01:13:47,940 --> 01:13:49,860
Speaker 2: well yes in an Evelyn's case

1572
01:13:50,460 --> 01:13:51,100
Speaker 2: that's true

1573
01:13:51,140 --> 01:13:53,860
Speaker 2: yes me papa's dead and that Captain Fitzguide killed him

1574
01:13:53,980 --> 01:13:54,540
Speaker 2: alright there

1575
01:13:55,860 --> 01:13:57,700
Speaker 3: okay well I'm back to business

1576
01:13:58,000 --> 01:13:58,140
Speaker 3: later

1577
01:13:59,060 --> 01:14:01,160
Speaker 5: I feel like we should talk about this later

1578
01:14:02,220 --> 01:14:03,540
Speaker 5: it doesn't matter

1579
01:14:03,560 --> 01:14:05,480
Speaker 5: are we? What's going on? Why is she getting

1580
01:14:05,510 --> 01:14:06,020
Speaker 5: at that altar?

1581
01:14:08,640 --> 01:14:09,460
Speaker 3: Stop her from getting

1582
01:14:09,510 --> 01:14:11,460
Speaker 3: on the altar. Tell Hotman to

1583
01:14:11,560 --> 01:14:13,100
Speaker 2: stop her. No, I'll jump on her.

1584
01:14:13,980 --> 01:14:15,460
Speaker 2: I'll jump on her. No, you

1585
01:14:15,640 --> 01:14:17,260
Speaker 2: won't. That's my woman there.

1586
01:14:18,680 --> 01:14:19,680
Speaker 5: Tell Hotman to do

1587
01:14:19,840 --> 01:14:21,540
Speaker 5: something. Evelyn is evil

1588
01:14:21,820 --> 01:14:23,500
Speaker 5: Lynn. Don't you get it? That's why

1589
01:14:23,550 --> 01:14:25,560
Speaker 5: she has that name. We don't know that

1590
01:14:25,700 --> 01:14:27,520
Speaker 5: yet. She said she was

1591
01:14:27,860 --> 01:14:29,200
Speaker 5: evil. Yeah, but she didn't mean it.

1592
01:14:31,280 --> 01:14:31,740
Speaker 5: You are

1593
01:14:31,940 --> 01:14:32,400
Speaker 5: so desperate.

1594
01:14:34,340 --> 01:14:35,860
Speaker 4: You're already saving one girlfriend

1595
01:14:35,960 --> 01:14:36,800
Speaker 4: You can't save two

1596
01:14:37,420 --> 01:14:39,180
Speaker 2: I'm keeping up this charade

1597
01:14:39,380 --> 01:14:40,440
Speaker 2: For as long as possible

1598
01:14:41,380 --> 01:14:42,740
Speaker 5: It's not possible anymore

1599
01:14:42,880 --> 01:14:43,880
Speaker 2: She said she's into it

1600
01:14:44,700 --> 01:14:45,920
Speaker 5: She's going to take my butler

1601
01:14:46,880 --> 01:14:47,940
Speaker 2: Alright fine

1602
01:14:48,440 --> 01:14:49,460
Speaker 2: Then I won't jump on her

1603
01:14:49,940 --> 01:14:51,560
Speaker 2: I guess I'll just let her have the altar

1604
01:14:52,340 --> 01:14:53,800
Speaker 5: Let's both jump on her

1605
01:14:55,180 --> 01:14:56,080
Speaker 4: Okay so

1606
01:14:56,620 --> 01:14:58,040
Speaker 4: Patches are you jumping onto

1607
01:14:58,260 --> 01:14:59,160
Speaker 4: Evelyn getting in the altar

1608
01:15:01,940 --> 01:15:02,500
Speaker 3: Yeah

1609
01:15:02,520 --> 01:15:08,160
Speaker 5: the altar i thought it was bigfoot maybe evelyn well she's her daughter so maybe it's a little

1610
01:15:08,320 --> 01:15:14,080
Speaker 4: bigfoot yeah i i i said madame bouquet it was getting into the altar so i just want to make

1611
01:15:14,220 --> 01:15:21,580
Speaker 4: sure are you jumping jumping on her anyway i thought you said evelyn was getting in the altar

1612
01:15:21,880 --> 01:15:25,620
Speaker 4: no madame bouquet is getting in the altar she said mother it's time to do something about madame

1613
01:15:25,640 --> 01:15:26,380
Speaker 4: I'm sorry.

1614
01:15:28,660 --> 01:15:30,240
Speaker 5: I thought you were saying Evelyn.

1615
01:15:30,840 --> 01:15:32,680
Speaker 5: Because that's why Tiger wanted to jump on her.

1616
01:15:33,900 --> 01:15:36,300
Speaker 2: I'm just trying to help myself.

1617
01:15:37,520 --> 01:15:38,460
Speaker 2: By jumping on everyone.

1618
01:15:38,640 --> 01:15:39,920
Speaker 4: He just wants to jump at that.

1619
01:15:40,040 --> 01:15:41,660
Speaker 4: Okay, so Madame Bouquet is getting in the altar.

1620
01:15:42,880 --> 01:15:43,700
Speaker 4: Patches, what are you doing?

1621
01:15:44,360 --> 01:15:45,380
Speaker 5: I rescind my jumping.

1622
01:15:46,260 --> 01:15:46,400
Speaker 5: Okay.

1623
01:15:48,140 --> 01:15:49,140
Speaker 5: Burn her alive, I guess.

1624
01:15:49,140 --> 01:15:49,960
Speaker 5: Do we want to stop her?

1625
01:15:50,920 --> 01:15:52,780
Speaker 5: Do we need to stop her from getting in the altar, you think?

1626
01:15:54,680 --> 01:15:56,040
Speaker 5: Dead stop one of the two.

1627
01:15:56,940 --> 01:15:57,680
Speaker 5: What's Evelyn doing?

1628
01:15:58,920 --> 01:15:59,600
Speaker 4: Evelyn is walking.

1629
01:16:01,100 --> 01:16:02,300
Speaker 4: Yeah, very menacingly.

1630
01:16:03,380 --> 01:16:03,900
Speaker 4: I'm scared.

1631
01:16:05,440 --> 01:16:06,820
Speaker 2: You're just going to shoot her in the butt.

1632
01:16:08,630 --> 01:16:09,300
Speaker 2: I tried that.

1633
01:16:09,370 --> 01:16:10,120
Speaker 2: It didn't work.

1634
01:16:10,550 --> 01:16:11,720
Speaker 5: You guys think we should stop her

1635
01:16:11,720 --> 01:16:13,000
Speaker 5: and forget the altar or what?

1636
01:16:14,280 --> 01:16:15,280
Speaker 5: I mean, it can't be good.

1637
01:16:16,300 --> 01:16:17,680
Speaker 5: I'm going to lasso her big foot

1638
01:16:17,790 --> 01:16:18,620
Speaker 5: with my big chain.

1639
01:16:20,400 --> 01:16:20,580
Speaker 4: Okay.

1640
01:16:21,410 --> 01:16:22,900
Speaker 4: Go ahead and finesse that.

1641
01:16:23,700 --> 01:16:24,400
Speaker 5: I'd love to.

1642
01:16:32,340 --> 01:16:32,740
Speaker 4: you miss

1643
01:16:34,440 --> 01:16:35,100
Speaker 5: oh my god

1644
01:16:35,380 --> 01:16:37,240
Speaker 3: can you tell hotman to do something

1645
01:16:38,880 --> 01:16:39,320
Speaker 5: too late

1646
01:16:39,320 --> 01:16:39,600
Speaker 5: I already

1647
01:16:40,940 --> 01:16:42,340
Speaker 5: I already used my turn

1648
01:16:44,040 --> 01:16:44,940
Speaker 4: yes so

1649
01:16:45,860 --> 01:16:47,660
Speaker 4: Madame Bouquet is getting into the altar

1650
01:16:47,860 --> 01:16:49,920
Speaker 4: you can see she's putting her own arms

1651
01:16:50,200 --> 01:16:51,820
Speaker 4: and her own legs into the

1652
01:16:52,020 --> 01:16:53,560
Speaker 4: positioning and she

1653
01:16:54,900 --> 01:16:56,420
Speaker 4: seems nervous, but

1654
01:16:56,720 --> 01:16:58,460
Speaker 4: she's getting pinned in there.

1655
01:16:59,340 --> 01:17:00,560
Speaker 4: You have been trying to

1656
01:17:00,940 --> 01:17:02,360
Speaker 4: free your own Lady

1657
01:17:02,560 --> 01:17:02,960
Speaker 4: High Hill

1658
01:17:04,620 --> 01:17:04,760
Speaker 4: chuckles.

1659
01:17:06,520 --> 01:17:07,980
Speaker 4: You freed her arms.

1660
01:17:09,600 --> 01:17:10,720
Speaker 4: Her hands, and she's

1661
01:17:10,840 --> 01:17:12,660
Speaker 4: clutching onto you. What would you like to do

1662
01:17:12,780 --> 01:17:13,720
Speaker 4: next while you have her?

1663
01:17:15,700 --> 01:17:16,480
Speaker 2: Free her mouth.

1664
01:17:18,060 --> 01:17:18,680
Speaker 4: Okay, you're going to

1665
01:17:18,780 --> 01:17:20,580
Speaker 4: cut the vines away from her mouth?

1666
01:17:20,580 --> 01:17:22,180
Speaker 4: Yeah. Okay, cool.

1667
01:17:23,020 --> 01:17:24,320
Speaker 4: I mean, you can go ahead.

1668
01:17:24,400 --> 01:17:25,520
Speaker 4: I don't think you need to roll for that.

1669
01:17:25,600 --> 01:17:31,200
Speaker 4: I think you're going to just do that very carefully and very selfily.

1670
01:17:31,680 --> 01:17:33,660
Speaker 4: You managed to free her arms.

1671
01:17:33,880 --> 01:17:34,700
Speaker 4: She goes, what?

1672
01:17:35,480 --> 01:17:37,400
Speaker 4: Is this what your life is normally like?

1673
01:17:37,620 --> 01:17:40,740
Speaker 2: I peck her on the lips and then I jump down from the vines.

1674
01:17:43,240 --> 01:17:43,440
Speaker 4: Okay.

1675
01:17:43,920 --> 01:17:45,500
Speaker 4: I'll climb down myself.

1676
01:17:46,120 --> 01:17:48,640
Speaker 4: And she starts kind of climbing down on the vines.

1677
01:17:48,880 --> 01:17:52,020
Speaker 4: Now that you're on the ground floor, what are you doing?

1678
01:17:52,800 --> 01:17:54,440
Speaker 2: I'll scramble towards the altar.

1679
01:17:56,320 --> 01:17:56,460
Speaker 4: Okay.

1680
01:17:57,900 --> 01:17:58,940
Speaker 4: Are you just going to try?

1681
01:17:59,020 --> 01:18:00,080
Speaker 2: I'm going to bite at her ankles.

1682
01:18:01,520 --> 01:18:02,100
Speaker 4: Oh, okay.

1683
01:18:02,340 --> 01:18:03,520
Speaker 2: Well, not literally bite.

1684
01:18:03,540 --> 01:18:06,500
Speaker 2: I mean, pull her from her ankles out of the...

1685
01:18:06,640 --> 01:18:06,760
Speaker 2: Okay.

1686
01:18:07,900 --> 01:18:09,840
Speaker 2: I say you just pull out her with her teeth.

1687
01:18:11,420 --> 01:18:13,980
Speaker 2: Yeah, but it's probably better to use my hands.

1688
01:18:14,980 --> 01:18:16,340
Speaker 2: But they're big ankles.

1689
01:18:16,640 --> 01:18:17,660
Speaker 2: They're gigantic feet.

1690
01:18:17,820 --> 01:18:18,400
Speaker 2: Everyone knows it.

1691
01:18:20,060 --> 01:18:21,900
Speaker 4: She's got some real Peggy Hill

1692
01:18:22,140 --> 01:18:22,960
Speaker 4: foot going on there.

1693
01:18:23,980 --> 01:18:24,860
Speaker 5: Gothic stompers.

1694
01:18:25,460 --> 01:18:26,400
Speaker 4: Gothic stompers.

1695
01:18:26,800 --> 01:18:27,940
Speaker 4: Yeah, I guess

1696
01:18:29,160 --> 01:18:31,000
Speaker 4: I don't know what biting the ankles would be.

1697
01:18:31,000 --> 01:18:33,600
Speaker 2: No, I'm not biting her ankles. I'm grabbing her ankles

1698
01:18:33,630 --> 01:18:34,600
Speaker 2: and I'm pulling her out.

1699
01:18:35,840 --> 01:18:36,000
Speaker 2: Okay.

1700
01:18:36,900 --> 01:18:38,420
Speaker 2: She's going into the altar, right?

1701
01:18:38,580 --> 01:18:40,160
Speaker 2: She's probably leaned a little bit forward.

1702
01:18:40,720 --> 01:18:42,000
Speaker 2: I'm going to try and get behind her.

1703
01:18:43,120 --> 01:18:44,840
Speaker 2: Pull her legs out from under her.

1704
01:18:46,000 --> 01:18:46,160
Speaker 4: Okay.

1705
01:18:46,540 --> 01:18:47,340
Speaker 4: Yeah, go ahead and finesse her.

1706
01:18:48,240 --> 01:18:48,440
Speaker 4: boy

1707
01:18:55,360 --> 01:18:59,760
Speaker 4: okay yeah i i think you got a good hold of one of her ankles you didn't pull her out completely but

1708
01:18:59,800 --> 01:19:02,660
Speaker 4: you're definitely like slowing her and she's kind of like doing one of those things where she's like

1709
01:19:02,860 --> 01:19:10,200
Speaker 2: kicking from behind i'm just yanking on her gigantic fucking feet yeah on her big old

1710
01:19:10,340 --> 01:19:11,880
Speaker 4: and she's like kicking you. She's like, no!

1711
01:19:12,620 --> 01:19:13,620
Speaker 4: Stop it! Stop it!

1712
01:19:13,700 --> 01:19:13,800
Speaker 4: Get!

1713
01:19:17,920 --> 01:19:19,600
Speaker 5: And I guess the biting happens anyway.

1714
01:19:23,180 --> 01:19:23,580
Speaker 4: Squish.

1715
01:19:26,420 --> 01:19:27,720
Speaker 4: Squish, what would you

1716
01:19:27,740 --> 01:19:28,360
Speaker 4: like to do next?

1717
01:19:30,160 --> 01:19:31,620
Speaker 3: I'm going to take another bottle of boom boom

1718
01:19:31,800 --> 01:19:32,700
Speaker 3: sauce and throw it in Evelyn.

1719
01:19:33,700 --> 01:19:34,420
Speaker 5: Bite her ankles.

1720
01:19:37,020 --> 01:19:37,640
Speaker 3: Bite her in the

1721
01:19:37,820 --> 01:19:39,660
Speaker 3: ankle with boom boom sauce.

1722
01:19:41,800 --> 01:19:41,920
Speaker 3: no

1723
01:19:47,100 --> 01:19:56,440
Speaker 4: all right i got five you've horribly disfigured so you throw it you throw it at evelyn um and it's

1724
01:19:56,560 --> 01:20:03,460
Speaker 2: kind of a good news bad news situation earlier oh yeah but it didn't work which was was very

1725
01:20:04,880 --> 01:20:05,520
Speaker 2: sexy.

1726
01:20:06,100 --> 01:20:07,760
Speaker 4: Yeah, you throw this

1727
01:20:07,880 --> 01:20:09,800
Speaker 4: boom boom sauce at Evelyn and she just

1728
01:20:10,040 --> 01:20:12,180
Speaker 4: becomes engulfed

1729
01:20:12,340 --> 01:20:13,040
Speaker 4: in flames.

1730
01:20:13,840 --> 01:20:15,080
Speaker 4: Just entirely

1731
01:20:17,020 --> 01:20:17,660
Speaker 4: in flames.

1732
01:20:19,160 --> 01:20:19,720
Speaker 4: Madame Bouquet

1733
01:20:19,880 --> 01:20:21,480
Speaker 4: sees this and she screams

1734
01:20:22,820 --> 01:20:23,240
Speaker 4: just

1735
01:20:23,400 --> 01:20:24,460
Speaker 4: my baby!

1736
01:20:25,719 --> 01:20:27,620
Speaker 4: And now no longer

1737
01:20:27,700 --> 01:20:29,700
Speaker 4: is kicking you to get off of her.

1738
01:20:30,060 --> 01:20:31,460
Speaker 4: Pushes you away

1739
01:20:31,940 --> 01:20:33,820
Speaker 4: and runs towards the flames.

1740
01:20:35,360 --> 01:20:35,980
Speaker 2: I say let her.

1741
01:20:38,780 --> 01:20:39,280
Speaker 4: Patches.

1742
01:20:40,240 --> 01:20:42,880
Speaker 4: You see her running towards the flames.

1743
01:20:43,120 --> 01:20:43,920
Speaker 4: What would you like to do?

1744
01:20:46,720 --> 01:20:47,500
Speaker 5: Stop Lady Hyde.

1745
01:20:47,820 --> 01:20:48,660
Speaker 5: Stop Bouquet.

1746
01:20:49,260 --> 01:20:50,980
Speaker 2: Stop her from running into the flames?

1747
01:20:52,160 --> 01:20:52,400
Speaker 5: Yeah.

1748
01:20:53,540 --> 01:20:55,920
Speaker 5: I mean, I don't want someone to die,

1749
01:20:56,180 --> 01:20:56,980
Speaker 5: so I tackle her.

1750
01:20:58,160 --> 01:20:58,340
Speaker 4: Okay.

1751
01:20:59,280 --> 01:20:59,820
Speaker 4: You want to wreck her?

1752
01:21:00,780 --> 01:21:03,160
Speaker 5: I want her to catch fire, I guess.

1753
01:21:04,510 --> 01:21:05,940
Speaker 4: Because you're just going to knock her over, right?

1754
01:21:06,920 --> 01:21:08,200
Speaker 4: You're not trying to be careful.

1755
01:21:08,330 --> 01:21:09,240
Speaker 4: You're just trying to stop her?

1756
01:21:09,830 --> 01:21:11,340
Speaker 5: Yeah, it's more like a football tackle.

1757
01:21:11,560 --> 01:21:14,700
Speaker 5: I just ram in there.

1758
01:21:14,840 --> 01:21:16,620
Speaker 2: You don't want to kill...

1759
01:21:16,660 --> 01:21:21,140
Speaker 2: I mean, you've been pounding on people to kill them,

1760
01:21:21,460 --> 01:21:24,040
Speaker 2: but you're trying not to kill Lady Bigfoot?

1761
01:21:26,320 --> 01:21:26,820
Speaker 2: I just don't...

1762
01:21:27,260 --> 01:21:28,480
Speaker 3: He's got a thing for her.

1763
01:21:29,020 --> 01:21:30,660
Speaker 5: I got a little bit of a thing for her.

1764
01:21:30,720 --> 01:21:34,660
Speaker 2: Oh, but when I had a thing for Evelyn, all of a sudden it's, she's evil.

1765
01:21:34,960 --> 01:21:35,620
Speaker 2: You're crazy.

1766
01:21:36,660 --> 01:21:38,160
Speaker 4: I don't think this is out of character.

1767
01:21:40,720 --> 01:21:41,080
Speaker 2: Whoops.

1768
01:21:43,500 --> 01:21:43,960
Speaker 4: Yeah, go ahead.

1769
01:21:44,760 --> 01:21:48,800
Speaker 5: It's one of those situations where in the heat of the moment, I'm not really sure what I'm doing.

1770
01:21:49,080 --> 01:21:53,880
Speaker 5: I'm just kind of like, it's one of those like, it's less of a, I'm trying to stop her more.

1771
01:21:53,890 --> 01:21:55,540
Speaker 5: I'm like, maybe let's go about this.

1772
01:21:55,740 --> 01:21:56,480
Speaker 5: It's an arm bar.

1773
01:21:56,530 --> 01:21:57,060
Speaker 5: How about that?

1774
01:21:57,060 --> 01:21:57,980
Speaker 5: I give her an arm bar.

1775
01:21:58,540 --> 01:21:59,380
Speaker 4: I don't think that's better.

1776
01:21:59,540 --> 01:22:00,140
Speaker 4: No, that's worse.

1777
01:22:00,940 --> 01:22:03,460
Speaker 4: If the option is armbar or tackle,

1778
01:22:03,660 --> 01:22:04,700
Speaker 4: I'd rather take the tackle.

1779
01:22:05,380 --> 01:22:06,540
Speaker 5: No, I'm giving her an armbar.

1780
01:22:07,260 --> 01:22:08,120
Speaker 4: Alright, armbar.

1781
01:22:08,560 --> 01:22:09,840
Speaker 5: Because I think she's cute.

1782
01:22:11,040 --> 01:22:12,300
Speaker 5: Is that what you do to...

1783
01:22:15,900 --> 01:22:17,900
Speaker 5: Listen, I'm a very complex pirate.

1784
01:22:22,620 --> 01:22:23,760
Speaker 5: Alright, six.

1785
01:22:24,520 --> 01:22:25,460
Speaker 4: So yeah, armbar.

1786
01:22:26,400 --> 01:22:27,860
Speaker 4: Stop her right in her tracks.

1787
01:22:28,740 --> 01:22:31,900
Speaker 4: And the force of the arm bar kind of knocks the wind out of her.

1788
01:22:32,980 --> 01:22:34,420
Speaker 4: And she falls flat on her back.

1789
01:22:35,780 --> 01:22:38,620
Speaker 4: At this point, Evelyn is still in flames.

1790
01:22:40,280 --> 01:22:41,520
Speaker 4: But she's not screaming.

1791
01:22:42,280 --> 01:22:43,740
Speaker 4: She's just laughing.

1792
01:22:43,870 --> 01:22:45,420
Speaker 4: You just hear this laughter.

1793
01:22:45,830 --> 01:22:49,540
Speaker 4: High pitched and becoming more maniacal as it goes on.

1794
01:22:50,200 --> 01:22:52,160
Speaker 4: Just of her.

1795
01:22:53,380 --> 01:22:57,240
Speaker 4: The other cultists, having seen the flames, have fled.

1796
01:22:58,280 --> 01:23:04,560
Speaker 4: Madame Bouquet is laying on her back, unable to catch her breath because she's just been arm barred.

1797
01:23:04,680 --> 01:23:07,860
Speaker 4: She's like, she's losing control.

1798
01:23:08,560 --> 01:23:10,600
Speaker 4: You have to stop her.

1799
01:23:10,640 --> 01:23:11,440
Speaker 4: You have to leave.

1800
01:23:11,580 --> 01:23:11,940
Speaker 2: She's going to.

1801
01:23:12,160 --> 01:23:12,720
Speaker 2: Oh, my God.

1802
01:23:12,840 --> 01:23:13,340
Speaker 2: Is she Neela?

1803
01:23:13,680 --> 01:23:14,740
Speaker 2: I'm starting to think she's evil.

1804
01:23:16,340 --> 01:23:17,240
Speaker 2: I think she's Neela.

1805
01:23:18,640 --> 01:23:18,800
Speaker 2: Huh.

1806
01:23:19,240 --> 01:23:20,020
Speaker 2: Let's put her in a bottle.

1807
01:23:22,480 --> 01:23:24,920
Speaker 3: Captain, try to put her in a bottle.

1808
01:23:25,640 --> 01:23:27,140
Speaker 5: My bottles got broken, remember?

1809
01:23:28,580 --> 01:23:29,940
Speaker 5: You don't have an extra one?

1810
01:23:30,500 --> 01:23:31,160
Speaker 5: I don't think so

1811
01:23:31,800 --> 01:23:32,400
Speaker 5: That's a good question

1812
01:23:32,820 --> 01:23:35,680
Speaker 4: You do have the bottle Hotman came out of

1813
01:23:36,240 --> 01:23:37,760
Speaker 5: No, they broke that, remember that?

1814
01:23:37,760 --> 01:23:38,380
Speaker 5: They broke that

1815
01:23:38,900 --> 01:23:39,560
Speaker 3: Oh, that's true

1816
01:23:40,300 --> 01:23:41,340
Speaker 5: I thought I had something else

1817
01:23:41,420 --> 01:23:42,240
Speaker 5: Yeah, whiskey bottles

1818
01:23:43,340 --> 01:23:44,280
Speaker 3: Yeah, pour out the whiskey

1819
01:23:44,960 --> 01:23:46,160
Speaker 3: I'll get you another bottle

1820
01:23:47,580 --> 01:23:48,840
Speaker 5: I don't think that's how it works

1821
01:23:49,040 --> 01:23:50,480
Speaker 5: Oh, I have four spirit bottles

1822
01:23:50,540 --> 01:23:51,740
Speaker 5: So I should have an extra one here

1823
01:23:52,900 --> 01:23:55,700
Speaker 4: You only have two spirits you use on a regular basis

1824
01:23:57,180 --> 01:23:58,340
Speaker 5: Well, it turns out

1825
01:23:58,370 --> 01:23:59,300
Speaker 5: when you have a Fire Demon

1826
01:23:59,840 --> 01:24:03,380
Speaker 5: and a Butler Pokemon, that's all you need.

1827
01:24:03,410 --> 01:24:04,820
Speaker 2: Yeah, they're a monument to his failures

1828
01:24:05,970 --> 01:24:06,800
Speaker 2: to catch more Pokemon.

1829
01:24:09,540 --> 01:24:10,940
Speaker 5: Hey man, Ash Ketchum only had

1830
01:24:11,180 --> 01:24:11,760
Speaker 5: Pikachu.

1831
01:24:13,380 --> 01:24:14,940
Speaker 2: I don't know, I didn't watch it until it finished.

1832
01:24:16,360 --> 01:24:17,380
Speaker 3: And he caught Caterpie

1833
01:24:17,490 --> 01:24:17,940
Speaker 2: pretty quickly.

1834
01:24:20,040 --> 01:24:20,860
Speaker 5: And he got rid of him.

1835
01:24:21,410 --> 01:24:23,100
Speaker 5: Listen, so you guys want me to

1836
01:24:23,880 --> 01:24:24,660
Speaker 5: bottle something?

1837
01:24:24,920 --> 01:24:27,120
Speaker 2: Hey, she's Neela.

1838
01:24:27,540 --> 01:24:29,900
Speaker 2: Yes, I think we don't know that.

1839
01:24:30,200 --> 01:24:32,320
Speaker 2: Yeah, but you can still put her in the bottle.

1840
01:24:32,660 --> 01:24:33,260
Speaker 2: What's it going to hurt?

1841
01:24:33,410 --> 01:24:34,040
Speaker 2: The worst thing.

1842
01:24:34,220 --> 01:24:35,920
Speaker 2: Yeah, the worst thing that happens is it doesn't work.

1843
01:24:36,020 --> 01:24:36,180
Speaker 5: Right.

1844
01:24:37,700 --> 01:24:38,220
Speaker 5: All right, fine.

1845
01:24:38,360 --> 01:24:41,460
Speaker 5: Bridget, I'm going to bottle the evil burning lady.

1846
01:24:42,240 --> 01:24:43,220
Speaker 4: OK, go ahead and attune.

1847
01:24:45,720 --> 01:24:46,440
Speaker 5: Hold for attune.

1848
01:24:55,220 --> 01:25:02,300
Speaker 4: You throw your hooks into the burning flame, and the burning figure catches them mid-throw.

1849
01:25:02,920 --> 01:25:09,360
Speaker 4: And she takes them, and she pulls patches and pulls you closer to her.

1850
01:25:09,750 --> 01:25:15,280
Speaker 4: And just by, you know, you're skidding your feet, and she pulls them, and she stares at you.

1851
01:25:15,400 --> 01:25:16,420
Speaker 1: Guys, help.

1852
01:25:16,840 --> 01:25:19,480
Speaker 4: This skeletal face staring back at you.

1853
01:25:19,820 --> 01:25:20,220
Speaker 4: Skeleton.

1854
01:25:20,240 --> 01:25:25,160
Speaker 4: She's like, you think this sort of thing would work on me?

1855
01:25:25,460 --> 01:25:29,220
Speaker 4: And she chucked the hooks down.

1856
01:25:29,620 --> 01:25:31,320
Speaker 4: Although before you didn't think it would work.

1857
01:25:31,720 --> 01:25:32,480
Speaker 2: We thought it would work.

1858
01:25:33,140 --> 01:25:38,000
Speaker 4: With a single movement of her arm, the flames go out.

1859
01:25:38,020 --> 01:25:40,360
Speaker 4: And no longer is Evelyn standing there.

1860
01:25:40,360 --> 01:25:45,420
Speaker 4: It is just a purely black mass with white eyes staring back at you.

1861
01:25:46,780 --> 01:25:51,280
Speaker 4: She opens her mouth still in this sort of, you know, Richter grin.

1862
01:25:52,020 --> 01:25:55,560
Speaker 4: And all you see is just a blacker than black within her mouth.

1863
01:25:55,970 --> 01:26:02,260
Speaker 4: And she goes, I have been waiting to lose that pathetic form for decades.

1864
01:26:02,690 --> 01:26:04,960
Speaker 4: So I guess I really should be thanking you.

1865
01:26:06,060 --> 01:26:08,940
Speaker 3: I don't remember why you shade the Saganaki while it was still on fire.

1866
01:26:09,300 --> 01:26:10,780
Speaker 5: It's no big deal.

1867
01:26:11,240 --> 01:26:14,340
Speaker 5: You know, I just try to help everyone get along.

1868
01:26:15,740 --> 01:26:17,000
Speaker 5: Well, I've helped you out.

1869
01:26:17,000 --> 01:26:18,680
Speaker 5: I think it's time for us to leave, don't you think, boys?

1870
01:26:18,900 --> 01:26:19,520
Speaker 5: Yeah, yeah.

1871
01:26:19,720 --> 01:26:20,600
Speaker 5: No harm, not fall.

1872
01:26:21,520 --> 01:26:23,120
Speaker 2: Yeah, no harm, no hard feelings.

1873
01:26:23,920 --> 01:26:25,300
Speaker 2: It wasn't you, it was me.

1874
01:26:25,420 --> 01:26:28,680
Speaker 3: Lady Bouquet, this is your mess now.

1875
01:26:29,060 --> 01:26:29,280
Speaker 2: Yeah.

1876
01:26:29,620 --> 01:26:30,520
Speaker 2: We'll just be on the way.

1877
01:26:31,120 --> 01:26:31,960
Speaker 2: Wonderful, Vardy.

1878
01:26:32,900 --> 01:26:33,520
Speaker 2: Yeah, it was good.

1879
01:26:33,850 --> 01:26:34,540
Speaker 2: Very nice flowers.

1880
01:26:34,750 --> 01:26:35,640
Speaker 2: We had a grand time.

1881
01:26:36,600 --> 01:26:38,500
Speaker 2: Remember the joke I made?

1882
01:26:38,610 --> 01:26:40,620
Speaker 2: Yeah, it was very, very veiny.

1883
01:26:44,040 --> 01:26:45,120
Speaker 5: All right, well, let's get out of here.

1884
01:26:46,020 --> 01:26:51,560
Speaker 2: I stick my arm out for Lady High Heels to take it into my arm.

1885
01:26:52,220 --> 01:26:53,420
Speaker 2: Say, Madame.

1886
01:26:57,080 --> 01:27:02,000
Speaker 4: So you take her arm and the rest of you just slowly walk out?

1887
01:27:02,090 --> 01:27:04,520
Speaker 2: Yeah, we're starting to walk towards the back.

1888
01:27:05,350 --> 01:27:05,740
Speaker 2: The exit.

1889
01:27:05,750 --> 01:27:06,460
Speaker 2: The exit, yeah.

1890
01:27:09,100 --> 01:27:14,460
Speaker 4: She moves her arm and the doors fling open for once.

1891
01:27:14,820 --> 01:27:17,880
Speaker 4: She goes, I really would appreciate it if you run.

1892
01:27:18,340 --> 01:27:20,020
Speaker 4: I haven't had a chase in a while.

1893
01:27:22,660 --> 01:27:23,240
Speaker 3: Oh, dear.

1894
01:27:23,720 --> 01:27:24,900
Speaker 4: And with that, she starts running.

1895
01:27:27,360 --> 01:27:29,240
Speaker 4: She starts hightailing it on you.

1896
01:27:29,600 --> 01:27:31,460
Speaker 2: So I start running.

1897
01:27:33,700 --> 01:27:34,260
Speaker 4: Anyone else?

1898
01:27:35,020 --> 01:27:35,860
Speaker 3: Oh, yeah, I'm going to run.

1899
01:27:36,460 --> 01:27:36,740
Speaker 3: Yeah, yeah.

1900
01:27:37,060 --> 01:27:39,220
Speaker 3: I was the one who ran first.

1901
01:27:39,880 --> 01:27:41,560
Speaker 3: Someone who said we should go to the air first.

1902
01:27:42,900 --> 01:27:43,740
Speaker 5: I say we're running.

1903
01:27:45,600 --> 01:27:46,620
Speaker 4: everyone just roll

1904
01:27:47,090 --> 01:27:49,300
Speaker 4: a d6

1905
01:27:49,790 --> 01:27:50,340
Speaker 4: just a typical

1906
01:27:51,250 --> 01:27:52,780
Speaker 4: just one doesn't matter what just run

1907
01:27:55,700 --> 01:27:56,980
Speaker 3: all right oh damn

1908
01:27:59,780 --> 01:28:00,080
Speaker 3: damn

1909
01:28:02,640 --> 01:28:02,980
Speaker 3: all right

1910
01:28:03,170 --> 01:28:04,860
Speaker 3: hey is that a critical success then

1911
01:28:06,210 --> 01:28:06,400
Speaker 4: yeah

1912
01:28:06,850 --> 01:28:09,040
Speaker 4: yeah so wait which patches was this

1913
01:28:09,140 --> 01:28:10,440
Speaker 2: oh mine is the second one

1914
01:28:11,260 --> 01:28:13,079
Speaker 2: because I wrote last yeah because I had patches

1915
01:28:13,860 --> 01:28:22,880
Speaker 4: highlighted okay um so uh patches and uh squish you guys bulk it out of there um but because you

1916
01:28:22,880 --> 01:28:27,180
Speaker 4: are holding on to lady high who is a little you know less frail she's in heels chuckles

1917
01:28:28,400 --> 01:28:33,100
Speaker 4: chuckles you start running as well you feel this like tingling at the back of your head

1918
01:28:33,460 --> 01:28:38,840
Speaker 4: and as you're running you kind of just hear her whispering she's like oh don't you miss me yes

1919
01:28:39,140 --> 01:28:40,920
Speaker 2: wouldn't it have been nice two girls

1920
01:28:41,330 --> 01:28:43,120
Speaker 4: two girls to give you all

1921
01:28:43,440 --> 01:28:45,140
Speaker 4: the love that you just feel like

1922
01:28:45,280 --> 01:28:46,780
Speaker 4: you've never had

1923
01:28:47,720 --> 01:28:48,560
Speaker 2: that's awfully condescending

1924
01:28:48,560 --> 01:28:51,600
Speaker 4: you know if you had been playing your cards

1925
01:28:51,780 --> 01:28:52,720
Speaker 4: right you could have had both of us

1926
01:28:52,800 --> 01:28:55,340
Speaker 2: I'm not really into black forms with white eyes

1927
01:28:57,180 --> 01:28:58,460
Speaker 2: I'm more into bird heads

1928
01:28:59,340 --> 01:29:00,220
Speaker 4: out of characters

1929
01:29:00,650 --> 01:29:01,960
Speaker 4: not what I thought you were about to say

1930
01:29:02,140 --> 01:29:02,680
Speaker 4: gotta be honest

1931
01:29:05,380 --> 01:29:05,700
Speaker 5: oh my

1932
01:29:06,120 --> 01:29:07,540
Speaker 4: are you sure

1933
01:29:07,740 --> 01:29:09,640
Speaker 4: Are you sure you kind of feel these fingers

1934
01:29:10,000 --> 01:29:11,660
Speaker 4: kind of like on your skin?

1935
01:29:12,180 --> 01:29:13,880
Speaker 4: Except it feels like cold, icy

1936
01:29:14,160 --> 01:29:15,840
Speaker 4: fingers kind of like coming down your spine.

1937
01:29:16,020 --> 01:29:17,720
Speaker 4: Yeah, which is

1938
01:29:17,900 --> 01:29:19,580
Speaker 2: an appealing feeling.

1939
01:29:19,680 --> 01:29:21,200
Speaker 2: And I look towards Lady Highhill,

1940
01:29:21,440 --> 01:29:23,620
Speaker 2: and she could probably, what kind of face

1941
01:29:23,620 --> 01:29:24,500
Speaker 2: is she making towards me?

1942
01:29:26,040 --> 01:29:27,480
Speaker 4: She's making, oh, I'm running

1943
01:29:27,660 --> 01:29:28,960
Speaker 4: and getting out of here face, so

1944
01:29:30,000 --> 01:29:30,840
Speaker 4: panting, I guess.

1945
01:29:31,500 --> 01:29:32,980
Speaker 2: She could probably outrun you.

1946
01:29:33,040 --> 01:29:35,740
Speaker 2: Yeah, she probably can with those long legs that she's always stepping on me with.

1947
01:29:36,720 --> 01:29:39,160
Speaker 4: Yeah, she's kind of just actually dragging you behind.

1948
01:29:39,920 --> 01:29:43,700
Speaker 4: She's like, all it takes, all it takes is one little bottle.

1949
01:29:44,210 --> 01:29:45,020
Speaker 4: You know where it is.

1950
01:29:45,090 --> 01:29:45,300
Speaker 2: I don't.

1951
01:29:45,300 --> 01:29:46,080
Speaker 4: You know how to find it.

1952
01:29:46,180 --> 01:29:46,600
Speaker 2: Well, maybe.

1953
01:29:47,440 --> 01:29:48,340
Speaker 2: He'll hurt me, though.

1954
01:29:49,540 --> 01:29:50,940
Speaker 2: He's killed people for less.

1955
01:29:51,940 --> 01:29:53,240
Speaker 2: And I start booking it.

1956
01:29:53,310 --> 01:29:55,900
Speaker 2: I start booking it with Lady High Hill.

1957
01:29:55,900 --> 01:29:57,060
Speaker 2: I'm trying to catch up to her.

1958
01:29:59,100 --> 01:30:00,880
Speaker 2: Who's killed more people for less?

1959
01:30:02,540 --> 01:30:02,980
Speaker 2: Patches.

1960
01:30:03,030 --> 01:30:04,060
Speaker 2: He kills people all the time.

1961
01:30:04,620 --> 01:30:05,760
Speaker 2: He kills captains.

1962
01:30:07,280 --> 01:30:08,120
Speaker 2: for no reason at all.

1963
01:30:09,240 --> 01:30:10,680
Speaker 3: And we're co-captains.

1964
01:30:11,060 --> 01:30:11,160
Speaker 2: Yeah.

1965
01:30:11,840 --> 01:30:14,860
Speaker 4: If you change your mind, you know how to find me.

1966
01:30:14,880 --> 01:30:17,400
Speaker 4: All you got to do is just whisper my name in the dark.

1967
01:30:17,520 --> 01:30:18,440
Speaker 2: I don't know what your name is.

1968
01:30:19,960 --> 01:30:21,340
Speaker 4: Oh, you know what it is.

1969
01:30:21,500 --> 01:30:22,400
Speaker 2: Oh, Beetlejuice?

1970
01:30:25,040 --> 01:30:25,780
Speaker 2: Oh, boy.

1971
01:30:26,500 --> 01:30:26,800
Speaker 2: I know.

1972
01:30:27,020 --> 01:30:27,860
Speaker 2: I'm booking it.

1973
01:30:28,060 --> 01:30:28,800
Speaker 2: I'm booking.

1974
01:30:29,980 --> 01:30:33,400
Speaker 4: Just one little bottle and get everything that you want.

1975
01:30:33,640 --> 01:30:39,180
Speaker 4: And the voice dies away as you cross the threshold into the basement and up the stairs.

1976
01:30:40,840 --> 01:30:44,040
Speaker 4: You guys are the party has thinned out at this point.

1977
01:30:44,180 --> 01:30:45,300
Speaker 4: There's very few people left.

1978
01:30:45,520 --> 01:30:49,060
Speaker 4: You see some people kind of just like randomly in the corner passed out.

1979
01:30:49,260 --> 01:30:56,520
Speaker 4: You see Mr. Taylor and his wife snoozing in each other's arms as you as you run out of the building.

1980
01:30:57,640 --> 01:31:04,800
Speaker 4: Yes. And you run out into the courthouse, into the front gate where all the, you know,

1981
01:31:05,280 --> 01:31:13,480
Speaker 4: rickshaws and carriages were. And then you run out onto the street away from the main building.

1982
01:31:14,560 --> 01:31:15,280
Speaker 4: And then it blows up.

1983
01:31:16,180 --> 01:31:16,860
Speaker 2: It blew up?

1984
01:31:18,480 --> 01:31:18,640
Speaker 2: Yeah.

1985
01:31:19,160 --> 01:31:20,160
Speaker 2: Oh, did we forget Hotman?

1986
01:31:23,640 --> 01:31:25,420
Speaker 2: I know we forgot something.

1987
01:31:26,380 --> 01:31:29,040
Speaker 2: Oh, God, this is why we were trying to rehabilitate him.

1988
01:31:30,980 --> 01:31:31,960
Speaker 2: What about the tailors?

1989
01:31:32,140 --> 01:31:32,840
Speaker 2: Are they dead, too?

1990
01:31:33,140 --> 01:31:34,520
Speaker 2: Yeah, they got done blowed up.

1991
01:31:36,340 --> 01:31:36,820
Speaker 5: Let's see.

1992
01:31:36,980 --> 01:31:37,980
Speaker 2: Yes, but they were in love.

1993
01:31:39,440 --> 01:31:40,320
Speaker 2: Did they get in?

1994
01:31:41,420 --> 01:31:42,000
Speaker 2: Get into what?

1995
01:31:42,120 --> 01:31:43,340
Speaker 5: Yeah, that was the whole thing last time.

1996
01:31:43,540 --> 01:31:44,360
Speaker 3: I think they got in.

1997
01:31:44,440 --> 01:31:44,660
Speaker 2: Oh, yeah.

1998
01:31:44,960 --> 01:31:46,020
Speaker 2: Yeah, they had a wonderful time.

1999
01:31:46,120 --> 01:31:48,380
Speaker 2: They're snoozing in each other's arms, and then they burned it out.

2000
01:31:48,380 --> 01:31:48,860
Speaker 5: I'm sad.

2001
01:31:49,280 --> 01:31:50,040
Speaker 5: I'm sad now.

2002
01:31:50,840 --> 01:31:52,160
Speaker 5: I'm more sad about the tailors.

2003
01:31:52,660 --> 01:31:58,600
Speaker 4: away from away from the rubble uh as as the building burns you do see the tailors have

2004
01:31:58,720 --> 01:32:02,740
Speaker 4: walked out uh they're alive i'm not gonna kill them i love them too much all right but they're

2005
01:32:03,040 --> 01:32:09,200
Speaker 2: closer in tatters they're they're charred yeah but it's fine they're tailors this is fine for them

2006
01:32:09,460 --> 01:32:15,960
Speaker 4: this is normal nice and they're burn victims uh you know no they're they're uh walking arm and arm

2007
01:32:15,980 --> 01:32:17,780
Speaker 4: hand in hand. The power of love.

2008
01:32:18,960 --> 01:32:19,760
Speaker 4: But their

2009
01:32:19,980 --> 01:32:21,160
Speaker 4: relationship ever closer.

2010
01:32:21,940 --> 01:32:23,800
Speaker 4: And you guys book it

2011
01:32:24,000 --> 01:32:25,560
Speaker 4: back to the ship

2012
01:32:26,520 --> 01:32:27,000
Speaker 4: where

2013
01:32:27,740 --> 01:32:29,380
Speaker 4: you now take Lady Highhill.

2014
01:32:29,760 --> 01:32:31,780
Speaker 4: This is her first time being upon the

2015
01:32:31,860 --> 01:32:33,640
Speaker 2: Kahunaway. I have so much to show you, Lady Highhill.

2016
01:32:34,760 --> 01:32:35,420
Speaker 2: The Cuddy Crab.

2017
01:32:35,420 --> 01:32:36,100
Speaker 2: My one and only.

2018
01:32:39,320 --> 01:32:39,520
Speaker 4: But

2019
01:32:40,040 --> 01:32:42,080
Speaker 4: as you kind of decompress

2020
01:32:42,260 --> 01:32:43,760
Speaker 4: for the night and you settle

2021
01:32:44,040 --> 01:32:45,940
Speaker 4: in, Lady Highhill giving a nice

2022
01:32:45,980 --> 01:32:46,900
Speaker 4: the captain's borders.

2023
01:32:48,200 --> 01:32:49,920
Speaker 4: Although I guess you guys still have all your bunk beds

2024
01:32:49,990 --> 01:32:52,040
Speaker 4: in there, so maybe you have to move your bunk bed somewhere else.

2025
01:32:52,660 --> 01:32:53,780
Speaker 5: I'm not moving my bunk bed.

2026
01:32:55,160 --> 01:32:56,060
Speaker 5: How about we give Juckles

2027
01:32:56,110 --> 01:32:57,400
Speaker 5: and Lady Highhill the bunk bed?

2028
01:33:00,360 --> 01:33:02,000
Speaker 4: Or maybe she just finds

2029
01:33:02,140 --> 01:33:03,640
Speaker 4: another room to sleep in. Maybe

2030
01:33:04,030 --> 01:33:05,740
Speaker 4: you move the captain's bed to another room.

2031
01:33:07,240 --> 01:33:07,600
Speaker 4: Anyway,

2032
01:33:07,980 --> 01:33:10,080
Speaker 4: as you guys settle and decompress

2033
01:33:10,500 --> 01:33:10,980
Speaker 4: for the night,

2034
01:33:12,440 --> 01:33:14,020
Speaker 4: the words still kind of ring

2035
01:33:14,110 --> 01:33:15,260
Speaker 4: in your ear.

2036
01:33:16,239 --> 01:33:16,800
Speaker 4: squish

2037
01:33:17,460 --> 01:33:19,400
Speaker 4: you know the feelings you had

2038
01:33:20,320 --> 01:33:21,300
Speaker 4: of seeing Lady

2039
01:33:21,480 --> 01:33:22,940
Speaker 4: High Hill with Chuckles

2040
01:33:23,200 --> 01:33:25,060
Speaker 4: her one true love and

2041
01:33:25,440 --> 01:33:27,280
Speaker 4: not wanting anything to do with that

2042
01:33:27,280 --> 01:33:27,700
Speaker 4: I guess

2043
01:33:30,199 --> 01:33:31,360
Speaker 4: Patches you are seeing

2044
01:33:31,680 --> 01:33:32,940
Speaker 4: pictures of your dead papa

2045
01:33:33,820 --> 01:33:35,280
Speaker 4: turning into Captain Adric

2046
01:33:37,360 --> 01:33:37,560
Speaker 4: and

2047
01:33:37,720 --> 01:33:39,020
Speaker 4: Chuckles you are hearing

2048
01:33:39,900 --> 01:33:40,460
Speaker 4: Evelyn's

2049
01:33:41,400 --> 01:33:43,280
Speaker 4: voice in your ear telling you

2050
01:33:43,300 --> 01:33:45,240
Speaker 4: what you can do to get everything that

2051
01:33:45,260 --> 01:33:47,120
Speaker 2: you wanted. Yeah, turn on

2052
01:33:47,260 --> 01:33:47,420
Speaker 2: patches.

2053
01:33:50,760 --> 01:33:52,580
Speaker 4: Turn on patches.

2054
01:33:55,480 --> 01:33:56,500
Speaker 4: But we were not going to need that.

2055
01:33:59,150 --> 01:33:59,300
Speaker 2: Right?

2056
01:33:59,980 --> 01:34:00,220
Speaker 2: Maybe.

2057
01:34:01,240 --> 01:34:02,440
Speaker 2: Depends how nice you are to me.

2058
01:34:03,480 --> 01:34:03,720
Speaker 2: Friend.

2059
01:34:03,760 --> 01:34:04,100
Speaker 2: up for you.